A major contributor to this article appears to have a close connection with its subject.(February 2024) |
Maureen Paley | |
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Born | 1953 (age 70–71) |
Education |
Maureen Paley (born 1953 [1] ) is the American owner of a contemporary art gallery in Bethnal Green, London, where she lives. It was founded in 1984, called Interim Art during the 1990s, and renamed Maureen Paley in 2004. She exhibited Young British Artists at an early stage. [2] Artists represented include Turner Prize winners Lawrence Abu Hamdan, Gillian Wearing and Wolfgang Tillmans. One thing in common with many of the artists represented is their interest in addressing social issues. [3]
The gallery is located at 60 Three Colts Lane. [4] Maureen Paley opened a space in Hove called Morena di Luna in 2017 [5] and in 2021 opened Studio M at Rochelle School in Shoreditch. [6]
Maureen Paley was born in New York. She attended Sarah Lawrence College, and graduated from Brown University [1] in 1975. She emigrated to England in 1977, attending the Royal College of Art from 1978 to 1980, where she gained an MA in photography. [7]
In 1984, Paley began a gallery programme in her Victorian terraced house. [8] During the late 1980s, she exhibited examples of contemporary art by Tim Rollins and K.O.S., Sarah Charlesworth, Charles Ray, Mike Kelley, Michelangelo Pistoletto and Günther Förg. [9]
In the early 1990s, the gallery presented several exhibitions made by the burgeoning group of artists that were to become known as the YBAs—including, Henry Bond, Angela Bulloch and Liam Gillick. [2] [10] For years she developed the careers of Gillian Wearing and Wolfgang Tillmans. [11]
She was called by Time Out "a true pioneer of the East End", having presented work there before it was fashionable. [12] [13] For almost a decade, the gallery was supported by Arts Council grants and other patronage. [14]
In September 1999, the gallery moved to Herald Street in Bethnal Green, [15] occupying "a chic new industrial space." [11] Paley's base in the area was a precedent for leading galleries such as White Cube and Victoria Miro to also locate in the East End." [11]
Curated exhibitions
In 1994, Paley curated a show at Camden Arts Centre of work by Joseph Kosuth, Ad Reinhardt and Félix González-Torres. [15] In 1995, she presented Wall to Wall featuring wall drawings by artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol LeWitt, and Lawrence Weiner. [15] The National Touring Exhibitions show went to the Serpentine Gallery, London, Southampton City Art Gallery, and Leeds City Art Gallery. [15] In 1996, for the Henry Moore Sculpture Trust, Paley curated The Cauldron, an exhibition of work by Young British Artists—Christine Borland, Angela Bulloch, Jake and Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing. [15] It was installed in the Trust's studio space in Dean Clough, Halifax. [15]
In 2000, Paley staged The Agony and the Ecstasy, the first show of Rebecca Warren, who she met after Paley had given a talk at her art school. [16]
She said in 2001, "Being a tastemaker—someone who invents the future—requires a delicate balance. You need to be of your time—if you're too far ahead you'll be misunderstood." [11]
In 2004, the gallery's name was changed from Interim Art to Maureen Paley. In 2006, when asked why many women have been successful in contemporary art dealing, Paley said,
Art is one of the last unregulated markets. There are no male gatekeepers and you are not confined to traditional alpha-male values. That makes it very attractive to a certain type of woman with a strong personality, who wouldn't fit into a cookie-cutter working environment [...]. [17]
Paley was one of the judges of New Sensations, a competition for art students promoted by Channel 4 and the Saatchi Gallery. [18] Jo Craven said in The Daily Telegraph that Paley was one of only five female gallery owners of note in London. [19]
In August 2009, reflecting on the legacy of the YBA art scene, Paley said, "The thing that came out of the YBA generation was boldness, a belief that you can do anything." [20]
In 2009, Paley was elected to the executive committee of the Society of London Art Dealers. [21]
In 2010, Paley was one of a group of art dealers including Sadie Coles who made up the selection committee for the Frieze Art Fair. [22] The gallery also takes part in Condo, an exhibition series where host galleries collaborate and share their spaces with visiting galleries. [3]
Paley was interviewed for the Art Agency, Partners podcast In Other Words [23] in 2020 and an episode of Talk Art [24] in 2022. In 2023, she was invited to deliver the 15th annual Dasha Shenkman Lecture in Contemporary Art at the University of Guelph, Canada. [25]
Maureen Paley represents numerous living artists, including:
In addition, the gallery manages various artist estates, including:
Paley supports the programmes of Artists Space, Creative Industries Federation, Open School East, Serpentine Gallery, The Showroom, Studio Voltaire, and White Columns. She is also a patron of Camden Arts Centre, Chisenhale Gallery, ICA, London, Michael Clark Company, South London Gallery, Tate, Artangel, the Whitechapel Gallery, Charleston, Peer, and Pallant House Galley, as well as a supporter of the Gallery Climate Coalition (GCC). [28] [29] [30] [31]
The Evening Standard included Paley in London's 50 most influential people in art and design in 2008 and 2009. [32] [33]
In 2009, Paley was placed at 87 (from 70 the previous year) in ArtReview's art world Power 100 list; [34] the citation drew attention to the presence of gallery artists at major events, such as Rebecca Warren at the Serpentine Gallery and Wolfgang Tillmans at the Venice Biennale.
In 2022, the gallery was listed as one of the '15 best art galleries in London.' [35]
The Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art.
Wolfgang Tillmans is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the photographic medium’s foundations.
Helen Chadwick was a British sculptor, photographer and installation artist. In 1987, she became one of the first women artists to be nominated for the Turner Prize. Chadwick was known for "challenging stereotypical perceptions of the body in elegant yet unconventional forms. Her work draws from a range of sources, from myths to science, grappling with a plethora of unconventional, visceral materials that included chocolate, lambs tongues and rotting vegetable matter. Her skilled use of traditional fabrication methods and sophisticated technologies transform these unusual materials into complex installations. Maureen Paley noted that "Helen was always talking about craftsmanship—a constant fount of information". Binary oppositions was a strong theme in Chadwick's work; seductive/repulsive, male/female, organic/man-made. Her combinations "emphasise yet simultaneously dissolve the contrasts between them". Her gender representations forge a sense of ambiguity and a disquieting sexuality blurring the boundaries of ourselves as singular and stable beings."
The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions in London. The building is a notable example of the British Modern Style. In 2009 the gallery approximately doubled in size by incorporating the adjacent former Passmore Edwards library building. It exhibits the work of contemporary artists and organizes retrospective exhibitions and other art shows.
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