Jeremy Deller (born 30 March 1966)[1] is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the Venice Biennale in 2013.[2][3]
Deller traces his broad interests in art and culture, in part, to childhood visits to museums like the Horniman Museum, in South London. After meeting Andy Warhol in 1986, Deller spent two weeks at The Factory in New York. He began making artworks in the early 1990s, often showing them outside of conventional galleries. In 1993, while his parents were on holiday (he was 27, still living at home),[5] he secretly used the family home for an exhibition titled Open Bedroom.[6]
In 1997, Deller embarked on Acid Brass, a musical collaboration with the Williams Fairey Brass Band from Stockport. The project was based on fusing the music of a traditional brass band with acid house and Detroit techno.
Much of Deller's work is collaborative. His work has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. Folk Archive is a tour of "people's art" and has been exhibited throughout the UK including at Barbican Centre and most recently (2013) at The Public, West Bromwich, outside of the contemporary art institution. Much of his work is ephemeral in nature and avoids commodification.
Deller staged The Battle of Orgreave in 2001, bringing together almost 1,000 people in a public re-enactment of a violent confrontation from the 1984 Miners' Strike.[6][7] The re-enactment was filmed by director Mike Figgis for Artangel Media and Channel 4.[8]The Battle of Orgreave was ranked second in The Guardian's Best Art of the 21st Century list, with critic Hettie Judah calling it a "monument of sorts, the performance was at once participatory ritual, spectacle, living archive and a space to mourn".[9] In 2004, for the opening of Manifesta 5, the roving European Biennial of Contemporary art, Deller organised a Social Parade through the streets of the city of Donostia-San Sebastian, drafting in cadres of local alternative societies and support groups to participate.[10]
In 2005/6, he was involved in a touring exhibit of contemporary British folk art, in collaboration with Alan Kane. In late 2006, he instigated The Bat House Project, an architectural competition open to the public for a bat house on the outskirts of London.
The following year, 'Our Hobby is Depeche Mode', a documentary co-directed with Nick Abrahams about Depeche Mode fans around the world was premiered at the London Film Festival, and followed by festival screenings around the world.
Commissioned in 2009 as part of The Three M Project (a group composed of the New Museum, New York; the Hammer Museum, LA; and the Museum of Contemporary Art, Chicago, to exhibit and commission new works of art), Deller created It Is What It Is'.[12] The project was designed to foster public discussion by having guest experts engage museum visitors in a free-form, unscripted dialogue about issues concerning Iraq.[13]
Sacrilege, a 1:1 bouncy replica of Stonehenge created for the 2012 Olympic Games was toured around the UK and eventually to Móstoles, Community of Madrid, in 2015. Charlotte Higgins, of The Guardian, noted that a megalithic bouncy by artist Jim Ricks had toured Ireland a few years previously, and wrote: "Why, after several millennia of human creativity, have two inflatable megalithic monuments come along at once?"[16] Despite claims of plagiarism, the two works were shown together in Belfast in the summer of 2012.[17][16]
In 2019 the Jewish Museum London commissioned Deller to create a short film of antisemitic footage showing contemporary media, politicians, and propagandists making antisemitic statements for its special exhibit Jews, Money, Myth.[19]Douglas Murray called the film's use of clips of U.S. President Donald Trump criticizing 'elites' for draining power from America "an unfair overclaim."[20]
Deller produced the documentary Everybody in The Place: An Incomplete History of Britain 1984–1992[21] which covered acid house and rave culture, and political turmoil in Britain in the 1980s and early-1990s, first shown by BBC Four on 2 August 2019.[22]
Later the same year, Deller was forced to admit that his design for the memorial to the Peterloo Massacre, intended to provide a podium for speakers and a monument to equality campaigners, had completely failed to make any provision for wheelchair users, despite corporate artwork prominently featuring wheelchair users and even though access had been raised during the consultation process. Protests by disabled groups led to a last minute redesign and Deller describing himself as "chastened".[23][24]
In June 2024, Deller brought Acid Brass to the streets of Melbourne, as part of the 2024 RISING: festival, with local brass bands including Merri-bek City Band, Glenferrie Brass, Victorian State Youth Brass Band, Dandenong Band, and Western Brass. [25]
Deller was the winner of the Turner Prize in 2004.[2] His show at Tate Britain included documentation on Battle of Orgreave and an installation Memory Bucket (2003), a documentary about Crawford, Texas—the hometown of George W. Bush—and the siege in nearby Waco.
The Battle of Orgreave ranked second in The Guardian's list of the best art of the 21st century.[31]
Political views
On 1 October 2010, in an open letter to the British Government's culture secretary Jeremy Hunt, co-signed by 28 former Turner prize nominees, and 18 winners, Deller opposed any future cuts in public funding for the arts. In the letter the co-signatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity".[32]
Joy in People, a retrospective, Hayward Gallery, London, February–May 2012.[35]
Art is Magic, a retrospective, Rennes Museum of Fine Arts, Rennes; La Criée contemporary art center; Frac Bretagne Fonds régional d'art contemporain, France, 2023[36]
↑ Searle, Adrian; Jones, Jonathan; O'Hagan, Sean; Judah, Hettie (17 September 2019). "The best art of the 21st century". The Guardian. Retrieved 17 September 2019.
↑ Laura Hoptman; Amy Mackie; Nato Thompson. "Project Description". The New Museum and Creative Time for the Three M Project. Archived from the original on 30 April 2011. Retrieved 9 June 2011.
↑ Searle, Adrian; Jones, Jonathan; O’Hagan, Sean; Judah, Hettie (17 September 2019). "The best art of the 21st century". The Guardian. Retrieved 24 June 2021.
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