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The Barrows (or Tumuli) of Tasmola are dispersed throughout central Kazakhstan in the Karaganda, Akmola, and Pavlodar regions.
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The Barrows (or Tumuli) of Tasmola are dispersed throughout central Kazakhstan in the Karaganda, Akmola, and Pavlodar regions.
Originating in the Saka period (7th to 3rd Centuries BC), the various barrows of the Tasmola culture can be found throughout the valleys of central Kazakhstan. The sites are characterized by stone complexes with up to four stone barrows, menhirs (single or in groups), and two curved ranges that can each stretch 50 to 200 m long (unique to Tasmola structures). [2] The ranges appear to line up in accordance to equinoctial, solstitial or midsummer sunrise points. Archaeological finds in the barrows themselves can include pottery, horse skeletons, and fire pit remains. Over 300 of such barrows have been identified in Kazakhstan, of which only a small number have been archaeologically excavated. [2]
The last caracteristic Tasmola kurgans seem to date to the 5th–4th century BCE. [3]
This site was added to the UNESCO World Heritage Tentative List on September 24, 1998 in the Mixed (Cultural + Natural) category. [2] (see List of World Heritage Sites in Kazakhstan)
Archaeologically, the most representative Tasmola kurgans containing characteristic pieces of horse harnesses, weaponry, and ornaments disappear by the 5th–4th century BC, apparently without an external influence. Obtained 14C dates also suggest the end date of the culture as 5th century BC, thus confirming the archaeological observations and making the end date of the culture ~2 centuries older compared to the traditional end date (3rd century BC).
The Pazyrykburials are a number of Scythian (Saka) Iron Age tombs found in the Pazyryk Valley and the Ukok plateau in the Altai Mountains, Siberia, south of the modern city of Novosibirsk, Russia; the site is close to the borders with China, Kazakhstan and Mongolia.
The Saka, Shaka, or Sacae were a group of nomadic Eastern Iranian peoples who historically inhabited the northern and eastern Eurasian Steppe and the Tarim Basin.
A kurgan is a type of tumulus constructed over a grave, often characterized by containing a single human body along with grave vessels, weapons and horses. Originally in use on the Pontic–Caspian steppe, kurgans spread into much of Central Asia and Eastern, Southeast, Western and Northern Europe during the 3rd millennium BC.
A tumulus is a mound of earth and stones raised over a grave or graves. Tumuli are also known as barrows, burial mounds or kurgans, and may be found throughout much of the world. A cairn, which is a mound of stones built for various purposes, may also originally have been a tumulus.
The Pazyryk culture is a Saka nomadic Iron Age archaeological culture identified by excavated artifacts and mummified humans found in the Siberian permafrost, in the Altay Mountains, Kazakhstan and nearby Mongolia. The mummies are buried in long barrows similar to the tomb mounds of Scythian culture in Ukraine. The type site are the Pazyryk burials of the Ukok Plateau. Many artifacts and human remains have been found at this location, including the Siberian Ice Princess, indicating a flourishing culture at this location that benefited from the many trade routes and caravans of merchants passing through the area. The Pazyryk are considered to have had a war-like life. The Pazyryk culture was preceded by the "Arzhan culture".
The Kurgan hypothesis is the most widely accepted proposal to identify the Proto-Indo-European homeland from which the Indo-European languages spread out throughout Europe and parts of Asia. It postulates that the people of a Kurgan culture in the Pontic steppe north of the Black Sea were the most likely speakers of the Proto-Indo-European language (PIE). The term is derived from the Turkic word kurgan (курга́н), meaning tumulus or burial mound.
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the eastern edges of the region vaguely defined by ancient Greeks. The identities of the nomadic peoples of the steppes is often uncertain, and the term "Scythian" should often be taken loosely; the art of nomads much further east than the core Scythian territory exhibits close similarities as well as differences, and terms such as the "Scytho-Siberian world" are often used. Other Eurasian nomad peoples recognised by ancient writers, notably Herodotus, include the Massagetae, Sarmatians, and Saka, the last a name from Persian sources, while ancient Chinese sources speak of the Xiongnu or Hsiung-nu. Modern archaeologists recognise, among others, the Pazyryk, Tagar, and Aldy-Bel cultures, with the furthest east of all, the later Ordos culture a little west of Beijing. The art of these peoples is collectively known as steppes art.
