BUF Compagnie

Last updated

BUF Compagnie
Company type Privately held company
Industry Visual effects, CGI animation
Founded1984 [1]
Headquarters Paris, France
Key people
Pierre Buffin
Number of employees
150 [1]
Website buf.com

BUF Compagnie is a French visual effects company, specializing in CGI for feature films, commercials, and music videos.

Contents

History

BUF Compagnie (BUF) was founded by Pierre Buffin in 1984. The company originates from Paris, France and has since expanded into two other locations based in Montreal, Canada and Los Angeles, California. [1] The company develops new software advances in visual effects (VFX) and computer animation for feature films, commercials, music videos and special venue projects. BUF's pre and post-production services have earned industry nominations for Best Visual Effects and awarded innumerable technical achievement awards.[ citation needed ]

Technology

BUF's research and development group is composed of 13 engineers.[ citation needed ]

BUF is credited with pioneering in the following fields: stereo-modeling and camera mapping techniques in production; the development of motion blur post-process and camera tracking software; [ citation needed ] creating 'freezing-effect'; conceiving 3D camera movements in a photorealistic environment reproduced by utilizing still photographic images;[ citation needed ] introducing new software that simulates clothing; producing invisible continuous shots between live action and full CG; advancing singular character animation software; introducing crowd generation and management techniques along with new fluids and solid dynamics systems; creating original tools dedicated to animation and paint3D and launching the 'bullet time' effect created for "The "Matrix" franchise, which was directly inspired by the research carried out by BUF while working on Michel Gondry's "Like A Rolling Stone" [2] music video in 1996. [3]

BUF has an animation studio complex in Pantin, France, which developed the entirety of animation for "Arthur and the Minimoys" of over 1,600 shots [ citation needed ] requiring the involvement of 20 supervisors and 100 artists at any one time. Buffin also customized the equipment and trained his team of artists to work on every aspect of the structure and creation of the company's first animated motion picture.

BUF's commercial division has developed more than 1,000 commercials adopting broad visual methods and technical challenges, to realize the director's vision on the small screen. Commercials for Mercedes-Benz, Lancia, Nissan, Peugeot, Canal +, Coca-Cola and Disney, have also been executed by BUF.

By April 2007, BUF had received 14 awards for Best Visual Effects and 20 additional nominations and accolades in Technical Cinematic Excellence. The company had won eight Clio Awards, the advertising industry's highest honour, and five Music Video Awards for the Rolling Stones, U2, Madonna and White Stripes. Other music video credits include Lenny Kravitz, Björk, Nina Hagen, Terence Trent d'Arby, Air, Emilie Simon, Chemical Brothers, Melanie Blatt, Ginger Ale, Daft Punk, Texas, All Saints and Foo Fighters.

Graphic design is a further extension of BUF's expertise, having executed principal branding campaigns for Disney, Coca-Cola, Citroën, General Electric, Lexus, Paramount Pictures, Studio Canal, Europa and Metropolitan.

As a broadly documented resource in the VFX domain, BUF has been integral to numerous publications, textbooks, industry reference books and manuals, including The Animation Business Handbook, Rendering with mental ray, Monte Carlo and Quasi-Monte Carlo Methods 2004, Cyberarts 2000: International Compendium Prix Ars Electronica, Comic Art of Europe Through 2000: An International Bibliography.

The company Buffin was built into a $250 million business over 23 years. By forming an on-the-job learning Academy for young professional artists, BUF now employs a large percentage of its workforce directly from specialized universities across Europe, with a median age of 25.

BUF continues to carry out numerous diverse VFX projects for feature films. Buffin is also mounting two literary adaptations destined for animated films, one from a Jules Verne novel and another from Lewis Carroll. In addition, BUF has two live-action projects and two animated sequels to "Arthur and the Minimoys" in development.

Already in discussions with several U.S. entities on this front, Buffin is producing pilots and two motion picture projects in Los Angeles.[ when? ]

Films

This is a list of films in which BUF provided VFX work. [4]

Related Research Articles

<span class="mw-page-title-main">Animation</span> Method of creating moving pictures

Animation is a filmmaking technique by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.

Bullet time is a visual effect or visual impression of detaching the time and space of a camera from that of its visible subject. It is a depth enhanced simulation of variable-speed action and performance found in films, broadcast advertisements, and realtime graphics within video games and other special media. It is characterized by its extreme transformation of both time, and of space. This is almost impossible with conventional slow motion, as the physical camera would have to move implausibly fast; the concept implies that only a "virtual camera", often illustrated within the confines of a computer-generated environment such as a virtual world or virtual reality, would be capable of "filming" bullet-time types of moments. Technical and historical variations of this effect have been referred to as time slicing, view morphing, temps mort and virtual cinematography.

Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.

<span class="mw-page-title-main">Animal Logic</span> Australian animation and visual effects studio

Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognised for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.

<i>Arthur and the Minimoys</i> (film) 2006 film by Luc Besson

Arthur and the Minimoys is a 2006 English-language French live-action/animated fantasy film directed and co-written by French filmmaker Luc Besson. It is based on the first two books of the Arthur children's books series, Arthur and the Minimoys and Arthur and the Forbidden City, by Besson.

Michel Gagné is a Canadian cartoonist.

Tippett Studio is an American visual effects and computer animation company specializing in computer-generated imagery (CGI) for films and television commercials. The studio has created visual effects and animations on over fifty feature films and commercials, garnering an Academy Award, four Clio Awards and two Emmy Awards. The company currently consists of approximately 150 employees, with offices located in Berkeley, California.

