Back Home | ||||
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Studio album by | ||||
Released | August 22, 2003 [1] | |||
Recorded | August, December 2002 March 2003 [1] | |||
Genre | Bluegrass | |||
Length | 40:55 [2] | |||
Label | Glacier Records | |||
Producer | Todd Phillips [3] | |||
Bearfoot Bluegrass chronology | ||||
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Back Home is the second album by Bearfoot Bluegrass, released 2003. [4] The album was recorded and mixed at The Vineyard Studio, Todd Phillips' studio in Redwood Valley, California. [3] The band traveled to Todd Phillips studio three times to have him produce the album. In the liner notes, Phillips wrote "I am very proud of Bearfoot Bluegrass. Right before my eyes they have evolved from enthusiastic, talented kids into seasoned musicians -- now with a high caliber recording to their credit." [5]
Todd Phillips is an American double bassist. He has appeared on many acoustic instrumental and bluegrass recordings made since the mid-1970s. A two-time Grammy Award winner and founding member of the original David Grisman Quintet, Phillips has made a career of performing and recording with acoustic music artists.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dirty Kitchen" | Frank Solivan II [3] | 3:21 |
2. | "Good Morning Country Rain" | Eddy Raven | 3:09 |
3. | "Back Home" | Angela Oudean | 4:04 |
4. | "Won't Be Long" | John Leslie McFarland | 3:48 |
5. | "Love Chooses You" | Laurie Lewis | 5:00 |
6. | "I Know What It Means To Be Lonesome" | James Brockman, James Kendis, Nat H. Vincent | 2:03 |
7. | "Pretty Lady" | Jason Norris | 2:53 |
8. | "That Old Kind of Love" | Annalisa Woodlee | 3:37 |
9. | "Fishtrap Joe" | Mike Mickelson | 4:22 |
10. | "Homeless Waltz" | Carl Jones | 2:45 |
11. | "Sweetest Gift" | traditional | 3:35 |
12. | "Her Memory's Bound to Ride" | T. Michael Coleman, Lou Reid | 2:18 |
Total length: | 40:55 [2] |
Bearfoot
Bluegrass music is a genre of American roots music that developed in the 1940s in the United States Appalachian region. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Bluegrass has roots in traditional English, Scottish and Irish ballads and dance tunes, and by traditional African-American blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as: "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound."
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