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Barbara Gluck (born 1938) [1] is a retired American photojournalist, art photographer, speaker, writer, and spiritual healing facilitator.
After an early career in advertising, she spent almost four years in Vietnam and produced award-winning photojournalism during the Vietnam War. In the late 1970s she worked as an art photographer, and her "Light Painting" series was exhibited in multiple major museum shows.
In the early 1980s, she co-founded the Light Institute, [ citation needed ] a center for "spiritual healing and multi-incarnational exploration" run by Chris Griscom in Galisteo, in New Mexico. [2] In the late 1980s, Gluck went on to found the Global Light Network and the Soul Matrix Clearing, Healing and Empowerment System, which focused on releasing "The Primordial Imprints of Separation from God". She has taken this around the world.
Gluck was born in New York, the daughter of Hungarian immigrants Theodore Gluck (born Tivadar Glück, 1908 - ?), a diamond setter, [3] [4] [5] and Elizabeth Gluck (Born Erzsébet Hercz, 1906-2002). [3] [4] [6]
She graduated from NYU with a major in communication arts and a minor in journalism, entering a career in advertising with McCann Erickson and later Benton & Bowles, before the president of the Young & Rubicam agency hired her as a Special Advisor. Her career as a photojournalist began in earnest during the Vietnam War. She was based in Saigon 1968/69 and 1972/73, working mostly for The New York Times. In 1976 she moved to Santa Fe, New Mexico and began her work as an art photographer, with a major exhibit "The Stream" opening at The Museum of Fine Arts in Santa Fe in 1979. She continued her photojournalism as well. During the 1970s she lectured, co-produced the first New Mexico Film and Photography Festival in Santa Fe's Armory for the Arts, and served (in 1978-79) as a Public Relations and Media Consultant to the Navajo Nation - during the Navajo Hopi Land Dispute Commission.
She currently resides in Santa Monica, California. [7] In late 2019, she was featured in a series of articles produced by students at the University of Southern California Annenberg School of Journalism about lower-income older people living in Los Angeles. [8]
Gluck was one of numerous female photographers to cover the Vietnam War. During these detachments she both flew with the US military on a B-52 bombing mission and visited Viet Cong troops, whom she photographed for the cover of The New York Times . [9] Mark Edward Harris, in art photography periodical B+W magazine, said "Barbara Gluck's photos have been called 'the Cartier-Bressons of the Vietnam War', and rightly so." [10] In spring 2005, to mark the 30th anniversary of the war's end, the Vietnamese government invited her to participate as a keynote speaker at a "Conference of Reunion and Reconciliation" for contemporary Vietnamese journalists and for foreign journalists who had covered the war. She was also invited to speak at another conference, on "The Role of Journalism in the Development of Vietnam." During the visit she photographed images for a forthcoming book, Vietnam: Then and Now, commissioned to include both her black and white images from the 1970s and new images in color. In early 2005, the J.P. Getty Museum in Los Angeles purchased a portfolio of her vintage Vietnam prints for their permanent collection,[ citation needed ] and included one of her photographs in the exhibit “Pictures for The Press”, representing 35 images of historic events between 1940 and the 1970s.
In 1984, Gluck co-founded The Light Institute of Galisteo, New Mexico, an organization she later left to found a new company called The Global Light Network. She developed a healing process called the Soul Matrix Clearing, Healing and Empowerment Process [11] which she taught around the world.
Gluck received the 1973 World Press Photo Foundation award for Outstanding News Photo of the Year, and a Poynter Fellowship at Yale University for Excellence in Journalism in 1974.
Los Cerrillos is a census-designated place (CDP) in Santa Fe County, New Mexico, United States. It is part of the Santa Fe, New Mexico Metropolitan Statistical Area. The population was 229 at the 2000 census. Accessible from State Highway 14 or The Turquoise Trail, Cerrillos is on the road from Santa Fe to Albuquerque, closer to Santa Fe. There are several shops and galleries, a post office, and the Cerrillos Hills State Park, which has five miles of hiking trails. The Cerrillos Turquoise Mining Museum contains hundreds of artifacts from the American Old West and the Cerrillos Mining District. It also displays cardboard cutouts of characters from the film Young Guns and information on other movies which have been filmed in and around Cerrillos.