<span class="mw-page-title-main">Virtual cinematography</span> CGI essentially

Virtual cinematography is the set of cinematographic techniques performed in a computer graphics environment. It includes a wide variety of subjects like photographing real objects, often with stereo or multi-camera setup, for the purpose of recreating them as three-dimensional objects and algorithms for the automated creation of real and simulated camera angles. Virtual cinematography can be used to shoot scenes from otherwise impossible camera angles, create the photography of animated films, and manipulate the appearance of computer-generated effects.

The Visual Effects Society (VES) is an entertainment industry organization representing visual effects practitioners including artists, animators, technologists, model makers, educators, studio leaders, supervisors, PR/marketing specialists and producers in film, television, commercials, music videos, and video games. It has about 4,000 members in 42 countries. Since 2002 it has produced the Visual Effects Society Awards which honor the best work of the previous year in various categories.

Previsualization is the visualizing of scenes or sequences in a movie before filming. It is a concept used in other creative arts, including animation, performing arts, video game design, and still photography. Previsualization typically describes techniques like storyboarding, which uses hand-drawn or digitally-assisted sketches to plan or conceptualize movie scenes.

<span class="mw-page-title-main">The Mill (company)</span> British VFX production company

Technicolor Creative Studios UK Limited, doing business as The Mill, is a British VFX production company and creative studio headquartered in London, England, with three offices in the United States, three others in Europe and three in Asia. It is owned by Technicolor Creative Studios. The Mill produces real-time visual effects, animation, moving images, design, experiential, and digital projects for the advertising, games, and music industries.

<span class="mw-page-title-main">Mac Guff</span> French visual effects company

Mac Guff is a French visual effects company based in Los Angeles, United States, Brussels, Belgium and Paris, France, where it is headquartered. Mac Guff specializes in the creation of computer graphics for commercials, music videos and feature films. 270 graphic designers, VFX supervisors and producers, computer engineers, and administrators are usually working on over 100 million files. In mid-2011, the company was split in two, and the animation department was acquired by Illumination Entertainment. The new company was named Illumination Mac Guff and has capital worth 3.2 million euro.

The People's Republic of Animation (PRA) is an animation studio based in Adelaide, Australia. It began as a creator of music videos for Australian bands in 2003, and has since created award-winning short films and TV commercials, and developed feature films.

BENT IMAGE LAB is a production company and animation studio specializing in story development, television, commercials, visual effects, music videos, short films, experimental techniques and tech development in augmented reality (AR). Located in Portland, Oregon, the company was founded in 2002 by partners David Daniels, Ray Di Carlo, and Chel White.

<span class="mw-page-title-main">Aristomenis Tsirbas</span> Canadian-American film director

Aristomenis (Meni) Tsirbas is a film director, producer, writer, editor, animator, concept designer, storyboard artist, and visual effects supervisor. He has directed two feature films, several national television commercials, music videos, and short films. Meni's films have received over two dozen international awards from film festivals such as Sundance, Hollywood, and Palm Springs. He is president of MeniThings Productions

<span class="mw-page-title-main">Blackmagic Fusion</span> Image compositor and post-production software

Blackmagic Fusion is post-production image compositing developed by Blackmagic Design and originally authored by eyeon Software. It is typically used to create visual effects and digital compositing for movies, TV-series and commercials and employs a node-based interface in which complex processes are built up by connecting a flowchart or schematic of many nodes, each of which represents a simpler process, such as a blur or color correction. This type of compositing interface allows great flexibility, including the ability to modify the parameters of an earlier image processing step "in context". Upon its acquisition by Blackmagic Design, Fusion was released in two versions: the freeware Fusion, and the commercially sold Fusion Studio.

The VFX creative director is a position common in films, television programs, and computer games using a large amount of visual effects (VFX).

The history of computer animation began as early as the 1940s and 1950s, when people began to experiment with computer graphics – most notably by John Whitney. It was only by the early 1960s when digital computers had become widely established, that new avenues for innovative computer graphics blossomed. Initially, uses were mainly for scientific, engineering and other research purposes, but artistic experimentation began to make its appearance by the mid-1960s – most notably by Dr. Thomas Calvert. By the mid-1970s, many such efforts were beginning to enter into public media. Much computer graphics at this time involved 2-D imagery, though increasingly as computer power improved, efforts to achieve 3-D realism became the emphasis. By the late 1980s, photo-realistic 3-D was beginning to appear in film movies, and by mid-1990s had developed to the point where 3-D animation could be used for entire feature film production.

Kevin Tod Haug is a visual effects supervisor who has worked in the film industry since the 1970s. He and Chris Corbould were nominated for the BAFTA Award for Best Special Visual Effects for their work on Quantum of Solace (2008). He was nominated for the Primetime Emmy Award for Outstanding Special Visual Effects for his work on American Gods (2017).

<span class="mw-page-title-main">Moving Picture Company</span> British visual effects company

The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.

References

  1. 1 2 3 "Buf Compagnie Philosophy". www.buf.com. Archived from the original on 28 October 2021.
  2. "BUF Compagnie". www.buf.com. Archived from the original on 7 December 2006. Retrieved 12 January 2022.
  3. "Archived copy". www.buf.com. Archived from the original on 9 December 2006. Retrieved 12 January 2022.{{cite web}}: CS1 maint: archived copy as title (link)
  4. "Visual Effects". BUF.com. Retrieved 18 April 2018.
  5. John Hopewell & Elsa Keslassey (2 February 2010). "Films draw French rebates". Variety . Retrieved 2 February 2010.