"Blackberry Blossom" is a fiddle tune in the key of G major. [1] It is classified as a "breakdown" and is popular in old time, bluegrass and Celtic traditional circles. [2] [3]
The tune has been in over 250 tune books. [4] [3] The tune became popular as recorded by Fiddlin' Arthur Smith. That version, according to Alan Jabbour, supplanted an earlier tune played by Santford Kelly from Morgan County, Kentucky, [5] which is now represented by the tune "Yew Piney Mountain". [6] [7] The Yew Piney Mountain variant is also called "Garfield's Blackberry Blossom", perhaps to distinguish it from the earlier version. [8] Of the two tunes, Andrew Kuntz writes to the effect that "Betty Vornbrock and others have noted a similarity between 'Garfield’s Blackberry Blossom' and the West Virginia tune 'Yew Piney Mountain', a variant ... also played by Kentucky fiddlers J.P. Fraley and Santford Kelly". [8] Alan Snyder gives an alternate name of "Strawberry Beds". [9] It is not clear whether the earlier melody of Garfield's Blackberry Blossom evolved into Arthur Smith's version or if the two were always separate. Charles Wolfe wrote in his book “The Devil’s Box” that Smith's tune was named in a radio contest in which listeners submitted suggestions for his unnamed piece.
Although the tune is closely associated with the old time/ bluegrass traditions of the United States, [10] it enjoys the distinction of being frequently played by traditional Irish musicians. [3]
This is a partial list of covers by Irish musicians and bands.
According to Devon Wells, "Blackberry Blossom", as a banjo tune, was brought to the public's attention as one of the earliest arrangements of Bill Keith. [12] Wells, a bluegrass teacher, asserts that the tune is a standard in the bluegrass banjo repertoire. [13]
Tony Rice recorded an influential version of the tune on the album, “Manzanita.” The subsequent Mark O’Connor recording is a more progressive improvisational interpretation. There are many other recorded versions by Bluegrass artists and the tune is often used as a vehicle for improvisation.
Some of the older recordings archived at the Digital Library of Appalachia include:
Like most fiddle tunes, "Blackberry Blossom" has an A part and a B part. In Arthur Smith's 1935 version, the A part is in the key of G major, with C and D chords in the second half of the part; the B part introduces an E major chord, making for a rather unusual mood shift.
Later recorded versions changed the harmonic structure of this tune radically, introducing additional faster chord changes in the A part (which are substitutions that fit the melody line) and in the B part changing the original E major to E minor and the original G to B7.
The key of E minor is the relative minor of the key of G major - it uses the same sharps and flats but its modal center is E rather than G. Using E minor makes for a more "standard" harmonic structure because the E major represents a sudden modulation.
Melodically, according to Anthony, "The note played on the 1st & 3rd beat of the first 2 measures are the first 4 notes of the descending scale of G. Each of these notes is the beginning of a 3-note run, returning to this base note, before moving on to the next note in the G scale." [2]
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin.
William Smith Monroe was an American mandolinist, singer, and songwriter, and created the bluegrass music genre. Because of this, he is often called the "Father of Bluegrass".
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Bill Monroe once described bluegrass music as, "It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
Norman L. Blake is a traditional American stringed instrument artist and songwriter. He is half of the eponymous Norman & Nancy Blake band with his wife, Nancy Blake.
Alan Jabbour was an American musician and folklorist, and the founding director of the American Folklife Center at the Library of Congress.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, and to a lesser extent the music of Continental Europe.
Crossing Bridges is a live 2004 album by Mark O'Connor, Carol Cook, and Natalie Haas. It was recorded at May 22 - May 24 performances in Spivey Hall, Clayton College, and State University, Morrow, Georgia. It contains pieces written by O'Connor's for the earlier Appalachia Waltz and Appalachian Journey albums, as well as two new ones, "Olympic Reel (Medley)" and "Blackberry Mull". "Olympic Reel" was written for the 1996 Summer Olympics, and segues into a medley of the other fiddle tunes and styles of the trio member's cultures, Scottish, Irish, and Texan folk music. "Blackberry Mull" was based on an old folk song called "Blackberry Blossom". The songs arranged for violin, viola, and cello.
James Edward "Ed" Haley was a blind professional American musician and composer best known for his fiddle playing.
Kenneth Clayton Baker was an American fiddle player best known for his 25-year tenure with Bill Monroe and his group The Blue Grass Boys.
Doc & Dawg is a 1997 recording by the American folk music artist Doc Watson and mandolinist David Grisman.
"Old Joe Clark" is a US folk song, a mountain ballad that was popular among soldiers from eastern Kentucky during World War I and afterwards. Its lyrics refer to a real person named Joseph Clark, a Kentucky mountaineer who was born in 1839 and murdered in 1885. The "playful and sometimes outlandish verses" have led to the conjecture that it first spread as a children's song and via play parties. There are about 90 stanzas in various versions of the song. The tune is based on an A major scale in the Mixolydian mode, but moreover has definite hints of a complete blues scale, namely, the flatted 3rd and 5th.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Lily May Ledford was an American clawhammer banjo and fiddle player. After gaining regional radio fame in the late 1930s as head of the Coon Creek Girls, one of the first all-female string bands to appear on radio, Ledford went on to gain national renown as a solo artist during the American folk music revival of the 1960s. In 1985, she was awarded a National Heritage Fellowship.
"Cripple Creek" is an Appalachian-style old time tune and folk song, often played on the fiddle or banjo, listed as number 3434 in the Roud Folk Song Index.
American fiddle-playing began with the early European settlers, who found that the small viol family of instruments were more portable and rugged than other instruments of the period. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish, Scottish, and English fiddle styles, as well as the more upper-class traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns wrote lyrics, and other tunes such as "Flowers of Edinburgh" and "Tamlin," which have both been claimed by both Scottish and Irish lineages.
Old timefiddle is the style of American fiddling found in old-time music. Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka. When the fiddle is accompanied by banjo, guitar, mandolin, or other string instruments, the configuration is called a string band. The types of tunes found in old-time fiddling are called "fiddle tunes", even when played by instruments other than a fiddle.
Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns.
"Yew Piney Mountain" is part of the canonical Appalachian music tradition which has been highly influential in American fiddle tradition generally, including its old time fiddle and bluegrass fiddle branches. According to Alan Jabbour at the Digital Library of Appalachia, the tune was called "Blackberry Blossom" until that title was taken over by a different tune. The earlier "Blackberry Blossom", as played by Sanford Kelly from Morgan County, is now represented by the tune "Yew Piney Mountain".
Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.
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