Plot
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Banana Ridge is a farce by Ben Travers. It opened at the Strand Theatre on 27 April 1938 and ran for 291 performances. [1]
The play revolves round the question of the paternity of a young man, and the worry of each of the two principal characters that he may be the young man's father.
In the 1920s and 30s Travers had written nine farces which, with three by other authors, were known collectively as the Aldwych farce s. The series had run in uninterrupted succession at the Aldwych Theatre between 1923 and 1933 [2] After this Travers attempted a serious play on a religious theme, but it was not a success. He did better with his next play, O Mistress Mine (1936), a romantic Ruritanian comedy. Banana Ridge was his return to the genre for which he was celebrated. It starred Robertson Hare, one of the best-loved members of the regular Aldwych team, and Alfred Drayton, an experienced and popular comic actor. Travers, who did not usually act, played the role of Wun, a servant. He had spent some years in Malaya as a young man, and wrote, and sometimes improvised, colloquial Malay lines for himself.
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The play was revived in 1976, opening at the Savoy Theatre on 19 July, and running till 13 August 1977. It starred Robert Morley as Digby Pound and George Cole as Willoughby Pink. Cole was succeeded in January 1977 by Julian Orchard. [3]
A film adaptation of the play was made in 1942, under the same title. Hare and Drayton repeated their stage roles. It was directed by Walter C. Mycroft, who co-wrote the screenplay with Travers and Lesley Storm. [4]
Ben Travers was an English writer. His output includes more than 20 plays, 30 screenplays, 5 novels, and 3 volumes of memoirs. He is best remembered for his long-running series of farces first staged in the 1920s and 1930s at the Aldwych Theatre. Many of these were made into films and later television productions.
Thomas Kirby Walls, known as Tom Walls, was an English stage and film actor, producer and director, best known for presenting and co-starring in the Aldwych farces in the 1920s and for starring in and directing the film adaptations of those plays in the 1930s.
John Robertson Hare, OBE was an English actor, who came to fame in the Aldwych farces. He is remembered by more recent audiences for his performances as the Archdeacon in the popular BBC sitcom, All Gas and Gaiters.
Ralph Clifford Lynn was an English actor who had a 60-year career, and is best remembered for playing comedy parts in the Aldwych farces first on stage and then in film.
Dirty Work is a 1934 British comedy crime film directed by Tom Walls and starring Ralph Lynn, Gordon Harker, Robertson Hare and Basil Sydney. It was based on Dirty Work, one of the Aldwych Farces, by Ben Travers, which had some of the same cast members. The film was made at the Lime Grove Studios with sets designed by the art director Alfred Junge.
Alfred Drayton was a British stage and film actor.
Rookery Nook is a farce by the English playwright Ben Travers based on his own 1923 novel. It was first given at the Aldwych Theatre, London, the third in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the complications that ensue when a young woman, dressed in pyjamas, seeks refuge from her bullying stepfather at a country house in the middle of the night.
Banana Ridge is a 1942 British comedy film directed by Walter C. Mycroft and starring Robertson Hare, Alfred Drayton and Isabel Jeans. The film is based on a 1938 stage play of the same name by Ben Travers. It was made at Welwyn Studios. Michael Denison accompanied his wife Dulcie Gray for her screen test for the film, which led some years later to his casting in his breakthrough role in My Brother Jonathan. The film was a success at the box office. Hare and Drayton appeared together in another comedy Women Aren't Angels the following year.
Turkey Time is a 1933 British comedy film directed by Tom Walls and starring Walls, Ralph Lynn, Robertson Hare and Dorothy Hyson. The screenplay concerns a group of guests come to stay with the Stoatt family in the seaside town of Eden Bay for Christmas. They soon become involved with an impoverished concert performer whose innocent presence in the house leads to a series of misunderstandings. It was adapted from the 1931 play Turkey Time by Ben Travers, one of the Aldwych Farces.
Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.
The Aldwych farces were a series of twelve stage farces presented at the Aldwych Theatre, London, nearly continuously from 1923 to 1933. All but three of them were written by Ben Travers. They incorporate and develop British low comedy styles, combined with clever word-play. The plays were presented by the actor-manager Tom Walls and starred Walls and Ralph Lynn, supported by a regular company that included Robertson Hare, Mary Brough, Winifred Shotter, Ethel Coleridge, and Gordon James.
Thark is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fourth in the series of twelve Aldwych farces presented at the theatre by the actor-manager Tom Walls between 1923 and 1933. It starred the same cast members as many of the other Aldwych farces. The story concerns a reputedly haunted English country house. Investigators and frightened occupants of the house spend a tense night searching for the ghost.
A Cuckoo in the Nest is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the second in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the cast formed the regular core cast for the later Aldwych farces. The plot concerns two friends, a man and a woman, who are each married to other people. While travelling together, they are obliged by circumstances to share a hotel bedroom. Everyone else assumes the worst, but the two travellers are able to prove their innocence.
Plunder is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fifth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play shows two friends committing a jewel robbery, for arguably honourable reasons, with fatal results.
A Cup of Kindness is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the sixth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the feud between two suburban families.
A Night Like This is a farce by Ben Travers, written as one of the series of Aldwych farces staged nearly continuously at the Aldwych Theatre, London, from 1923 to 1933. The farces were directed by Tom Walls, who co-starred in most of them with Ralph Lynn, and a supporting cast of regular Aldwych performers. The play is a spoof of detective plays and thrillers, with the two stars successfully taking on a criminal gang. Eventually, the gang is rounded up, and the jewels taken from the heroine are restored to their proper owner.
Thark is a 1932 British film farce, directed by Tom Walls, with a script by Ben Travers. In addition to Walls, the film stars Ralph Lynn and Robertson Hare. The film is a screen adaptation of the original 1927 Aldwych farce play Thack. It was made at British and Dominion's Elstree Studios.
Fifty-Fifty is a farce by H. F. Maltby, adapted from a French original, Azaïs, by Louis Verneuil and Georges Berr. It was the penultimate work of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The play centres on the sudden rise of an impoverished music teacher to become manager of a grand casino.
Dirty Work is a farce by Ben Travers. It was one of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the maladroit but ultimately successful efforts of a shop-walker to outwit a gang of jewel thieves.
A Bit of a Test is a farce by Ben Travers. It was the last, and least successful, of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the efforts of the England cricket captain to keep his star batsman out of trouble during an Ashes series in Australia.