Laurie Lewis | |
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 Lewis at the Delaware Valley Bluegrass Festival September 3, 2005 | |
| Background information | |
| Born | September 28, 1950 |
| Origin | Long Beach, California, United States |
| Genres | folk, bluegrass, country |
| Occupation | singer/musician |
| Instruments | |
| Years active | mid '70s—present |
| Labels |
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| Website | Official Website |
Laurie Alexis Lewis [1] (born September 28, 1950) is an American singer, musician, and songwriter in the genre of bluegrass music.
Laurie Lewis was born in Long Beach, California on September 28, 1950. Her family moved regularly from place to place until she was eight years old, when they settled back in Berkeley. [2] Her family strongly encouraged Laurie and all her siblings to play music. She started on piano and violin until a friend took her to the Berkeley Folk Festival where she first caught the folk bug:
Oh, it was so exciting. Every night there were concerts, and during the day you'd be in a eucalyptus grove listening to someone making music with nothing between you and them. Every day I'd hear something new, Doc Watson or the Greenbriar Boys. Something about it just invited me to start playing it. [3]
She began picking simple songs on the guitar, then the fiddle. After high school, she drifted away from the music, but always kept her fiddle under her bed, not knowing exactly why. [3]
In her early 20s, she discovered the Bay Area bluegrass scene. To her, it was . .
like opening that door all over again. Here were all these people making music together, and I could immediately see myself as part of it. It woke up all that excitement I felt as a teenager, and I knew this was what I wanted to do with my life. [3]
The bluegrass scene of Northern California was a powerful mix of the region's historic progressivism and ardent devotion to musical tradition. Nobody minded that young Laurie was a woman, a non-southerner, or a novice. They didn't mind if she didn't want to learn, chapter and verse, the gospels of Bill Monroe and Ralph Stanley. The scene gave her a rock-ribbed foundation in the rudiments of American roots music.
It really was a different deal coming to bluegrass in the San Francisco Bay area. There weren't a lot of cutting contests; it was all about making music together, a focus on interdependency rather than individual prowess. [3]
In the early 1970s she played with The Phantoms of the Opry, a Bay Area bluegrass band [4] that also included Pat Enright (later of the Nashville Bluegrass Band). When the Phantoms broke up she co-founded the Good Ol' Persons, an all-female bluegrass band with Kathy Kallick. In 1979 she founded the Grant Street String Band, also including Beth Weil, Tom Bekeny, Greg Townsend, and Steve Krouse, in which her own songwriting came to the forefront. In the late 1980s, she formed "Laurie Lewis and Grant Street". Since then, she has recorded solo and duo albums, usually accompanied by mandolin artist and singer, Tom Rozum. Nowadays, she often plays under different names with a fairly regular roster of musicians, calling themselves "Laurie Lewis and her Bluegrass Pals," "the Guest House Band;" in 2006, she renamed her group "Laurie Lewis and the Right Hands."
Many years ago, Lewis twice won California's Women's Fiddling championships. She is a versatile musician, having for many years played bass and sung with Dick Oxtot's Golden Age Jazz Band, as well as with the Bay Area band the Arkansas Sheiks. Lewis plays guitar and other string instruments. As a crossover artist, Lewis is comfortable with folk music and some pop music. She writes her own lyrics as well as composing the music. Her Songbook contains most of the songs she wrote in the twentieth century, as well as photographs from her from early life and the early days of her career. She has received a Grammy, and was previously nominated for that honor.
In addition to being well-known in the bluegrass world, Laurie has crossed many boundaries and played many genres, from bluegrass to folk and Americana. [3] While she has always been firmly grounded in the traditional roots music of America, the nuances she brings to the table have helped her branch out, even bringing the sound of California bluegrass to a wider audience and receiving recognition for it from her musical peers. [5]
"She is newgrass in the truest sense of the word, in that she uses bluegrass instruments to create new original music: it's music for now. As a fiddler, she could be from the 1940s or from 2010; it's timeless. As a singer, she knows the rules of bluegrass and how to sing in her own voice. She's probably one of the few female singers who really knows the nuances of the Ralph Stanley."
-Sam Bush (Newgrass Revival founder and mandolin player)
"To ask how Laurie Lewis’s music is relevant in this day and age, in the broader folk, Americana, and bluegrass scenes as a whole, would be similar to asking how a brick in a home’s foundation is relevant to its structure. Her influence, her reach and her artistic intent are quiet stalwarts on which so much has been built."
-Justin Hiltner, Bluegrass Situation [3]
Lewis, accompanied by Tom Rozum, has appeared at the Grand Ole Opry and several times with Garrison Keillor on A Prairie Home Companion . She was the program director for a music camp on the Oregon Coast called Bluegrass at the Beach which she has done with Tom Rozum, from 1992 until 2005. She was the director of Bluegrass Week at the Augusta Heritage Arts Workshops for 10 years, from 1986 until 1996.
