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Carl Freedman (born 1965) is the founder of Carl Freedman Gallery (formerly Counter Gallery). He previously worked as a writer and a curator.
Charles Saatchi arrived at the Gambler exhibition in a green Bentley and, according to Freedman, was immediately impressed by (and then bought) Damien Hirst's first major "animal" installation, A Thousand Years, consisting of a large glass case containing maggots and flies feeding off a rotting cow's head. [1] (The installation was later a notable feature of the Sensation exhibition.) At this early stage, Freedman was financing the production of Hirst's vitrines, and has commented that not many people attended these early shows, including Freeze.
In 1994, Freedman toured the US with Tracey Emin, driving in a Cadillac from San Francisco to New York, making stops en route where she gave readings from her autobiographical book Exploration of the Soul to finance the trip.
The couple also spent time by the sea in Whitstable together, using the beach-hut, which she uprooted and turned into art in 1999 with the title The Last Thing I Said to You is Don't Leave Me Here, and which was destroyed (along with her "tent") in the 2004 Momart warehouse fire.
In 1995, Freedman curated the show Minky Manky at the South London Gallery. At the time Emin was relatively unknown. Freedman, concerned that he would be accused of nepotism, challenged Emin to make a great work. The result was Emin's famous "tent" Everyone I have Ever Slept With 1963–1995, which was first exhibited in the show. Freedman's interview with her appears in the catalogue. Other featured artists were Sarah Lucas, Gary Hume, Damien Hirst, Mat Collishaw, Gilbert & George, Critical Décor and Stephen Pippin. Freedman said one of the show's themes was:
In 2003, he opened Counter Gallery in Charlotte Road, Shoreditch, East London to sell original works. The opening show had works by Simon Martin, an art lecturer and YBA contemporary. [1] In 2007, the gallery changed its name to Carl Freedman Gallery.
Carl Freedman Gallery opened in Margate, Kent on Saturday 25 May 2019 with a major solo show of new work by British painter Billy Childish. After purchasing part of the old Thanet Press building in the centre of town, Carl Freedman's new HQ spans 10,000 square foot of a concrete 1960s commercial building. The site includes three exhibition spaces, an artist apartment and an upper floor dedicated to Freedman's print publishing business; Counter Editions. [3] 'This is a fantastic opportunity for us to present larger-scale solo presentations by our artists as well as more expansive curated shows. Margate is going through an amazing transformation, led by a growing art community, and we are excited to be a part of the future of the town's creative-led regeneration.' Carl Freedman.
Stuckism is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art. By May 2017 the initial group of 13 British artists had expanded to 236 groups in 52 countries.
Billy Childish is an English painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Childish has been prolific in creating music, writing and visual art. He has led and played in bands including the Pop Rivets, Thee Milkshakes, Thee Headcoats, and the Musicians of the British Empire, primarily working in the genres of garage rock, punk and surf and releasing more than 100 albums.
The Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art.
Tracey Karima Emin is an English artist known for autobiographical and confessional artwork. She produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué. Once the "enfant terrible" of the Young British Artists in the 1980s, Tracey Emin is now a Royal Academician.
Damien Steven Hirst is an English artist and art collector. He is one of the Young British Artists (YBAs) who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom's richest living artist, with his wealth estimated at US$384 million in the 2020 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.
The Saatchi Gallery is a London gallery for contemporary art and an independent charity opened by Charles Saatchi in 1985. Exhibitions which drew upon the collection of Charles Saatchi, starting with US artists and minimalism, moving to the Damien Hirst-led Young British Artists, followed by shows purely of painting, led to Saatchi Gallery becoming a recognised authority in contemporary art globally. It has occupied different premises, first in North London, then the South Bank by the River Thames, and finally in Chelsea, Duke of York's HQ, its current location. In 2019 Saatchi Gallery became a registered charity and began a new chapter in its history. Recent exhibitions include the major solo exhibition of the artist JR, JR: Chronicles, and London Grads Now in September 2019 lending the gallery spaces to graduates from leading fine art schools who experienced the cancellation of physical degree shows due to the pandemic.
