Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns. [1]
In the 1940s Bill Monroe and his Bluegrass Boys revolutionized American string band music by incorporating virtuosic instrumental solos and a “high lonesome" vocal style. [2] Bluegrass fiddling was first exposed to national view during the folk revival of the 1960s with the first televised documentary Bluegrass Roots: On The Road With Bluegrass Musicians shot in the Mountain of North Carolina by Bascom Lunsford while auditioning musicians for the Asheville Mountain Music Festival. [3] It was the festival to feature this type of music.
In recent years events have brought renewed interest in bluegrass fiddling: major mainstream performers have recorded bluegrass albums, and the Coen Brothers' released the movie O Brother, Where Art Thou? in (2000), with an old-time and bluegrass soundtrack, and the Down from the Mountain music tour.
Kenny Baker is perhaps the most famed early bluegrass fiddler; he met Bill Monroe and cut a record with the Bluegrass Boys in 1957. [4] Kenny Baker served more years in Monroe's band than any other musician and was selected by Monroe to record the fiddle tunes passed down from Uncle Pen Vandiver. Baker and Monroe composed many of the now classic bluegrass fiddle tunes, leading the way in the development of the bluegrass fiddling style. [5] After leaving the Bluegrass Boys in 1984, Baker played with a group of friends, Bob Black, Alan Murphy, and Aleta Murphy.
In "Why Old Time is Different from Bluegrass", [6] Allan Feldman argues against the proposal of an "inclusive cover name that would bring oldtime music, bluegrass, clawgrass and dawg music under the same umbrella in order to attract new audiences. The unfortunate trend in this country is to homogenize things. I think old time music stands against homogenization. Having thus staked ground out for himself as a purist, he continues that "he for one celebrates the fact that oldtime music is not bluegrass or dawg music or new grass or even claw grass". [7] Nevertheless old time influence is strong, even reflected in lyrics such as the reference to old time, actually Scottish/Irish "Soldier's Joy", in "Uncle Pen". [8] [9]
Bluegrass fiddlers combine from many genres and tend to be highly skilled with strong roots in fiddle rather than violinistic traditions. As such, they can be seen to disregard the rules that violinists follow: they hold the fiddle the "wrong" way and don't necessarily use the chin rests, shoulder rests. [10] Kenny Baker is famous for a "long-bow" style which is reputed to add a smoothness and clarity to the music.[ citation needed ] Notes are often slid into, a technique seldom used by Celtic-influenced stylists outside of bluegrass. [11] Double stops and open tunings are used, as is the full panoply of technique from jazz players such as Stuff Smith and Joe Venuti, and the Western swing technique of players such as Bob Wills.[ citation needed ]
Famous songs from bluegrass roots include "Ground Hog", "Legend of the Johnson Boys", "East Virginia Blues", "Twinkle Twinkle Little Star", "Blue Ridge Mountain Blues", and "Heaven's Light is Shining on Me". "Orange Blossom Special" is often performed by bluegrass fiddlers. See also:
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
William Smith "Bill" Monroe was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the "Father of Bluegrass".
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as: "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. The genre is considered a precursor to modern country music.
Benny Edward Martin, was an American bluegrass fiddler who invented the eight-string fiddle. Throughout his musical career he performed with artists such as the Bluegrass Boys, Don Reno, the Smoky Mountain Boys and Flatt and Scruggs, and later performed and recorded with the Stanley Brothers, Hylo Brown, Jimmy Martin, Johnnie and Jack, and the Stonemans, among others. He was inducted into the International Bluegrass Music Hall of Fame in 2005.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe.
Byron Douglas Berline was an American fiddle player who played many American music styles, including old time, ragtime, bluegrass, Cajun, country, and rock.
Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass. Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s. Traditional bands may use their instruments in slightly different ways, for example by using multiple guitars or fiddles in a band.
Aubrey Haynie is an American bluegrass musician who plays the fiddle and mandolin. In his career, he has recorded three studio albums for the Sugar Hill Records label, all three of which contained mostly songs that he wrote himself. He also holds several credits as a session fiddler and mandolinist.
Benny Thomasson was an American fiddler in the Texas style of fiddling.
Kenneth Clayton Baker was an American fiddle player best known for his 25-year tenure with Bill Monroe and his group The Blue Grass Boys.
Bobby Hicks is a Grammy Award winning American bluegrass fiddler and a professional musician with more than fifty years of experience.
James Benton Flippen was an old-time fiddler from Mount Airy, North Carolina. He was one of the last surviving members of a generation of performers born in the early 20th century playing in the Round Peak style centering on Surry County, North Carolina. His contemporaries included Tommy Jarrell, Fred Cockerham, Kyle Creed, and Earnest East.
The National Oldtime Fiddlers' Contest is an old-time music competition, festival, and musical gathering in the western United States, held annually during the third full week in June in Weiser, Idaho, about fifty miles (80 km) northwest of Boise. Within the fiddling community, it is often referred to simply as "Weiser", and the contest draws musicians from across the country. Nearly 7,000 attend for the week and almost 350 fiddlers compete in eight divisions. In addition to the contest there are workshops, performances, a battle of the bands, a parade and a carnival. The contest is held at Weiser High School: the competition is held in the gymnasium, and most of the contestants camp in the school's sports fields.
American fiddle-playing began with the early settlers who found that the small viol family instruments were portable and rugged. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish fiddle styles as well as Scottish and the more refined traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns had written lyrics, and other such tunes as "Flowers of Edinburgh" and "Tamlin," which were claimed by both Scottish and Irish lineages.
Old time fiddle is a genre of American folk music. "Old time fiddle tunes" derived from European folk dance tunes such as Jig, Reel, Breakdown, Schottische, Waltz, Two Step and Polka. The fiddle may be accompanied by banjo or other instruments but are nevertheless called "fiddle tunes". The genre traces from the colonization of North America by immigrants from England, France, Germany, Ireland, and Scotland. It is separate and distinct from traditions which it has influenced or which may in part have evolved from it, such as bluegrass, country blues, variants of western swing and country rock.
Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.
Ray Legere is a Canadian bluegrass fiddler, mandolinist, guitarist and band leader from Sackville, New Brunswick.
Gordon Stobbe C.M is a Canadian fiddler, multi-instrumentalist, and composer based in Seaforth, Nova Scotia. Mr. Stobbe was born in Saskatchewan, but has made his home on the East Coast of Canada since 1977. His musical interests and passion lie in the field of Canadian traditional music, especially as it is expressed in a wide variety of fiddle styles. He plays several instruments, including fiddle, mandolin, guitar, clawhammer banjo, piano, accordion and percussion.
Vivian Tomlinson Williams is an American fiddler, composer, recording artist and writer. She has won national fiddling titles, including the National Oldtime Fiddlers Contest, and in 2013 she was inducted into the North American Old Time Fiddlers Hall of Fame.