In Greek mythology, Silenus was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue (thiasos), and sometimes considerably older, in which case he may be referred to as a Papposilenus. Silen and its plural sileni refer to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction.
In ancient Greek religion and myth, Dionysus is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus by the Greeks for a frenzy he is said to induce called baccheia. As Dionysus Eleutherius, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
In Greek mythology, maenads were the female followers of Dionysus and the most significant members of his retinue, the thiasus. Their name, which comes from μαίνομαι, literally translates as 'raving ones'. Maenads were known as Bassarids, Bacchae, or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin.
Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.
Bacchus (1496–1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and represents Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness. Commissioned by Raffaele Riario, a high-ranking Cardinal and collector of antique sculpture, it was rejected by him and was bought instead by Jacopo Galli, Riario's banker and a friend to Michelangelo. Together with the Pietà, the Bacchus is one of only two surviving sculptures from the artist's first period in Rome.
The Borghese Vase is a monumental bell-shaped krater sculpted in Athens from Pentelic marble in the second half of the 1st century BC as a garden ornament for the Roman market; it is now in the Louvre Museum.
The National Archaeological Museum is a archaeology museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain. It is one of the National Museums of Spain and it is attached to the Ministry of Culture.
The Antinous Mondragone is a 0.95-metre high marble example of the Mondragone type of the deified Antinous. This colossal head was made sometime in the period between 130 AD to 138 AD and then is believed to have been rediscovered in the early 18th century, near the ruined Roman city, Tusculum. After its rediscovery, it was housed at the Villa Mondragone as a part of the Borghese collection, and in 1807, it was sold to Napoleon Bonaparte; it is now housed in the Louvre in Paris, France.
Quart de Poblet, or simply Quart, is a municipality in the comarca of Horta Oest in the Valencian Community, Spain. It has 25,499 inhabitants.
Friar Nicolás Borrás (1530–1610) was a Spanish Renaissance Catholic monk and painter, active in Valencia.
Hermes and the Infant Dionysus, also known as the Hermes of Praxiteles or the Hermes of Olympia is an ancient Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera, Olympia, in Greece. It is displayed at the Archaeological Museum of Olympia.
The Resting Satyr or Leaning Satyr, also known as the Satyr anapauomenos is a statue type generally attributed to the ancient Greek sculptor Praxiteles. Some 115 examples of the type are known, of which the best known is in the Capitoline Museums.
Iberian sculpture, a subset of Iberian art, describes the various sculptural styles developed by the Iberians from the Bronze Age up to the Roman conquest. For this reason it is sometimes described as Pre-Roman Iberian sculpture.
Valencian Gothic is an architectural style. It occurred under the Kingdom of Valencia between the 13th and 15th centuries, which places it at the end of the European Gothic period and at the beginning of the Renaissance. The term "Valencian Gothic" is confined to the Kingdom of Valencia and its area of influence, which has its own characteristics.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
Bacchus is a marble sculpture by Italian artist Jacopo Sansovino, datable to 1515. It is held at the National Museum of the Bargello, in Florence.
Dionysus, called Narcissus is a bronze ancient Roman statuette, created between the 1st century BC. and 1st century AD e.. It was found during excavations in Pompeii in 1862. The statuette is believed to be a Roman copy of an ancient Greek original from the 4th century BC.
The Hermes of Andros is a large Roman marble sculpture of the Greek god Hermes, god of commerce and messengers, unearthed in the Aegean island of Andros, Greece. The sculpture was discovered in 1832, just two years following Greece's independence from the Ottoman Empire, and originally displayed in the National Archaeological Museum of Athens. Today it is housed in Andros, in the Archaeological Museum of Andros.
Las Incantadas of Salonica is a group of Roman sculptures from a portico dating to the second century AD that once adorned the Roman Forum of Thessalonica in Northern Greece, and were considered to be among the most impressive and prestigious monuments of the city. Based on descriptions by travellers, it consisted of five Corinthian columns with four of them having bilateral sculptures on each pillar above. The sculptures were removed in 1864 by French paleologist Emmanuel Miller and placed in the Louvre museum in France, while the rest of the building collapsed and was destroyed. A fragment from a lost, fifth pillar was discovered in the city in the late twentieth century.
The Hermes of Messene is a large ancient Roman statue of the god Hermes, the Greek god of trade, commerce and messenger of the gods. It was found in 1996 in the old gymnasium of Ancient Messene, in southwestern Peloponnese, Greece, and now exhibited in the Archaeological Museum of Messene in the ancient site of Messene.