Sarah Lucas is an English artist. She is part of the generation of Young British Artists who emerged in 1988. Her works frequently employ visual puns and bawdy humour by incorporating photography, sculpture, collage and found objects.
Charles Thomson is an English artist, poet and photographer. In the early 1980s he was a member of The Medway Poets. In 1999 he named and co-founded the Stuckists art movement with Billy Childish. He has curated Stuckist shows, organised demonstrations against the Turner Prize, run an art gallery, stood for parliament and reported Charles Saatchi to the OFT. He is frequently quoted in the media as an opponent of conceptual art. He was briefly married to artist Stella Vine.
The South London Gallery, founded 1891, is a public-funded gallery of contemporary art in Camberwell, London. Until 1992, it was known as the South London Art Gallery, and nowadays the acronym SLG is often used. Margot Heller became its director in 2001.
Abigail Lane is an English artist who works in photography, wax casting, printing and sound. Lane was one of the exhibitors in the 1988 Damien Hirst-led Freeze exhibition—a mixed show of art which was significant in the development of the later-to-be YBA scene of art.
Mark D, born Mark Randall, is a British punk musician. He is also associated with the Stuckist group of artists. Mark D was born and spent his childhood in Peterborough. He now lives in Nottingham.
The Stuckism art movement was started in London in 1999 to promote figurative painting and oppose conceptual art. This was mentioned in the United States media, but the first Stuckist presence in US was not until the following year, when former installation artist, Susan Constanse, founded a Pittsburgh chapter.
Sarah Kent is a British art critic, formerly art editor of the weekly London "what's on" guide Time Out. She was an early supporter of the Young British Artists in general, and Tracey Emin in particular, helping Emin to get exposure. This has led to polarised reactions of praise and opposition for Kent. She adopts a feminist stance and has stated her position to be that of "a spokesperson, especially for women artists, in a country that is essentially hostile to contemporary art."
The Little Artists are John Cake and Darren Neave. They create versions of well known contemporary artworks and art personalities in miniature using toy Lego bricks. They also produce a range of merchandise. They describe themselves as conceptual artists. Their work is collected by Charles Saatchi.
Neo-conceptual art describes art practices in the 1980s and particularly 1990s to date that derive from the conceptual art movement of the 1960s and 1970s. These subsequent initiatives have included the Moscow Conceptualists, United States neo-conceptualists such as Sherrie Levine and the Young British Artists, notably Damien Hirst and Tracey Emin in the United Kingdom.
Abby Jackson is a British artist, Stuckist painter, writer and art activist.
Everyone I Have Ever Slept With 1963–1995 (1995), also known as The Tent, was an artwork by Tracey Emin. The work was a tent with the appliquéd names of, literally, everyone she had ever slept with. It achieved iconic status and was owned by Charles Saatchi. Since its destruction in the 2004 Momart London warehouse fire, Emin has refused to recreate the piece.
Meredith Joy Ostrom is an American actress. She graduated from the New York University Tisch School of the Arts where she got her BFA degree with a double major in Drama and Fine arts with a minor in Cinema Studies. After graduation she moved to London. She was linked for years to Duran Duran's Nick Rhodes.
Ivan Seal is an English painter and sound artist who specializes in surreal and abstract works centered around concepts of memory and the creation of imagined objects. He is best known for his collaborations with electronic musician James Leyland Kirby, also known as The Caretaker, creating artwork for the critically acclaimed albums: An Empty Bliss Beyond This World and the six part album series Everywhere at the End of Time, both of which examine themes of memory loss through the long-term mental decay brought about by dementia.
Ben Moore is a British art curator, entrepreneur and artist. He is the founder and curator of Art Below, a contemporary art organisation that places art in public spaces and has had shows in England, Germany, Japan and the United States. He is also the founder and curator of Art Wars, an exhibition of designs based on the Imperial Stormtrooper helmets from Star Wars. In 2021, Moore was part of the Art Wars NFT project which resulted in massive losses for the purchasers of the NFTs and claims of copyright theft from artists whose physical work was reproduced without their permission.
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