Band of Susans | |
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Background information | |
Origin | New York City, U.S. |
Genres | |
Years active | 1986–1996 |
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Members |
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Past members |
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Website | robertposs |
Band of Susans was an American alternative rock No Wave band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). [2] The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York No Wave noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands. Like Sonic Youth, they drew influence from noise music experimental composers for the electric guitar Rhys Chatham and Glenn Branca.
In the early to mid-1980s, Poss studied under the tutelage of avant-garde guitar ensemble composer Rhys Chatham, [3] and played in the bands Tot Rocket and Western Eyes. The band was formed by avant-garde flautist Susan Stenger and guitarist Robert Poss, they took their name from the trio of Susans then in the lineup. [4] Poss, Stenger, and Spitzer grew up together in Buffalo, New York. [5]
Band of Susans released the 12" EP Blessing And Curse on Poss's own Trace Elements label. A record-release party (also said to be the band's first-ever live gig) was held at NYC's The Love Club on January 31, 1987; BoS were the opening act for a band called Das Furlines. They were soon signed to the avant-garde Blast First imprint of UK record label Mute Records.
After the release of début album Hope Against Hope, Rogers, Lyall and Tallman quit, and were replaced by Karen Haglof (guitar) and Page Hamilton (guitar). This lineup recorded the album Love Agenda and a Peel Sessions EP, which featured a cover of Gang Of Four's "I Found That Essence Rare". The two new guitarists then quit, with Hamilton quickly forming the more metal-influenced Helmet. Anne Husick (guitar) and Mark Lonergan (guitar) then joined BoS, yielding the band's "classic lineup" which made three more albums, including The Word and the Flesh and one EP, all on Restless Records.
According to The Great Indie Discography compilation, "...unfortunately, success is the one thing that has eluded the Band of Susans and Co. throughout their decade-plus lifespan." [6]
Band of Susans was a "rock band without the rock clichés ... each instrument was given its own part, and they fitted together like building blocks to create droning, dense textures." [4] As their history of having eight guitarists in all (and never less than three at any given time) attests, Band of Susans were a heavily guitar-centric outfit. They are generally included in New York City's abrasive post-no wave scene which produced Sonic Youth, Glenn Branca, Live Skull, and Swans. They generally used G&L brand guitars (which appear on several of the band's album covers), Fender Jazzmasters, and Park (a budget brand made by Marshall) amplifiers. G&L owner Leo Fender was a fan of the band and later befriended Poss.
Musically, the band organised their three guitarists into providing an overwhelming wall of feedback and guitar noise layered atop more conventional song structures. Due to their focus on atmospheric textures, the band is often considered a peripheral member of the shoegaze movement, though they had a more abrasive sound closer to that of their New York contemporaries than most of the primarily-British bands of the shoegaze genre. Like shoegaze bands such as My Bloody Valentine, Band of Susans were notorious for playing live at extremely high volumes in order to recreate the visceral impact of their studio albums. In an interview, guitarist Robert Poss noted the similarity between shoegaze and Band of Susan's hypnotic soundscape, saying "My Bloody Valentine have been contemporaries of ours, and we played shows with them in Europe and in the U.S. in 1989." [7] Despite the band's experimental leanings, Poss was a big fan of The Rolling Stones, which would later manifest in covers of the Stones' songs "Child of the Moon" and "Paint It, Black".
Band of Susans toured the U.S. and Europe sporadically. They played with bands such as Live Skull, My Bloody Valentine, Butthole Surfers, Wire, Rollins Band, Smegma, Das Furlines, and Lovely. [8] During the band's final U.S. and European tours, Jay Braun (who formed the Negatones shortly thereafter) filled in for Lonergan and Kelly Burns filled in for Ron Spitzer. Band of Susans also performed, with Rhys Chatham as a warmup "group", at "The Kitchen" on 19th Street, in the early 1980s as part of a "performance art" piece. Afterward, they performed at CBGB, although not with their original lineup, with the exception of Susan Stenger, Robert Poss, and possibly Karen Hagloff. Forgotten drummer during the 1991 European and American support tour for the band's release, "Word and the Flesh" was New Jersey–based drummer, Joseph Kochan, who performed as "Joey Kaye".
