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Creative Time is a nonprofit arts organization based in New York City. Founded in 1974, it supports the commissioning, production, and presentation of innovative, site-specific, and socially engaged public art projects.
Creative Time came to life amidst the deterioration of New York City's infrastructure and social fabric, combined with the mission of the newly established National Endowment for the Arts to promote the role of artists in a democratic society and introduce new audiences to contemporary art. Artists in the late 1960s and early 1970s were already experimenting with new media and new forms of art that could exist in the public sphere, outside the purview of conventional art galleries and museums.
Early Creative Time programs took over abandoned storefronts and neglected public spaces, such as the Brooklyn Bridge Anchorage and the Great Hall of the Chamber of Commerce in Lower Manhattan. Both landmarks had been unused for years before Creative Time reinvigorated them, through programs like Art in the Anchorage (1983–2001) and Projects at the Chamber (1982).
Creative Time initially gained widespread recognition for organizing ‘’Art on the Beach,’’ a project which brought together practitioners of many mediums and allowed for the creation of large-scale public works in Battery Park City between 1978 and 1985. Each summer, for three months, ‘’Art on the Beach’’ offered site-specific sculpture and performances that were open to the public and free of cost.
Throughout ‘’Art on the Beach”, Creative Time was led by co-founder Anita Contini, who served as director until Cee Scott Brown took over in 1987. Anne Pasternak took the reins as director from 1993 to September 2015. Justine Ludwig currently serves as executive director. To this day, Creative Time continues to grow and prosper, each year giving both emerging and established artists opportunities to broaden their repertoires and explore the practice of art in the public realm. With these artists’ creations, Creative Time also allows millions of people of all ages and backgrounds to come in contact with contemporary art. Since its founding, Creative Time has collaborated with over 2000 artists, producing more than 335 public art projects.
In recent years, Creative Time has taken charge of many noted initiatives in the art world. In collaboration with the Dallas art community, Creative Time took part in a yearlong study to better understand the strengths and areas of growth within the Dallas art scene. In this study, members of Creative Time met with various figures within the art community including artists, curators, philanthropists and collectors, over the course of three week long visits to the city in 2010. [1] Following these meetings, Creative Time produced a study detailing suggestions to help bolster the art scene in Dallas, identifying 13 key elements to help the community thrive listed as follows:
Given the large number of Creative Time projects, it is impossible to exhaustively list the organization's accomplishment, which range from art installations at the 2008 Art Basel in Miami [3] to the opening of a gallery under the Brooklyn Bridge in 1983. [4] The inclusion of these more specific examples is intended to illustrate Creative Time's diverse role in the art world from the organizations founding in 1974 to present day. [5]
The vast array of projects in recent years include skywriting over Manhattan in ‘’Clouds’’ (a 2001 collaboration with Vik Muniz), Tribute in Light (2002), and Kara Walker's A Subtlety (2014). Creative Time has also collaborated with such artists as Vito Acconci, Diller + Scofidio, David Byrne, Felix Gonzalez-Torres, Chrysanne Stathacos, Red Grooms, Jenny Holzer, Takashi Murakami, Shirin Neshat, Sonic Youth, Elizabeth Streb, Tania Bruguera, Temporary Services, Marc Horowitz and Superflex, among thousands more.
In addition to these artists, Creative Time often partners with other cultural institutions in New York City and elsewhere, like the Dia Art Foundation, the Queens Museum of Art, Lincoln Center, and the Metropolitan Museum of Art.
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