 | This section needs additional citations for verification .(October 2015) |
A hootenanny is an event involving music in the United States. It is particularly associated with folk music.
| | This section needs additional citations for verification .(October 2015) |
A hootenanny is an event involving music in the United States. It is particularly associated with folk music.
| |
Hootenanny is an Appalachian colloquialism that was used in the early twentieth century U.S. as a placeholder name to refer to things whose names were forgotten or unknown.[ citation needed ] In this usage, it was synonymous with thingamajig or whatchamacallit , as in: "Hand me that hootenanny."[ citation needed ]
Hootenanny is also an old country word for "party" or get-together. It can refer to a folk music party with an open mic, at which different performers are welcome to get up and play in front of an audience.
According to Pete Seeger he first heard the word hootenanny in Seattle, Washington in the summer of 1941 while touring the area with Woody Guthrie. [1] It was used by Hugh DeLacy's New Deal political club [2] to describe their monthly music fund raisers. [3] After some debate the club voted in hootenanny, which narrowly beat out wingding. Seeger, Woody Guthrie and other members of the Almanac Singers later used the word in New York City to describe their weekly rent parties, which featured many notable folksingers of the time. [3] In a 1962 interview in Time , Joan Baez made the analogy that a hootenanny is to folk singing what a jam session is to jazz. [4]
During the early 1960s at the height of the American folk music revival, the club Gerdes Folk City at 11 West 4th Street in Greenwich Village started the folk music hootenanny tradition every Monday night, that featured an open mic and welcomed performers known and unknown, young and old. [5] The Bitter End at 147 Bleecker Street continued the folk music hootenanny tradition every Tuesday night. [6] [7]
A weekly hootenanny has been held during the summers at Allegany State Park most years since 1972. [8]
The Hootenanny was an annual one-day rockabilly music festival held at the Oak Canyon Ranch in Irvine, California, which also incorporated a vintage car show, and was discontinued in 2015.[ citation needed ]
For years there have been online hootenannies. The most long-standing example is Small Talk At The Wall, [9] which originated in 1999.
Several different television shows are named hootenanny and styled after it, including:
Surfer Girl is the third studio album by the American rock band the Beach Boys, released September 16, 1963 on Capitol Records. It is largely a collection of surf songs. The LP reached number 7 in the U.S. and number 13 in the UK. Lead single "Surfer Girl", backed with "Little Deuce Coupe", was also a top 10 hit.
"If I Had a Hammer " is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963.
Hootenanny was an American musical variety television show broadcast on ABC from April 1963 to September 1964. The program was hosted by Jack Linkletter. It primarily featured pop-oriented folk music acts, including The Journeymen, The Limeliters, the Chad Mitchell Trio, The New Christy Minstrels, The Brothers Four, Ian & Sylvia, The Big 3, Hoyt Axton, Judy Collins, Johnny Cash, The Carter Family, Flatt & Scruggs and the Foggy Mountain Boys, The Tarriers, Bud & Travis, and the Smothers Brothers. Although both popular and influential, the program is primarily remembered today for the controversy created when the producers blacklisted certain folk music acts, which then led to a boycott by others.
The Highwaymen was an American 1960s "collegiate folk" group. The quintet's version of "Michael, Row the Boat Ashore", a 19th Century African-American work song, released in 1959 under the title "Michael," was a Billboard #1 hit in September 1961. The group scored another Top 20 hit in 1962 with a version of Lead Belly's "Cotton Fields". "Michael" sold over one million copies, achieving gold record status. The group originated at Wesleyan University in Middletown, Connecticut, where its members were undergraduates.
"Michael, Row the Boat Ashore" is a traditional African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
Elizabeth Ardis Mitchell is an American singer, songwriter and musician. She began her career performing with Lisa Loeb as the duo Liz and Lisa, then founded the indie rock band Ida in 1991, of which she continues to be a member. As a solo artist, she has been recording and performing music for children since 1998.
"Cindy, Oh Cindy" is a song, written by Robert Nemiroff and Burt D'Lugoff and credited to their pseudonyms, Robert Barron and Burt Long. It used as its melody a stevedore song, "Pay Me My Money Down", collected by Lydia Parrish in her 1942 book Slave Songs of the Georgia Sea Islands, which was performed by The Weavers during their influential 1955 Carnegie Hall concerts and further popularized by The Kingston Trio on tour starting in 1957.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Sarah Lee Guthrie and Johnny Irion were a musical duo. Guthrie and Irion were married on October 16, 1999, and began performing together as an acoustic duo in late 2000, performing together until they divorced in the mid-2010s. Their music combined Irion's love of rock and blues with Guthrie's roots of folk and country.
