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Bala Devi Chandrashekar | |
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Nationality | American |
Education | B Sc Stella Maris College, Chennai, MA - Public Administration, Presidency College, Chennai, M Phil - Madras Christian College |
Known for | Bharatanatyam exponent, scholar, performer and teacher, New Jersey, US, dance |
Title | Artistic director, SPNAPA Academy, New Jersey |
Website | www.baladevichandrashekar.com |
Bala Devi Chandrashekar is a Bharatanatyam dancer [1] and teacher based in Princeton, New Jersey, United States. She was trained under Dr. Padma Subrahmanyam. Bala Devi Chandrashekar is a Professor of practice in Asian performing arts. Her approach is interdisciplinary, involving lecturing and research. Bala Devi's unique well researched productions include Nandanar Charithram, [2] Krishnaarpnam and Uddhava Gita. [3]
Bala Devi Chandrashekar is the artistic director of the New Jersey Bharatanatyam school Shree Padma Nrityam Academy of performing Arts Inc., [4] with head office in Princeton, New Jersey. The school provides Bharatanatyam classes to aspiring dancers and also serves as a facilitator for cultural preservation, presentation, and exchange of ideas for South Asian Performing Arts with a primary focus on Indian classical dance – Bharatanatyam. Bala works as a Bharatanatyam teacher, lecturer and researcher, and a performer. She is a performing soloist and has developed her own dance technique, and currently she works on number of projects on Performing Arts, raising the awareness of Bharatanatyam in New Jersey and the relationship to other performing arts. Bala works on the study of movement technique investigating the relationship of the archive and the repertoire, from an interdisciplinary domain; Dance technique, Cultural Perspectives of South Asia, Music, Literature, Art History and Dance Anthropology.
Bala has performed in many prestigious venues in North America, Europe, Middle East and India. As a Professor of Practice & Artistic Director of SPNAPA Academy of Performing Arts, Princeton, New Jersey, she imparts valuable knowledge to her many dedicated students. Bala constantly works on developing and perfecting the style that would be seamless and fluid while yet retaining the precision, power and purity of line -typical of classical dance. As a Professor of Practice, Bala is constantly developing curriculum in "Performing studies" in collaboration with Theater and Dance, History, Philosophy, Linguistic anthropology and South Asian Departments of various universities in the United States. She has served as a Fellow and Artist - in - Residence at The Carl A. Fields Center at Princeton University. Bala Devi has given lectures and taught courses on Bharatanatyam in Mount Holyoke, Princeton, Columbia university, University of Pennsylvania, Yeshiva University, Vassar College, Rutgers University, New Jersey. Rider University New Jersey.
Bala's focus on lecture and research blends seamlessly with her concert platform. Her lectures incorporate the core architectural components of ancient temple sculptures – Karanas, governed by artistic laws of value bridging disciplines together and reducing the hazy scope. She has participated in numerous lectures, intercultural, religious and performing arts events as a faculty, consultant and mentor and is the recipient of several prestigious grants from several state and private foundations including the NJ Humanities council, Texas commission on the Arts and Ohio State Council on the Arts.
Key productions include Nandanar Charithram, MLV Favorites- A traditional Margam based on songs popularized by legendary Carnatic music singer M L Vasanthakumari, Krishnaarpan - A Margam based on the Life of Lord Krishna. In the year 2013, she presented Uddhava Gita - Lord Krishna's last message. This was the first time Uddhava Gita was presented in Bharatanatyam format. Uddhava Gita was premiered at Bharatiya Vidya Bhavan London, England. The same production was successfully presented at the Chennai Dance festival in month December 2012. In the year 2013, Bala also presented Vishwam - The Omnipresent. Based on the sacred Hindu text Bhagavatham - The production had references to Lord Krishna's life, King Mahabali, and the unique story of Sage Markandaya. Bala Devi has staged nine productions to date. Presented Vishwam - The Omnipresent at John Witherspoon Middle School, New Jersey as a part of a fundraiser for a New Jersey–based arts organization on 16 May 2014. With the guidance of TN Ramachandran and Dr. Kodavayul Balasubramanian Bala Devi produced "Brihadeesawara - form to formless".. This production was staged at the UNESCO head office in Paris.
Served as a Honorary Board member for New Jersey Governor school, New Jersey, United States.
Served as an Artist in residence – Princeton University, Princeton, United States [8]
Advisor – Sangam Festival, New Jersey
Bala Devi Chandrashekar ancestors belong to Kodavasal, Manjakudi of Thanjavur District, Tamil Nadu. She is actively involved in village of Umayalpuram, by maintaining a very old Sri Rama temple in Umayalpuram with visits and performances every year.
