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Michael Fokine was a Russian choreographer and dancer.
Postmodern dance is a 20th century concert dance form that came into popularity in the early 1960s. While the term "postmodern" took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the artist" and was, more generally, a departure from modernist ideals. Lacking stylistic homogeny, Postmodern dance was discerned mainly by its anti-modern dance sentiments rather than by its dance style. The dance form was a reaction to the compositional and presentational constraints of the preceding generation of modern dance, hailing the use of everyday movement as valid performance art and advocating for unconventional methods of dance composition.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
The Firebird is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).
Shen Wei is a Chinese-American choreographer, painter, and director who resides in New York City. Widely recognized for his defining vision of an intercultural and interdisciplinary mode of movement-based performance, Shen Wei creates original works that employ an assortment of media elements, including dance, painting, sound, sculpture, theater and video. Frequently, critics have commented on his innovative blend of Asian and Western sensibilities, as well as his syncretic approach to performance art.
Ballet d'action is a hybrid genre of expressive and symbolic ballet that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance from unrealistic symbolism, so this remains an elusive question. Often, props and costume object were involved in the performance to help clarify character interaction and passions. An example would be the scarf from La Fille mal gardée, which represents the love of the male character and which the female character accepts after a coy moment. Props were thus used in harmony with dancer movement and expression. Programs for plays were also a place to explain the onstage action; however, overt clarifications were sometimes criticized for sullying the art of the ballet d'action.
The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Performing arts – are art forms where the participant engages in a physical performance using their body, voice, language, or use of specific equipment for entertainment purposes.
The Atlantic Ballet Theatre of Canada is a professional award-winning touring ballet company based in Moncton, New Brunswick. Founded in 2002 by Susan Chalmers-Gauvin, CEO, and Artistic Director Igor Dobrovolskiy, Ballet-théâtre atlantique du Canada/ The Atlantic Ballet Theatre Of Canada presents a diverse collection of original full-length narrative ballets and short works which explore contemporary themes within the classical genre. Each work is conceived and choreographed by Dobrovolskiy.
Episodes is a ballet choreographed by Martha Graham and George Balanchine, to compositions by Anton Webern. The ballet was a co-production between the Martha Graham Dance Company and Balanchine's New York City Ballet (NYCB). Though it was conceived to be a collaboration between Graham and Balanchine, leading choreographers in modern dance and neoclassical ballet respectively, they ultimately worked separately on the ballet's two halves. Episodes I was choreographed by Graham, for dancers from her company and four NYCB members, and depicts Mary, Queen of Scots remembering the events in her life before her execution. Episodes II, by Balanchine, is completely plotless, and made for members of the NYCB and Graham dancer Paul Taylor, who originated a solo. The ballet uses all seven orchestral compositions by Webern.
Troy Schumacher is an American choreographer, dancer, and director based in New York City. He is a soloist in the New York City Ballet and has choreographed for the company since 2014; before being promoted to soloist, he danced in NYCB's corps de ballet starting in 2005. He is the founder of Balletcollective, an arts collective that has created new ballet-based works since its inception in 2010. His work has been presented by New York City Ballet, Martha Graham Dance Company, The Metropolitan Museum of Art, Lincoln Center's Mostly Mozart Festival, Performa, Danspace Project, Guggenheim Works & Process, the Joyce Theater, and NYU Skirball Center. In addition to live performances, Schumacher has choreographed numerous fashion and commercial shoots, including works for Sony PlayStation, Capezio featuring Maddie Ziegler, HP, Aritzia, CR Fashion Book, Tom Ford, and The New York Times. He has been dubbed a “visionary artist” by T Magazine and is “one of his generation’s most acclaimed choreographers”
Kenneth King is an American post-modern dancer and choreographer and author who is best known for his experimentation with dance, language, and multimedia. A second-generation Judson Dance Theatre choreographer, much of King's experimental dance repertoire combines different movement styles with dramatic material, characters, and technological advances, emphasizing the importance of the human body through expressionism and symbolism. King is the author of Writing in Motion: Body--Language--Technology and six novels: Bring on the Phantoms, Red Fog, The Secret Invention, So Much For Posterity, 'The Glass Pond and The Disappearing Game.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
The Alonzo King LINES Ballet (AKLB) is an American contemporary ballet company based in the San Francisco Bay Area. The ballet company, founded by choreographer Alonzo King, premiered at San Francisco State University's McKenna Theatre in 1982.
Loughlan Prior is a dancer and choreographer based in New Zealand. He creates theatre, film and multimedia projects, and has had his work presented in New Zealand, Australia, Canada, Denmark, Hong Kong, Germany and the United States.
Satellite Collective is a non-profit, multi-medium artist collective based in New York City and led by Kevin Draper. Functioning as an “arts incubator”, Satellite Collective generates accessible creative opportunities for artists in the performing and visual arts. Satellite Collective builds global artist coalitions to achieve innovative art exhibitions, structured by intersecting diverse mediums of art. Contributing artists of Satellite Collective are writers, poets, composers, musicians, choreographers, dancers, digital artists, photographers, and designers whose collaborative projects emerge as multimedia ballet performances, a musician ensemble, and an online periodical. Satellite Collective has received press attention from The New York Times and The New Yorker.
Toer van Schayk is a Dutch ballet dancer, choreographer, scenic and costume designer, painter, and sculptor. Along with Rudi van Dantzig and Hans van Manen, he is one of the creative triumvirate that brought the Dutch National Ballet to international prominence in the latter half of the twentieth century.
Ellis Joseph Ludwig-Leone is an American composer and songwriter based in Brooklyn, New York. Since 2012, he has led the chamber pop group San Fermin with whom he has released four studio albums, most recently 2020's The Cormorant. Outside of San Fermin, he has composed for a wide variety of contemporary classical ensembles and organizations, including New York City Ballet, Indianapolis Symphony Orchestra, and Brooklyn Youth Chorus, and often works with choreographer Troy Schumacher, harpist Lavinia Meijer, Attacca Quartet, and singer-songwriter Allen Tate.
Everywhere We Go is a ballet choreographed by Justin Peck and scored by Sufjan Stevens. The ballet is plotless, danced by a cast of 25 and features nine sections. This is the second collaboration between Peck and Stevens, following Year of the Rabbit (2012). Everywhere We Go was created for the New York City Ballet (NYCB), and premiered on May 8, 2014, at the David H. Koch Theater, during NYCB's spring gala. The success of the ballet led to Peck's appointment as resident choreographer of NYCB, as the second person to hold the position.
References
- ↑ Harss, Marina (19 September 2014). "A Dancer's Creative Evolution". The New York Times.