Alex Campbell was a Scottish folk singer. He was influential in the British folk music revival of the 1950s and 1960s and was one of the first folk singers to tour the UK and Europe. His nickname was "Big Daddy," and he was known for his story-telling and singing. He was described by Colin Harper as a "melancholic, hard-travelling Glaswegian."
"Worried Man Blues" is a folk song in the roots music repertoire. It is catalogued as Roud Folk Song Index No. 4753. Like many folk songs passed by oral tradition, the lyrics vary from version to version, but generally all contain the chorus "It takes a worried man to sing a worried song/It takes a worried man to sing a worried song/I'm worried now, but I won't be worried long." The verses tell the story of a man imprisoned for unknown reasons "I went across the river, and I lay down to sleep/When I woke up, had shackles on my feet", who pines for his lost love, who is "on the train and gone." The melody in 4/4 timing has a strong resemblance to "The Battle Hymn of the Republic", which is in 6/8 timing.
Frank Hamilton is an American folk musician, collector of folk songs, and educator. He co-founded the Old Town School of Folk Music in Chicago, Illinois in 1957. As a performer, he has recorded for several labels, including Folkways Records. He was a member of the folk group The Weavers in the early 1960s, and appeared at the first Newport Folk Festival in 1959. He was the house musician – playing guitar and other folk instruments – for Chicago's Gate of Horn, the nation's first folk music nightclub. After many years of teaching, playing, and singing in California he married a third time, and with his wife relocated to Atlanta, where he performs on banjo, guitar, ukulele, voice, and other instruments and co-founded the Frank Hamilton School in 2015.
Alvin Wayne Casey was an American guitarist. He was mainly known for his work as a session musician, but also released his own records and scored three Billboard Hot 100 hits in the United States. His contribution to the rockabilly genre has been recognized by the Rockabilly Hall of Fame.
Hootenanny is a folk-music party.
The Pennywhistlers were an American singing group founded by folklorist and singer Ethel Raim and popular during the 1960s folk music revival. They specialized in Eastern European choral music, sung primarily a cappella. Folk singer Theodore Bikel, in his autobiography Theo, called them "the closest to the real thing in authenticity in the United States." They toured throughout the 1960s, appearing at the Sing Out! hootenanny at Carnegie Hall, the Fox Hollow Festival, and the Mariposa Folk Festival, among others. They shared the bill with performers such as Bob Dylan, Pete Seeger, Joan Baez, Reverend Gary Davis, Leonard Cohen, and many others.
The Surfin' Lungs are an English surf music band originally from Bracknell, Berkshire, who were formed in 1981 by Chris Pearce and Geoffo Knipe. The original line-up consisted of: Chris Pearce, Geoffo Knipe, Steve Dean and Lee Money (drums).
The Biggest Wave is the second album released by surf music band The Surfin' Lungs, released in September 1987 on Satellite Records' Beat International label. Similar in style to Cowabunga, The Biggest Wave featured a collection of surf/summer-inspired tunes with all 12 songs self-penned by the group. The album was self-produced by the group, but a failure by Beat International to promote the album saw fail to attract the attention it should have.
The discography of Pete Seeger, an American folk singer, consists of 52 studio albums, 23 compilation albums, 22 live albums, and 31 singles. Seeger's musical career started in 1940 when he joined The Almanac Singers. He stayed with the group for two years until he was drafted into the Army to fight in the Second World War. After the end of World War II in 1945, Seeger helped found an organization known as People's Songs, along with the influential folk music magazine People's Songs Bulletin. He published several singles and a studio album with the magazine. Seeger would play at People's Songs events, called hootenannies, until the organization folded in 1949. After People's Songs, Seeger and another former member of the Almanacs, Lee Hays, founded the Weavers, who achieved commercial success. In 1952, The Weavers went on hiatus due to the Red Scare; Seeger and Hays both had Communist ties. After the demise of the Weavers, Seeger released a solo album, American Folk Songs for Children, in 1953 on Folkways Records. He continued to release albums on Folkways until he signed with Capitol in 1961.
Anthony D. Saletan, known professionally as Tony Saletan, is an American folk singer, children's instructional television pioneer, and music educator. Saletan is responsible for the modern rediscovery, in the mid-1950s, of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". In 1955, he was the first performer to appear on Boston's educational television station, WGBH. In 1969, Saletan was the first musical guest to appear on Sesame Street.
"Surfin' U.S.A." is a song by the American rock band the Beach Boys, credited to Chuck Berry and Brian Wilson. It is a rewritten version of Berry's "Sweet Little Sixteen" set to new lyrics written by Wilson and an uncredited Mike Love. The song was released as a single on March 4, 1963, backed with "Shut Down". It was then placed as the opening track on their album of the same name.
