The Shop Around the Corner is a 1940 American romantic comedy-drama film produced and directed by Ernst Lubitsch and starring Margaret Sullavan, James Stewart, Frank Morgan, and Joseph Schildkraut. The screenplay by Samson Raphaelson is based on the 1937 Hungarian play Parfumerie by Miklós László. Eschewing regional politics in the years leading up to World War II, the film is about two employees at a leathergoods shop in Budapest who can barely stand each other, not realizing they are falling in love as anonymous correspondents through their letters.
Margaret Brooke Sullavan was an American stage and film actress. She began her career onstage in 1929 with the University Players on Cape Cod, Massachusetts. In 1933, she caught the attention of film director John M. Stahl and made her screen debut that same year in Only Yesterday. She continued to be successful on stage and film, best known for The Shop Around the Corner.
Leland Hayward was an American talent agent and theatrical producer. He was an agent to about 150 artists in Hollywood, and produced the original Broadway stage productions of Rodgers and Hammerstein's South Pacific and The Sound of Music.
Mr. & Mrs. Smith is a 1941 American screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale, and Lucile Watson.
The Moon's Our Home is a 1936 American comedy film directed by William A. Seiter and starring Henry Fonda, Margaret Sullavan and Walter Brennan. It was adapted from a novel of the same name written by Faith Baldwin and first published in serial form in Cosmopolitan magazine.
The Shining Hour is a 1938 American romantic drama film directed by Frank Borzage, based on the 1934 play The Shining Hour by Keith Winter, and starring Joan Crawford and Margaret Sullavan. The supporting cast of the MGM film features Robert Young, Melvyn Douglas, Fay Bainter and Hattie McDaniel.
Back Street is a 1961 American Eastmancolor drama film directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the 1931 novel of the same name by Fannie Hurst. The music score is by Frank Skinner, who also scored the 1941 version. The film stars Susan Hayward, John Gavin, and Vera Miles.
Back Street is a 1932 American pre-Code drama film directed by John M. Stahl and starring Irene Dunne and John Boles. Based on the best-selling novel of the same title by Fannie Hurst, it tells the story of a woman who spends her life as the secret mistress of a wealthy married man. The devotion and love of the woman to the married man determines that she will be the “back streets” of him in the whole life; a story of a love that was not destined. This was the first of three film versions of Hurst's novel; remakes were released in 1941 and 1961.
The Wagons Roll at Night is a 1941 American circus drama film directed by Ray Enright and starring Humphrey Bogart as traveling carnival owner Nick Coster, Sylvia Sidney as his girlfriend, and Eddie Albert as a newcomer who falls in love with Nick's sister, played by Joan Leslie. The screenplay is by Fred Niblo Jr. and Barry Trivers, and the film is based on the 1936 novel Kid Galahad by Francis Wallace, first published as a serial in The Saturday Evening Post.
The Bachelor Father is a 1931 American pre-Code MGM comedy drama film directed by Robert Z. Leonard and starring Marion Davies and featuring Ralph Forbes, C. Aubrey Smith, Ray Milland and Guinn "Big Boy" Williams. It was based on a same-titled play by Edward Childs Carpenter, with Smith re-creating his role from the Broadway production. The plot centers around a stuffy British nobleman whose three grown children suddenly arrive at his estate and decide to move in with him.
The Shopworn Angel is a 1938 American drama film directed by H. C. Potter and starring Margaret Sullavan, James Stewart and Walter Pidgeon. The MGM release featured the second screen pairing of Margaret Sullavan and James Stewart following their successful teaming in the Universal Pictures production Next Time We Love two years earlier.
The Good Fairy is a 1935 romantic comedy film written by Preston Sturges, based on the 1930 play A jó tündér by Ferenc Molnár as translated and adapted by Jane Hinton, which was produced on Broadway in 1931. The film was directed by William Wyler and stars Margaret Sullavan, Herbert Marshall, Frank Morgan and Reginald Owen.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
Next Time We Love is a 1936 American melodrama film directed by Edward H. Griffith and starring Margaret Sullavan, James Stewart and Ray Milland. The adapted screenplay was by Melville Baker, with an uncredited Preston Sturges and Doris Anderson, based on Ursula Parrott's 1935 novel Next Time We Live, which was serialized before publication as Say Goodbye Again. The film is also known as Next Time We Live in the U.K.
So Red the Rose is a 1935 American drama film directed by King Vidor and starring Margaret Sullavan, Walter Connolly, and Randolph Scott. The Civil War-era romance is based on the 1934 novel of the same name by Stark Young.
I Loved a Soldier is an unfinished 1936 American romantic-comedy-drama film directed by Henry Hathaway and produced by Paramount Pictures. It stars Marlene Dietrich, Charles Boyer, Walter Catlett, Lionel Stander, and Margaret Sullavan.
The Man from Toronto is a 1933 British romantic comedy film directed by Sinclair Hill and starring Jessie Matthews, Ian Hunter and Frederick Kerr. After an inheritance is left to them if they marry, an Englishwoman and a Canadian must meet for the first time to investigate the other - with comedic results. Matthews was considered a rising film star at the time of the production, and she quickly became one of Gainsborough Pictures' leading names.
Curfew is a 1989 American horror film directed by Gary Winick, in his directorial debut, and starring Kyle Richards, Wendell Wellman, John Putch, Christopher Knight, and Frank Miller. Its plot follows two demented brothers who, after escaping from prison, invade the home of the district attorney who sentenced them to death, terrorizing him, his wife, and their teenage daughter.
Hotel Imperial is a 1939 American dramatic film directed by Robert Florey. It stars Isa Miranda and Ray Milland.
Her Husband's Secret is a 1925 American silent drama film directed by Frank Lloyd and starring Antonio Moreno, Patsy Ruth Miller, and Ruth Clifford.
