![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(April 2009) |
![]() | |
Also known as | Bhakti Negara |
---|---|
Focus | Striking |
Country of origin | ![]() |
Creator | Anak Agung Rai Tokir I Bagus Made Rai Keplag Anak Agung Meranggi Sri Empu Dwi Tantra Ida Bagus Oka Dewangkara |
Olympic sport | No |
Official website | baktinegara.com |
Meaning | national devotion |
Bakti Negara is a style of pencak silat from Bali. It is firmly rooted in old Balinese Hinduism and philosophies of Indonesia. [1] The name means "national devotion", from the Sanskrit words bhakti (devotion) and nagara (country). It is the most widely practiced martial art in Bali and the most well-known style of Balinese silat, to the point that the system is commonly referred to simply as pencak Bali or kuntao Bali.
Some movements are similar to Balinese dances and performing arts like the Barong dance. Although the system is very much self-defence oriented, its practitioners also participate in modern competitions and have achieved some important victories in many regional, national and international tournaments.
Bakti Negara is a self-defense system to train cipta (thought), rasa (sense), and karsa (will), to develop complete a human being according to Balinese philosophy of Tri Hita Karana. [1] Skill should not be used as the tool of aggression, but as a way to develop and cultivate oneself. The school teaches four elements: [1]
Bakti Negara was officially created on 31 January 1955 in Banjar Kaliungu Kaja of Denpasar, Bali by four freedom-fighters who were veterans in Indonesia's struggle for independence from the Dutch. They were Anak Agung Rai Tokir, I Bagus Made Rai Keplag, Anak Agung Meranggi and Sri Empu Dwi Tantra. Each was a master in one of Bali's native schools, and incorporated these techniques into the new system. Because of this, Bakti Negara was still considered a traditional Balinese art because all of its movements were taken from pre-existing disciplines indigenous to the island. The task of leading and managing Bakti Negara was given to Ida Bagus Oka Dewangkara. [1]
After 1968 Bakti Negara underwent a period of further development during the transition from the older to the new generation. The Lembaga Dewan Pendekar Bakti Negara gave I Bagus Alit Dira the mandate to systemise the teaching structure of Bakti Negara with the help of other instructors. While the school prided itself on combat effectiveness over sport, it was felt that some form of competition was necessary to test students. A point-based sparring system was introduced, and a coloured belt system of ranking was adopted from Japan. Championships were held every three years, always tied with some Balinese ceremony.
As other Balinese silat schools chose to remain independent of politics, Bakti Negara vied for status from the education ministry with Perisai Diri, seen as a foreign style. Through a process of standardization and acculturation, Bakti Negara became an integral part of Banjar or village social organisation (seka), and entered the Balinese school system. Today it is practiced in almost every town and village in Bali.
The basis of Bakti Negara is tipuan or deception. If a fight is unavoidable, the exponent taunts and provokes the opponent into losing their mental poise. As with most Balinese silat, this characteristic is displayed in the art's deceptive stances and movements. By feigning weakness or acting inattentive, a Bakti Negara practitioner lures the enemy into a blind attack before launching their own counterattack. Fighting in such an indirect manner requires stamina, so Bakti Negara students use flexibility and endurance training to ensure they do not tire themselves out easily. This is the reason why, compared to other Balinese silat, Bakti Negara is said to be most suited to those with a small frame. Through practice, the fighter also learns to judge whether a ruse is worth the energy or has a low chance of success.
In Bakti Negara, the opponent's body is seen as a rectangular section and attacks are concentrated along a line with their shoulders. Another common target is the opponent's front leg or foot. If an enemy charges forward, the Bakti Negara exponent would use the ground-sitting sempok or depok stance and kick or sweep the advancing leg. Blocking and parrying is always done with the open hands. If the attacking limb is grabbed, the grabbing hand would be countered with a slap. The tricky nature of Bakti Negara favours a range of about two yards from the opponent. Grappling and infighting is limited, consisting mainly of joint locks on the elbows and shoulders, but these techniques were never developed as highly on Bali as in other parts of Indonesia. Rather, striking is preferred, particularly punches and kicks.
The most common weapons in Bakti Negara are the toya (staff), chabang (forked truncheon), and pisau (knife). The chabang's significance as a Hindu symbol is reflected in its importance to Bakti Negara. Other weapons include the toyak (halberd), tombak jago (longspear), and penchong (club).
In its attempt to modernize, Bakti Negara uses a coloured belt system to signify rank, adopted from Japanese fighting arts. The belt colours in ascending order are red, blue, brown, yellow, and purple. The purple belt is reserved for master teachers. Sparring is also typical of modern combat sports. Points are awarded for clean hits, while strikes to vital points are forbidden.
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage.
