megan lecrone is an American ballet dancer and soloist with the New York City Ballet. [1]
LeCrone was born in Winston-Salem, North Carolina to Jonathan and Sandra LeCrone and raised in Greensboro. She has two sisters, Emery LeCrone, a ballet dancer and choreographer, and Alexandra, an English teacher. LeCrone began her dance training when she was four years old at the School of Greensboro Ballet under the direction of Maryhelen Mayfield, John Dennis, and Elissa Minet Fuchs. [2] When she was fourteen years old she began training with Melissa Hayden and Duncan Noble at the North Carolina School of the Arts in Winston-Salem. [3]
LaCrone performed choreography by Cecilia Bengolea, featuring the song “Geneva” by British musician Kindness. Using 3D scanners, the performance was made into an interactive viewing experience with layers of raw data that can be switched by the viewer. [4]
LeCrone, along with six other dancers from the New York City Ballet, opened the Spring 2016 New York Fashion Week in a performance choreographed by Justin Peck. [5]
In 2012 she was featured in a film short titled Figure Studies, and was later featured in a documentary series on the New York City Ballet in 2016. [6] She was featured in the online fashion magazine StyleLikeU. [7]
In early fall of 2001, she entered the School of American Ballet and in November 2001 she became an apprentice with the New York City Ballet. In October 2002 she joined the company as member of the corps de ballet. [8] She was on medical leave from the company for various injuries for seven years before she was promoted to the rank of soloist in February 2013. [9] [10] [11] In 2012 she danced the role of Dewdrop in The Nutcracker . [12] In 2015, LeCrone made her debut as the Sugar Plum Fairy in The Nutcracker. Notable performances include principal roles in Balanchine's Agon , [13] Raymonda Variations , [14] the opening Symphony in Episodes , [15] [16] Rubies from Jewels , [17] and many other prominent and leading roles with the New York City Ballet. [18]
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
The School of American Ballet (SAB) is the most renowned ballet school in the United States. School of American Ballet is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet.
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Jennie Renee Somogyi is an American former ballet dancer. She joined the New York City Ballet in 1993, at age 15, became a principal dancer in 2000, and retired in 2015.
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Greensboro Ballet is a professional ballet company in North Carolina. It is the only ballet company in the Piedmont Triad. It is one of the few non-profit ballet companies in North Carolina. Greensboro Ballet has presented works by George Balanchine. The company also has performed a number of works made especially for the Greensboro Ballet by Rick McCullough, Jill Eathorne Bahr, Leslie Jane Pessemier, Elissa Minet Fuchs, and Emery LeCrone. Maryhelen Mayfield, who served as artistic and executive director of Greensboro Ballet from 1980 to 2019, choreographed over twenty-five works for the company.
Aesha Ash is an American ballet dancer and teacher. She danced numerous leading roles as a member of New York City Ballet's corps de ballet and as a soloist with Béjart Ballet and Alonzo King LINES Ballet, and Morphoses/The Wheeldon Company. Following her retirement from performing, she founded The Swan Dreams Project in 2011 to dispel stereotypes about Black women in ballet. In 2020, she became the first African American female faculty member at the School of American Ballet.
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Mira Nadon is an American ballet dancer. She joined the New York City Ballet in 2018, and in 2023, she was promoted to principal dancer, as the first Asian American woman to hold this position.