The Ordos culture was a material culture occupying a region centered on the Ordos Loop during the Bronze and early Iron Age from c. 800 BCE to 150 BCE. The Ordos culture is known for significant finds of Scythian art and may represent the easternmost extension of Indo-European Eurasian nomads, such as the Saka, or may be linkable to Palaeo-Siberians or Yeniseians. Under the Qin and Han dynasties, the area came under the control of contemporaneous Chinese states.
The Issyk kurgan, in south-eastern Kazakhstan, less than 20 km east from the Talgar alluvial fan, near Issyk, is a burial mound discovered in 1969. It has a height of six meters and a circumference of sixty meters. It is dated to the 4th or 3rd century BC. A notable item is a silver cup bearing an inscription. The finds are on display in Astana. It is associated with the Saka peoples.
Arzhan is a site of early Saka kurgan burials in the Tuva Republic, Russia, some 60 kilometers (40 mi) northwest of Kyzyl. It is on a high plateau traversed by the Uyuk River, a minor tributary of the Yenisei River, in the region of Tuva, 20 km to the southwest of the city of Turan.
The Aldy-Bel culture was part of Uyuk culture, and is an Iron Age culture of Scytho-Siberian horse nomads in the area of Tuva in southern Siberia, dated to the 8th to 6th centuries BCE.
Begazy-Dandybai culture is a late Bronze Age culture of mixed economy in the territory of ancient central Kazakhstan, Kyrgyzstan, and Uzbekistan, centered at Saryarka region. The culture, with its megalithic mausolea dates from c. 1350-1150 BCE, but was previously dated between the 12th and 8th centuries BCE, or from 13th to 10th centuries BCE. The culture was discovered, first excavated, and published in the 1930s-1940s by M.P. Gryaznov, who took it for a local version of Karasuk culture. In 1979 the Begazy-Dandybai culture was described and analyzed in detail in a monograph by A.Kh. Margulan, who systematically reviewed accumulated material and produced description of the archeological culture. The most famous monuments of Begazy-Dandybai culture are Begazy, Dandybai, Aksu Ayuly 2, Akkoytas, and Sangria 1.3, it was named after the first two archeological sites.
The Tasmola culture was an early Iron Age culture during the Saka period in central Kazakhstan. The Tasmola culture was replaced by the Korgantas culture.
Boralday, is a kurgan necropolis in Almaty, Kazakhstan, dating to the early Iron Age and associated with the Saka people. Located on the southeastern outskirts of the village of Boralday, the site comprises 47 burial mounds spread over 430 hectares on the left bank of the Bolshaya Almatinka River.
The art of Kazakhstan covers all forms of art created throughout history by the peoples living on the territory of modern-day Kazakhstan. Throughout most periods, much of the population of Kazakhstan was nomadic, or at least moved regularly across the vast country. The great majority of the art of Kazakhstan is applied art: the decoration of practical objects, including household utensils and patterned harnesses, through art forms such as carpet-weaving, pottery, and leatherwork. The art of Kazakhstan also includes architecture, fine arts, and sculpture.
The Scythian culture was an Iron Age archaeological culture which flourished on the Pontic-Caspian steppe in Eastern Europe from about 700 BC to 200 AD. It is associated with the Scythians, Cimmerians, and other peoples inhabiting the region of Scythia, and was part of the wider Scytho-Siberian world.
Berel kurgan is an archaeological site in the Katonkaragay District in eastern Kazakhstan. The site is located near the village of Berel. At this site, numerous 5th-3rd century BCE Early Saka kurgans were found.
Eleke Sazy is an archaeological site in eastern Kazakhstan with numerous 6th-4th century BCE Early Saka kurgans. In 2020, archaeologists excavated multiple burial mounds in the Eleke Sazy Valley in East Kazakhstan. Here, a large number of gold artifacts were found. These artifacts included golf harness fittings, pendants, chains, appliqués, and more – most of which are in the Animal Style of the Scythian-Saka era dating back to the 5th–4th centuries BCE.
Taksai is a Saka funeral mound or kurgan located in the Terekti District of the southern Urals, in western Kazakhstan. It is dated to circa 500 BCE. The Kurgan was undisturbed and had provided numerous valuable artifacts. It was the tomb of a rich Saka lady, dubbed the "golden lady". Some of the objects reflect the iconography of the Achaemenid Empire, which must have been in contact with these nomadic tribes.
The Subeshi culture, also Subeishi or Subeixi culture, is an Iron Age culture from the area of Shanshan County, Turfan, Xinjiang, at the eastern edge of the Tarim Basin. The Subeshi culture contributes some of the later period Tarim Mummies. It might be associated with the Cheshi state known from Chinese historical sources. The culture includes three closely related cemeteries: