Cecilia Bengolea (born 1979, Buenos Aires) [1] is an Argentinian artist, choreographer and dancer. Her works have been shown or performed at the Desert X of the Coachella Festival, the Art Basel [2] or the Guggenheim Museum in Bilbao amongst other venues. [3]
Bengolea was born in Buenos Aires, and began to take Jazz dance lessons at the age of twelve. [1] Having graduated from high school, she enrolled into the University of Buenos Aires to study Art History and Philosophy. [4] later also been influenced by the traditional dance culture in South-America in Peru and Bolivia. [5] In 2001 she moved to Paris, and followed up on her studies at the Ex..e.r.c.e program in Montpellier, instructed Mathilde Monnier. [6]
From 2005 onwards she developed a working relationship with François Chaignaud with who realized several major performances together until 2015. [7] They have created the choreography for pieces at the Opera of Lyon and the Opera Lorraine in France and also the Pina Bausch Dancecompany in Wuppertal, Germany. [8] She has collaborated with the video artists Jeremy Deller [9] [6] as well as Dominique Gonzalez-Forster. [8]
She is particularly interested in anthropological research on contemporary and archaic forms of dance, and devotes herself to learning techniques, movements, and choreographies from around the world, using them to shape her own artistic vocabulary. [10] Her dance style has been influenced by the traditional dance culture in South-America in Peru and Bolivia. [5] Since 2015 several of her works are strongly influenced by the Dancehall from Jamaica. [6] [5]
2009, together with François Chaignaud, Paris critique choreographic revelation Award [2]
2014, Young Artist Prize Gwanju Biennale [2]
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
The Chacarera is a dance and music that originated in Santiago del Estero, Argentina. It is a genre of folk music that, for many Argentines, serves as a rural counterpart to the cosmopolitan imagery of the Tango. A dance form played by contemporary musicians as soloists or in small ensembles of voice, guitar, violin and bombo drum, the Chacarera is often legitimized by its “origin” in the remote province of Santiago del Estero.
Luisa Valenzuela Levinson is an Argentine post-'Boom' novelist and short story writer. Her writing is characterized by an experimental style which questions hierarchical social structures from a feminist perspective.
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Camille A. Brown is a dancer, choreographer, director and dance educator. She is the Founder & Artistic Director of Camille A. Brown & Dancers, and has congruently choreographed commissioned pieces for dance companies, Broadway shows, and universities. Brown started her career as a dancer in Ronald K. Brown’s Evidence, A Dance Company, and was a guest artist with Rennie Harris Puremovement, and Alvin Ailey American Dance Theater. Brown has choreographed major Broadway shows such as Choir Boy, Once on This Island and Jesus Christ Superstar Live in Concert! that aired on NBC. Brown also teaches dance and gives lectures to audiences at various universities such as Long Island University, Barnard College and ACDFA, among others.
Mariana Alejandra Yegros, better known by her stage name La Yegros, is an Argentinian singer-songwriter.
Cecilia Vicuña is a Chilean poet and artist based in New York and Santiago, Chile.
Ana Laura Aláez is a Basque artist. She is one of the most renowned contemporary artists in Spain. She defines herself as an "emotions architect", as she transforms all her life into art, depicting her feelings in her artworks. One of her first exhibitions took place in 1992, in Fundació Joan Miró's Espai 10, in Barcelona. Alberto Peral, another Basque artist, was also featured in this exhibition.
Ximena Caminos is a Cultural Entrepreneur and Cultural Place Maker. Chair of BlueLab Preservation Society, CCO of HoneyLab Creative and Founder of The ReefLine.
Jimena Fama is an Argentine composer, multi-instrumentalist and producer based in New York and London. Her previous custom work can be found under Electro Dub Tango.
Maria del Carmen Rodriguez de Rivarola, better known by her artistic name Maria Rivarola is an outstanding professional dancer, social dancer, and choreographer of the Argentine Tango. She is known for performing a specific style of Argentine Tango known as Milonguero Tango. She is also known worldwide for being a cast member of the show Tango Argentino, released in 1983, which resulted in her nomination, along with the rest of the dancers, for the Tony Award in 1986 for Best Choreography. Since her youth, Carlos Rivarola has been her dance partner. Together, they present themselves artistically as Maria and Carlos Rivarola. Maria was one of the founders of the Association of Teachers, Dancers, and Choreographers of the Argentine Tango (ATDCAT) in 2001.
Liliana Maresca was an Argentine artist. Her works cover a variety of styles including sculpture, painting, graphic montages art objects and installations. She was a prominent artist in the period following the dictatorship of the National Reorganization Process. She was a key figure who participated in the artistic scene since the early 80's, starring the enthusiastic young bohemian that detonated Buenos Aires from the early years of democracy rapidly becoming an inflection figure. Her works included objects, installations, performances, interventions in public and semipublic places, and the photographic performances. Maresca died of AIDS in 1994, just a few days after the opening of her retrospective at the Centro Cultural Recoleta in Buenos Aires.
Andrea Graciela Giunta is an Argentine art historian, professor, researcher, and curator.
Cecilia Alemani is an Italian curator based in New York City. She is the Donald R. Mullen Jr. Director & Chief Curator of High Line Art and the artistic director of the 59th Venice Biennale in 2022. She previously curated the 2017 Biennale's Italian pavilion and served as artistic director of the inaugural edition of the 2018 Art Basel Cities in Buenos Aires, held in 2018.
Dancehall pop is a sub-genre of the Jamaican genre dancehall that originated in the early 2000s. Developing from the sounds of reggae, dancehall pop is characteristically different in its fusion with western pop music and digital music production. Dancehall pop is also different from dancehall in that most songs use lesser Jamaican Patois in lyrics––allowing it to be globally understood and consumed. It also incorporates the key pop music elements of having melodies, hooks, and the verse-chorus format. Additionally, the genre moves away from the reggae and roots reggae music origins in social and political protest, now lyrically centering on partying, dancing, and sexuality.
Susana Zimmermann (1932-2021) was an Argentine dancer and choreographer. She was a pioneering figure in contemporary dance in Argentina and had choreographed at least sixty performances staged in different countries. Zimmermann was also an educator and is noted for developing a methodology for dance instruction.
Hernán Javier Piquín is an Argentine dancer and choreographer. He was born in the city of Los Polvorines, in the northwest of Greater Buenos Aires, 33 km from the center of the Federal Capital. He attended the Higher Institute of Art of the Teatro Colón.
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