After the dissolution of the band in late 1996, Poss and Stenger performed with Bruce Gilbert of Wire as gilbertpossstenger; one album was released under this moniker. [9] Stenger and Poss have also worked extensively with composer Phill Niblock. Poss has concentrated on production and solo work, whilst Stenger played live with Siouxsie Sioux's second band the Creatures in 1998, [10] and worked with Nick Cave, John Cale and Alan Vega (Suicide) among others. She has an electric bass ensemble, Big Bottom, and has collaborated with choreographer Michael Clark, author Iain Sinclair and visual artist Cerith Wyn Evans. Her 96-day musical installation, Soundtrack for an Exhibition, opened at Le Musée d'Art Contemporain in Lyon, France on March 7, 2006, and includes contributions from Robert Poss, Alan Vega, Alexander Hacke, Kim Gordon, Mika Vainio, Ulrich Krieger, and Jenny Hoyston among others.
Poss released a pair of solo albums, Distortion Is Truth and Crossing Casco Bay in 2002, has created music for choreographers Alexandra Beller, Sally Gross and Gerald Casel, and has engineered CDs by Seth Josel and Phill Niblock; he has also worked in collaboration with Ben Neill and David Dramm. In April 2009 he performed as part of Rhys Chatham's ensemble at the Metropolitan Museum of Art in conjunction with the exhibit "Downtown Comes Uptown: The Pictures Generation, 1974–1984".
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Glenn Branca was an American avant-garde composer, guitarist, and luthier. Known for his use of volume, alternative guitar tunings, repetition, droning, and the harmonic series, he was a driving force behind the genres of no wave, totalism and noise rock. Branca received a 2009 Foundation for Contemporary Arts Grants to Artists Award.
Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.
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Rhys Chatham is an American composer, guitarist, trumpet player, multi-instrumentalist, primarily active in avant-garde and minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987.
Phillip Earl Niblock was an American composer, filmmaker, and videographer. In 1985, he was appointed director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.
The Ascension is the debut studio album by American no wave musician Glenn Branca, released in November 1981 by 99 Records. The album experiments with resonances generated by alternate tunings for multiple electric guitars. It sold 10,000 copies and received acclaim from music critics.
Love Agenda is the second album by Band of Susans, released on April 17, 1989 by Blast First and Restless Records. Page Hamilton, later frontman for Helmet, played guitar on the album and sang the lead vocals on the track "It's Locked Away". Also notable was bassist Susan Stenger singing her first lead vocals on the songs "The Pursuit of Happiness", "Birthmark" and "Hard Light". Robert Poss was an admirer of the Rolling Stones and CD versions of Love Agenda features a cover of "Child of the Moon".
The Peel Sessions is an EP by Band of Susans, recorded in 1988 and 1989 from sessions with John Peel but not released until 1992.
The Word and the Flesh is the third studio album and fourth album overall by American noise rock band Band of Susans. For the first time in the band's history, they were able to find a settled lineup to back up the band's core-line up of band leader Robert Poss, Susan Stenger and drummer Ron Spitzer, after Karen Higlof and Page Hamilton departed the band following the release of Love Agenda (1989). With Anne Husick and Mark Lonergan replacing them, the band entered their "classic line-up" and recording The Word and the Flesh in New York City in spring 1990, with Poss acting as producer.
Veil is the fourth studio album by American noise rock band Band of Susans. After establishing their "classic-line up" with their previous album The Word and the Flesh (1991), and recording the EP Now (1992), the band aimed for a new, more sonic and experimental direction on Veil, after the more song-centric approach to The Word and the Flesh. Recording the album in early 1993, Veil shows the band expand the margins of their sound with a more experimental approach. The album was described as "smokey" by one critic and an "epic swell of guitar and noise" by another. The album has been said to combine "R&B rhythms with crushed sonic shards," and has been compared to, and is sometimes considered to be shoegazing music.
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A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.
Here Comes Success is the fifth and final studio album by American alternative rock band Band of Susans, released on February 28, 1995, by Blast First and Restless Records.
Wired for Sound is a compilation album by Band of Susans, released in 1995 by Blast First.
Robert Poss is an American guitarist and music producer. He was the front man and primary composer for Band of Susans between 1986 and 1996. He has also collaborated with Rhys Chatham and the band When People Were Shorter and Lived Near the Water. He co-founded Trace Elements Records in 1980, which released records from artists such as Nicolas Collins and Phill Niblock.
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