Bharatanatyam is an Indian classical dance form that originated in Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Kalakshetra Foundation, formerly simply Kalakshetra, is an arts and cultural academy dedicated to the preservation of traditional values in Indian art and crafts, especially in the field of Bharatanatyam dance and Gandharvaveda music. Based in Chennai, India, the academy was founded in January 1936 by Rukmini Devi Arundale and her husband George Arundale. Under Arundale's guidance, the institution achieved national and international recognition for its unique style and perfectionism. In 1962, Kalakshetra moved to a new 40-hectre campus in Besant Nagar, Chennai.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Rukmini Devi Arundale was an Indian theosophist, dancer and choreographer of the Indian classical dance form of Bharatanatyam, and an activist for animal welfare.
Tanjore Balasaraswati, also known as Balasaraswati, was an Indian dancer, and her rendering of Bharatanatyam, a classical dance style originated in the South Indian state of Tamil Nadu, made this style of dancing well known in different parts of India and many parts of the world.
Karanas are the 108 key transitions in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. Karana is a Sanskrit verbal noun, meaning "doing".
T.N. Ramachandran was an Indian art historian, artist, archaeologist and a Sanskrit scholar, specialising in the study and exposition of various aspects of Indian art. He was born to Narayanan & Visalakshi. He was the author of several monographs, and was the director-general of archaeology in India. He conducted research and wrote extensively on various subjects during his tenure as curator of archaeology at the National Museum, New Delhi.
Alarmel Valli is an Indian classical dancer and Bharatanatyam-Pandanallur choreographer.
Leela Samson is a Bharatanatyam dancer, choreographer, instructor, writer and actress from India. As a soloist, she is known for her technical virtuosity and has taught Bharatanatyam at Shriram Bhartiya Kala Kendra in Delhi for many years.
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Kann Sivanthaal Mann Sivakkum is a 1983 Indian Tamil-language film directed by debutant Sreedhar Rajan. Produced by R. Venkatraman, the film won the Indira Gandhi Award for Best Debut Film of a Director at the 30th National Film Awards in 1983. It is based on Indira Parthasarathy's novel Kuruthipunal. The film stars newcomer Vijaymohan and Poornima Jayaram, with Jaishankar, Rajesh, N. Viswanathan and Raveendran in pivotal roles. The score and soundtrack were composed by Ilaiyaraaja while cinematography was handled by Soumendu Roy.
Madras Kadiravelu Saroja, was an Indian classical dancer, known for her expertise, as an exponent and as a teacher, in the classical dance form of Bharatanatyam. The Government of India honored her, in 2011, with the Padma Shri, the fourth highest civilian award, for her services to the field of art and culture.
Sridevi Nrithyalaya is a dance school based in Chennai, Tamil Nadu. The school was founded in 1987 and operates as a trust. The main aim of the institution is to support and promote the southern Indian classical dance form Bharathanatayam. It specialises in Melattur style of Bharathanayam.
Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. She is the founder of Kaladiksha, an institution promoting Bharatanatyam and striving to preserve the Pandanallur tradition. A disciple of the father-son duo of Chokkalingam Pillai and Subbaraya Pillai, she is a recipient of several honours including Kalaimamani Award of the Government of Tamil Nadu and the Natya Kala Sarathi of Sri Parthasarathy Swami Sabha. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2008, for her contributions to classical dance.
The Tamil Nadu Dr. J. Jayalalithaa Music and Fine Arts University (TNJMFAU), formerly and commonly known as Tamil Nadu Music and Fine Arts University (TNMFAU), is a government music and fine arts university situated in Adyar in the southern part of the city of Chennai, Tamil Nadu, India. It is about 14 km (8.7 mi) from the Chennai International Airport and about 10 km (6.2 mi) from the Puratchi Thalaivar Dr. M.G. Ramachandran Central Railway Station. It is one of the premier music and fine arts universities named after the former chief minister of Tamil Nadu J. Jayalalithaa.
Bhagavata Mela is a classical Indian dance that is performed in Tamil Nadu, particularly the Thanjavur area. It is choreographed as an annual Vaishnavism tradition in Melattur and nearby regions, and celebrated as a dance-drama performance art. The dance art has roots in a historic migration of practitioners of Kuchipudi, another Indian classical dance art, from Andhra Pradesh to the kingdom of Tanjavur.
Ananda Shankar Jayant is an Indian classical dancer, choreographer, scholar and bureaucrat, known for her proficiency in the classical dance forms of Bharatanatyam and Kuchipudi. She is the first woman officer in the Indian Railway Traffic Service on South Central Railway and her 2009 TED talk is ranked among the top twelve Incredible TED talks on cancer. She is a recipient of Sangeet Natak Akademi Award, Kalaimamani Award of the Government of Tamil Nadu and Kala Ratna Award of the Government of Andhra Pradesh. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2007, for her contributions to arts.
Kalaimamani Shri Guru Madurai R. Muralidaran is an acclaimed dance Guru (teacher), composer, dancer, choreographer, lyricist, playwright and director best known for his large body of modern compositions for Bharatanatyam dancers and his many elaborate dance musical productions. His works explore the complexities of Bharathanatyam theory and rhythms while remaining accessible and appealing to a modern lay audience.
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