The Gentlemen were an American garage rock band from Dallas, Texas who were active from 1964-1968. They are best known for their 1966 song, "It's a Cry'n Shame," which has been recognized as one of the greatest songs in garage rock. The band is noted for the contributions of guitarist and songwriter, Seab Meador. Jimmie Vaughan, later a member the Fabulous Thunderbirds and brother of Stevie Ray Vaughan, served a brief stint for several months in the Gentlemen in late 1965 and early 1966, but did not appear on any of their recordings. He went on to play in another Dallas garage rock band, the Chessmen.
"It's a Cry'n Shame" is a song written by Seab Meador and Mike Kelley and was recorded in 1966 by the Gentlemen, an American garage rock band from Dallas, Texas who were active between 1964-1968. It was originally released as the B-side to "You Can't Be True" but is the better-known song. "It's a Cry'n Shame" has been recognized as one of the greatest songs in garage rock.
Back from the Grave, Volume 1 (CD), is the first installment in the Back from the Grave compact disc-exclusive series of garage rock compilations put together by Tim Warren of Crypt Records. It was released on August 23, 1996. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 2 (CD), is the second installment in the Back from the Grave compact disc-exclusive series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released on August 23, 1996. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. Accordingly, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
Back from the Grave, Volume 4 (CD), is the fourth installment in the Back from the Grave compact disc-exclusive series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released on October 10, 2000. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. Accordingly, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who, on this occasion, with the help of Batman's sidekick, Robin, have taken the 1966 TV series Batmobile out for a "wild joyride" and are intent on causing as much mayhem as possible and "lassoing" unsuspecting bystanders—only on this outing, their "victims" are more "randomly selected" than as customarily portrayed on Back from the Grave sleeves.
Back from the Grave, Volume 8 (CD), is numerically, though not chronologically, the fifth installment on campact disc in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released on August 26,1996. The primary reason why there were no releases for Volumes 5, 6, and 7 in the CD-specific series, is that the track listings on the albums and CD's differed dramatically, and that most of the songs included on the first seven volumes of the LP series were configured onto the first four CDs. Making matters more complicated, Vol. 4 of the CD-specific series was actually released in 2000, four years after the release of Volume 8. In 2015, a totally new re-mastered CD series of Back from the Grave is in the process of being released, which will adhere more closely to the track listings of the LPs, and will bring the series for the first time into multi-medium coherence.
Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
Back from the Grave, Volume 3 (LP) is the third installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Mid 60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "drop in a pit" all adherents of supposedly "heretical" pop and progressive music which have come to prominence over the years.
Back from the Grave, Volume 4 (LP) is the fourth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Wild Mid-60s Garage Punk Screamers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who, on this occasion, with the help of Batman's sidekick, Robin, have taken the 1966 TV series Batmobile out for a "wild joyride" and are intent on causing as much mayhem as possible and "lassoing" unsuspecting bystanders—only on this outing, their "victims" are more "randomly selected" than as customarily portrayed on Back from the Grave sleeves.
Back from the Grave, Volume 8 (LP), is the eighth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was originally released as a double LP on August 26, 1996.
Back from the Grave, Volume 5 is the fifth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released in 1985. In keeping with all of the entries in the series, and as indicated in the subheading that reads "16 Crazed Bone Crunchin' Mid-60s Garage Punkers", this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd which depicts revivified zombies, in customary fashion, returning to wreak havoc, this time exacting joyful revenge on whole chunks of the human race, by using a variety of noxious substances and even resorting to the nuclear option, while a handful of their victims wallow in a "hydroconformic acid hot tub."
Back from the Grave, Volume 6 (LP) is the sixth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released in 1986. In keeping with all of the entries in the series, and as indicated in the subheading which reads "17 Loud Unpsychedelic Wild Mid-60s Garage Punkers," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd which depicts the customarily vengeful deeds of revivified zombies, but this time, in a version of the future based on a retro-vision from the past, replete with flying saucers, these defiantly "earthly" creatures have taken Crypt records' makeshift fighter-plane for a joyride into orbit for the purpose of not-so-safely depositing their "musically heterodox" victims into the outer reaches of space.
Back from the Grave, Volume 7 is the seventh installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records and is available on LP and CD. It was originally released in 1988 as a double-LP containing 34 tracks, and has been newly re-mastered and re-issued in 2015. Though most of the LP's tracks had appeared on volumes 3 and 4 of the Back from the Grave CD-specific sub-series, in 2015, it was released on CD with the re-mastered material and closely matches the song content of the original LP as part of an effort to bring the LP's and CD's of the series into multi-medium coherence. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals.
Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
Back from the Grave, Volume 10, released on LP in 2015, is the tenth and to this date latest installment in the Back from the Grave series of garage rock compilations. As indicated in the subheading which reads "Snarling Snotty Mid 60s Teenage Garage Punk Hoot!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
Last of the Garage Punk Unknowns, Volumes 1 & 2: American Garage Teenage Hoot 1965-1967 is a compilation album of 1960s garage rock available on compact disc and is the first installment in the CD version of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 1 and 2 of the LP counterparts in the series. As indicated on the front sleeve, most of the songs were recorded by American groups between 1965-1967. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.
Last of the Garage Punk Unknowns is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records in 2015 and 2016. The series consists of a total of eight LP's and four CD's which each combine each of the corresponding LP's onto one compact disc. Like Crypt Records' Back from the Grave series, the Last of the Garage Punk Unknowns entries include the raw and aggressive numbers characterized by the use of fuzztone-distorted guitars and rough vocals, yet the songs tend to be more melodic and inclusive of the diversity of the genre. As indicated on the front sleeves, most of the songs were recorded by American groups, between 1965-1967. The series tends to follow the packaging format established by the Back from the Grave series in that each volume includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.