Phan Thị Kim Phúc, referred to informally as the girl in the picture and the napalm girl, is a South Vietnamese-born Canadian woman best known as the nine-year-old child depicted in the Pulitzer Prize–winning photograph, titled The Terror of War, taken at Trảng Bàng during the Vietnam War on June 8, 1972.
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
Huỳnh Công Út, known professionally as Nick Ut, is a Vietnamese-American photographer who worked for the Associated Press in Los Angeles. He won both the 1973 Pulitzer Prize for Spot News Photography and the 1973 World Press Photo of the Year for his 1972 photograph The Terror of War, depicting children running away from a napalm bombing attack during the Vietnam War. In 2017, he retired. Examples of his work may be found in the collection of the National Gallery of Art in Washington, DC.
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
Edward Thomas Adams was an American photographer and photojournalist noted for portraits of celebrities and politicians and for coverage of 13 wars. He is best known for his photograph of the execution of Nguyễn Văn Lém, a Viet Cong prisoner of war, for which he won the Pulitzer Prize for Spot News Photography in 1969. Adams was a longtime resident of Bogota, New Jersey.
David Hume Kennerly is an American photographer. He won the 1972 Pulitzer Prize for Feature Photography for his portfolio of photographs of the Vietnam War, Cambodia, East Pakistani refugees near Calcutta, and the Ali-Frazier fight in Madison Square Garden. He has photographed every American president since Lyndon B Johnson. He is the first presidential scholar at the University of Arizona.
War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically undertaken as professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.
Fred Ritchin is dean emeritus of the International Center of Photography (ICP) School. Ritchin was also the founding director of the Documentary Photography and Photojournalism Program at the School of ICP and was appointed dean in 2014. Prior to joining ICP, Ritchin was professor of photography and imaging at New York University's Tisch School of the Arts, and co-director of the NYU/Magnum Foundation Photography and Human Rights educational program. He has worked as the picture editor of The New York Times Magazine (1978–1982) and of Horizon magazine, executive editor of Camera Arts magazine (1982–1983), Ritchin has written and lectured internationally about the challenges and possibilities implicit in the digital revolution.
Horst Faas was a German photo-journalist and two-time Pulitzer Prize winner. He is best known for his images of the Vietnam War.
Santa Fe High School is a public secondary school located in Santa Fe, New Mexico, United States. Founded in 1899, it is one of the oldest high schools in New Mexico. The school exclusively educates a secondary student-based body, ninth through twelfth grades.
Paul Martin Lester was an American professor of communications, author, and photojournalist. He was Clinical Professor at the School of Arts, Technology, and Emerging Communication (ATEC) and a Professor Emeritus from California State University, Fullerton.
Norman Mauskopf is an American documentary photographer who has published three books. Mauskopf currently resides in Santa Fe, New Mexico.
Paula Bronstein is an American photojournalist who entered the profession in 1982 in Providence, Rhode Island. She is now based in Bangkok where she works for Getty Images. Bronstein was a nominated finalist for the Breaking News 2011 Pulitzer Prize.
Dick L. Swanson is an American photographer renowned for his work, particularly as a war photographer with numerous published photographs in the United States.
Đoàn Công Tính was a Vietnamese photographer for the People's Army of Vietnam. Nicknamed "King of the Battlefield", Tính was well-known for capturing the action of the war and getting his images published in a timely manner.
Regina Relang (1906–1989) was a German fashion photographer and photojournalist active in the 1950s and 1960s. She documented the latest designs of prominent fashion houses.
Cassandra Giraldo is a photojournalist, documentary cinematographer, and producer based in Brooklyn, New York.
Dana B. Chase (1848–1897) was a 19th-century American photographer. Chase was born in Maine and ran two photography studios in Colorado from 1873 to the 1880s. He is also known as D.B. Chase.