Silat Melayu, also known as Seni Persilatan Melayu or simply Silat, is a combative art of self-defence from the Malay world, that employs langkah ('steps') and jurus ('movements') to ward off or to strike assaults, either with or without weapons. Silat traced its origin to the early days of Malay civilisation, and has since developed into a fine tradition of physical and spiritual training that embodies aspects of traditional Malay attire, performing art and adat. The philosophical foundation of modern Malay Silat is largely based on the Islamic spirituality. Its moves and shapes are rooted from the basis of Silat movements called Bunga Silat, and Silat performances are normally accompanied with Malay drum assembles.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
Pencak silat is an umbrella term for a class of related Indonesian martial arts. In neighbouring countries, the term usually refers to professional competitive silat. It is a full-body fighting form incorporating strikes, grappling and throwing in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. There are hundreds of different Pencak silat styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
The Liu Seong System is one of the many styles of Kuntao, which are hybrid martial arts systems derived from the cultures of Chinese Indonesia. The Liu Seong system was brought to America, from Indonesia, by Willem A. Reeders (1917-1990).
Silat is a generic name for the martial arts of certain countries in Southeast Asia. There is untold number of Silat systems in Maritime Southeast Asia, with there being over 150 styles recognized styles of pencak silat in Indonesia, and more in aboard.
Sports in Indonesia are popular from both the participation and spectating aspect. Some popular sports in Indonesia are football, volleyball, basketball, badminton, and the native Indonesian martial art pencak silat. Badminton is arguably Indonesia's most successful sport. Indonesia has won gold medals in badminton in every Olympic Games since the sport was first introduced to the Olympics in 1992, with the exception of the 2012 Summer Olympics. Indonesia regularly participates in the Thomas Cup, Uber Cup, and Sudirman Cup badminton championships. Indonesia also regularly participates in regional multi-events sport, such as the Southeast Asian Games, Asian Games, and Olympic Games. Indonesia is one of the major sport powerhouses in the Southeast Asian region, winning the Southeast Asian Games 10 times since 1977.
Seni Gayung Fatani is a martial art, specifically a style of silat from Malaysia based on the art of war, the combination punch and kick striking, joint-locking and grappling techniques, and various type of melee weapon. In Malay, the word seni means art and gayung is a word for martial arts, synonymous with silat. Fatani means wise in Arabic and was chosen in 1976 by the councils of Guru Tua. The first grandmaster of the silat is Tuan Guru Hj Anuar Abd. Wahab. Tuan Guru Aminuddin Haji Anuar is the current Grandmaster of Seni Gayung Fatani Malaysia.
A Balinese name is part of a system of identification used by the Balinese people and in the western parts of the neighboring island of Lombok, Indonesia. A Balinese name will have three parts: a title, a birth order name and a personal name. Balinese people do not use a family name.
The State of East Indonesia was a post–World War II state formed in the eastern half of Dutch East Indies by the Netherlands. Established in December 1946, it became part of the United States of Indonesia in 1949 at the end of the Indonesian National Revolution, and was dissolved in 1950 with the end of the USI. It comprised all the islands to the east of Borneo and of Java.
Anak Agung Bagus Suteja was the first governor of Bali, appointed by President Sukarno in 1958, when Bali became a province. He was the son of the last Raja of Jembrana, Anak Agung Bagus Negara.
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung, was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.
Silat is the collective term for a class of indigenous martial arts from the Nusantara and surrounding geo-cultural areas of Southeast Asia. It is traditionally practised in Brunei, Indonesia, Malaysia, Singapore, Southern Thailand, Southern Philippines and Southern Vietnam. There are hundreds of different styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
The Puri Lukisan Ratna Wartha Museum is the oldest art museum in Bali which specialize in modern traditional Balinese paintings and wood carvings. The museum is located in Ubud, Bali, Indonesia. It is home to the finest collection of modern traditional Balinese painting and wood carving on the island, spanning from the pre-Independence war (1930–1945) to the post-Independence war era. The collection includes important examples of all of the artistic styles in Bali including the Sanur, Batuan, Ubud, Young Artist and Keliki schools.
Indonesian martial arts includes a variety of fighting systems native to or developed in the archipelago of Indonesia, both the age-old traditional arts, and the more recently developed hybrid combatives. In the Indonesian language the term bela-diri is used to mean martial art, and in essence the Indonesian fighting arts are meant as one's defence against perceived threat and assault. Other than physical training, they often include spiritual aspects to cultivate inner strength, inner peace and higher psychological ends.
It is quite difficult to define Indonesian art, since the country is immensely diverse. The sprawling archipelago nation consists of 17.000 islands. Around 922 of those permanently inhabited, by over 1,300 ethnic groups, which speak more than 700 living languages.
Perguruan Silat Mustika Kwitang, or simply called Kwitang silat, is a Betawinese pencak silat style. It was originally developed in the Kwitang village, which is now part of the Senen subdistrict in Central Jakarta, Indonesia. This style is a hybrid martial arts, developed by combining the local silat with the Chinese-influenced kuntao. The Mustika Kwitang Silat School was founded in 1945 by H. Muhammad Djaelani, who previously studied the martial arts from his own family.
The Paruman Agung was the regional parliament of Bali from 1938 until 1950.
Silat Harimau is a Minangkabau style of pencak silat originating from West Sumatra, Indonesia. Silat Harimau has movements that are used to resemble the technique and philosophy of a tiger. Silat harimau has agile techniques and beautiful movements. However, behind these techniques and movements, there are various deadly attacks that are applied to immobilize the enemy very quickly.