Lewis's songs have been recorded by others, including Kathy Mattea, and she has accompanied Holly Near. She has been invited to accompany many other artists, including Kato Sanden, Linda Ronstadt, and Ralph Stanley. Besides producing her own CDs, Lewis's skill in the recording studio has resulted in her being asked to produce recordings for a number of other artists, including Scott Nygaard, Erica Wheeler, The T Sisters, Alice Gerrard, American Nomad, Melody Walker and Jacob Groopman, Ray Bierl, and Diedre McCalla. She is also in demand as a teacher on fiddle and guitar, vocals, and songwriting.
Lewis has toured widely in many parts of the world, including most European countries, China, and Japan. When not on tour, she makes her home in Berkeley, California.
Laurie Lewis and the Right Hands comprises:
Judging by the respect she has among fans and peers in the industry, Laurie is one of the pre-eminent bluegrass and Americana artists of our time. She spreads her talent over several genres - bluegrass, folk, country - and with the recognition she has within all those fields, I would certainly say she's one of the top five female artists of the last 30 years. And she continues to make great music.
— Dan Hays, Executive Director, IBMA
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Timothy O'Brien is an American country and bluegrass musician. In addition to singing, he plays guitar, fiddle, mandolin, banjo, bouzouki and mandocello. He has released more than ten studio albums, in addition to charting a duet with Kathy Mattea entitled "The Battle Hymn of Love", a No. 9 hit on the Billboard Hot Country Singles & Tracks charts in 1990. In November 2013 he was inducted into the West Virginia Music Hall of Fame.
Charles Samuel Bush is an American mandolinist who is considered an originator of progressive bluegrass music. In 2020, he was inducted into the International Bluegrass Music Hall of Fame as a member of New Grass Revival. He was inducted into the Hall of Fame a second time in 2023 as a solo artist.
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Anthony Cattell Trischka is an American five-string banjo player. Sandra Brennan wrote of him in 2021: "One of the most influential modern banjoists, both in several forms of bluegrass music and occasionally in jazz and avant-garde, Tony Trischka has inspired a whole generation of progressive bluegrass musicians."
Delano Floyd McCoury is an American bluegrass musician. As leader of the Del McCoury Band, he plays guitar and sings lead vocals along with his two sons, Ronnie McCoury and Rob McCoury, who play mandolin and banjo respectively. In June 2010, he received a National Heritage Fellowship lifetime achievement award from the National Endowment for the Arts and in 2011 he was elected into the International Bluegrass Music Hall of Fame.
Tom Rozum is a Northern California-based American bluegrass mandolinist and singer. He is best known for his long-time collaboration with partner Laurie Lewis.
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Todd Phillips is an American double bassist. He has appeared on a number of acoustic instrumental and bluegrass recordings made since the mid-1970s. A two-time Grammy Award winner and founding member of the original David Grisman Quintet, Phillips has made a career of performing and recording with acoustic music artists.
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James E. “Jim” Nunally is an American musician thet plays bluegrass-style, flat pick guitar with John Reischman and the Jaybirds, and with The David Grisman Bluegrass Experience. Jim has received two Grammy award certifications and two IBMA awards for his performance on the 1996 Bluegrass Album of the Year True Life Blues: The Songs of Bill Monroe.
Missy Raines is an American bassist, singer, teacher, and songwriter. She has won 10 International Bluegrass Music Awards for Bass Player of the Year. Missy Raines was the first woman to win IBMA Bass Player of the Year award. She won 1998, 1999, 2000, 2001, 2004, 2006, 2007, 2019, 2020, and 2021.
Sue Draheim was an American fiddler, boasting a more than forty year musical career in the US and the UK. Growing up in North Oakland, Draheim began her first private violin lessons at age eleven, having started public school violin instruction at age eight while attending North Oakland's Peralta Elementary School. She also attended Claremont Jr. High, and graduated from Oakland Technical High School in 1967.
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Molly Rose Tuttle is an American vocalist, songwriter, banjo player, guitarist, recording artist, and teacher in the bluegrass tradition. She is noted for her flatpicking, clawhammer, and crosspicking guitar prowess. She has cited Laurie Lewis, Kathy Kallick, Alison Krauss and Hazel Dickens as role models. In 2017, Tuttle was the first woman to win the International Bluegrass Music Association's Guitar Player of the Year award. In 2018 she won the award again, along with being named the Americana Music Association's Instrumentalist of the Year. In 2023, Tuttle won the Best Bluegrass Album for Crooked Tree and also received a nomination for the all-genre Best New Artist award at the 65th Annual Grammy Awards. Also in 2023, Tuttle and Golden Highway won International Bluegrass Music Awards for album Crooked Tree and the title track in the categories of Album of the Year and Song of the Year, respectively, while Tuttle won Female Vocalist of the Year.
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