Here Comes Success | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 28, 1995 | |||
Recorded | Autumn 1994 | |||
Studio | Baby Monster Studio (New York City, New York) | |||
Genre | Noise rock, alternative rock | |||
Length | 64:12 | |||
Label | Blast First/Restless | |||
Producer | Robert Poss | |||
Band of Susans chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Rolling Stone | [2] |
Here Comes Success is the fifth and final studio album by American alternative rock band Band of Susans, released on February 28, 1995, by Blast First and Restless Records. [3]
Andrew Earles included the album in his book Gimme Indie Rock: 500 Essential Underground Rock Albums 1981–1996 alongside The Word and the Flesh . [4]
A review posted in the Tucson Weekly noted that the "elements that make Band of Susans truly great also make their relative obscurity baffling ...[and] An unequivocally fantastic album from an equivocal Band of “Susans,” Here Comes Success is ripe for rediscovery" [5]
Band leader Robert Poss is a Rambler automobile fan with a particular interest in Rambler Marlins. An official American Motors Corporation (AMC) factory publicity photograph of the 1965 Marlin is the cover art for the Here Comes Success album, and the car's hood ornament is the art on the CD itself. [6] [7] [8] [9]
All tracks are written by Robert Poss and Susan Stenger
No. | Title | Length |
---|---|---|
1. | "Elizabeth Stride (1843–1888)" | 9:06 |
2. | "Dirge" | 8:11 |
3. | "Hell Bent" | 9:23 |
4. | "Pardon My French" | 6:55 |
5. | "As Luck Would Have It" | 0:54 |
6. | "Two Jacks" | 7:32 |
7. | "Stone Like a Heart" | 7:41 |
8. | "In the Eye of the Beholder (For Rhys)" | 10:00 |
9. | "Sermon on Competition, Part 1 (Nothing Is Recoupable)" | 4:30 |
Adapted from Here Comes Success liner notes. [10]
| Production |
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
United States | 1995 | Restless | CD | 7 72789 |
United Kingdom | Blast First | CD, LP | BFFP114 |
Band of Susans was an American alternative rock No Wave band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York No Wave noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands. Like Sonic Youth, they drew influence from noise music experimental composers for the electric guitar Rhys Chatham and Glenn Branca.
Flip Your Wig is the fourth studio album by American band Hüsker Dü, released in September 1985. It was the best-selling album to that point for the band's label SST Records, and the last they made for that label. As the band's first self-produced album, they spent months in the studio to achieve higher-quality production for its melodic power pop songs.
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The Peel Sessions is an EP by Band of Susans, recorded in 1988 and 1989 from sessions with John Peel but not released until 1992.
The Word and the Flesh is the third studio album and fourth album overall by American noise rock band Band of Susans. For the first time in the band's history, they were able to find a settled lineup to back up the band's core-line up of band leader Robert Poss, Susan Stenger and drummer Ron Spitzer, after Karen Higlof and Page Hamilton departed the band following the release of Love Agenda (1989). With Anne Husick and Mark Lonergan replacing them, the band entered their "classic line-up" and recording The Word and the Flesh in New York City in spring 1990, with Poss acting as producer.
Veil is the fourth studio album by American noise rock band Band of Susans. After establishing their "classic-line up" with their previous album The Word and the Flesh (1991), and recording the EP Now (1992), the band aimed for a new, more sonic and experimental direction on Veil, after the more song-centric approach to The Word and the Flesh. Recording the album in early 1993, Veil shows the band expand the margins of their sound with a more experimental approach. The album was described as "smokey" by one critic and an "epic swell of guitar and noise" by another. The album has been said to combine "R&B rhythms with crushed sonic shards," and has been compared to, and is sometimes considered to be shoegazing music.
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...compared to the simply gorgeous 1960's Rambler Marlin sports car that takes up most of the cover.
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