Related Research Articles
Charles Henry Alston was an American painter, sculptor, illustrator, muralist and teacher who lived and worked in the New York City neighborhood of Harlem. Alston was active in the Harlem Renaissance; Alston was the first African-American supervisor for the Works Progress Administration's Federal Art Project. Alston designed and painted murals at the Harlem Hospital and the Golden State Mutual Life Insurance Building. In 1990, Alston's bust of Martin Luther King Jr. became the first image of an African American displayed at the White House.
Marc Quinn is a British contemporary visual artist whose work includes sculpture, installation, and painting. Quinn explores "what it is to be human in the world today" through subjects including the body, genetics, identity, environment, and the media. His work has used materials that vary widely, from blood, bread and flowers, to marble and stainless steel. Quinn has been the subject of solo exhibitions at Sir John Soane's Museum, the Tate Gallery, National Portrait Gallery, Fondation Beyeler, Fondazione Prada, and South London Gallery. The artist was a notable member of the Young British Artists movement.
Blackbear Bosin was a self-taught Comanche/Kiowa sculptor, painter, and commercial artist. He is also known by his Kiowa name, Tsate Kongia, which means "black bear."
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Aaron Douglas was an American painter, illustrator and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter the public-arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.
James Jean is a Taiwanese-American visual artist working primarily in painting and drawing. He lives and works in Los Angeles, where he moved from New York in 2003.
Kenneth Callahan (1905–1986) was an American painter and muralist who served as a catalyst for Northwest artists in the mid-20th century through his own painting, his work as assistant director and curator at the Seattle Art Museum, and his writings about contemporary art. Born in Eastern Washington and largely self-taught as an artist, Callahan was committed to an art that went beyond the merely illustrative. He enrolled at the University of Washington in 1924 but did not stay long. He traveled widely, absorbing influences from the different countries and cultures he experienced. His talent was recognized early; his work was included in the first Whitney Biennial exhibition in 1933 and he went on to a distinguished painting career. Callahan is identified as one of the Northwest Mystics – along with Guy Anderson, Morris Graves, and Mark Tobey, who shared a muted palette and strong interest in Asian aesthetics.
Carl A. Morris was an American painter, born in Yorba Linda, California. Morris studied at the Chicago Art Institute and in Paris and Vienna. He opened the Spokane Art Center through the Federal Art Project during the Great Depression. Morris met his wife, sculptor Hilda Grossman, when he recruited her as a teacher for the center. Moving to Seattle in 1940, they met Mark Tobey and became lifelong friends.
Gwendolyn Clarine Knight was an American artist who was born in Bridgetown, Barbados, in the West Indies.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Wilber Moore Stilwell (1908–1974) was an American depression era artist, White House/National Gallery of Art/American Artists Professional League honoree, inventor, patent holder, author, and Chair of Art, University of South Dakota.
Heather T. Hart is a visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing gender gap and diversity representation in the arts on Wikipedia.
No Colour Bar: Black British Art in Action 1960–1990 was a major public art and archives exhibition, the first of its kind in the UK, held at the Guildhall Art Gallery, City of London, over a six-month period, with a future digital touring exhibition, and an associated programme of events. No Colour Bar took its impetus from the life work and archives of Jessica Huntley and Eric Huntley, Guyanese-born campaigners, political activists and publishers, who founded the publishing company Bogle-L'Ouverture Publications and the associated Walter Rodney Bookshop.
Yadesa Bojia is a Seattle-based Ethiopian graphic designer and artist. Bojia has exhibited regionally since 2006. In 2010, he rose to international acclaim when his design was selected for the African Union's flag. Bojia has shown his work in exhibitions, completed commissioned works, and given public talks about the themes of his work, including human rights, minority rights, Africa, and justice. Bojia's style as a painter draws on African impressionism.
James Pringle Cook is an American painter based in Tucson, Arizona, known nationally for expressive, monumental landscapes and urban scenes that employ vigorous brushwork and thick, impasto surfaces and move between realism and passages of abstraction. He has explored a wide range of geographies across the United States and subjects from craggy mountains and seascapes to industrial accidents to the figure. Curators and critics, however, generally agree that his work is as much about pure painting as it is about his convincing recapitulations of the world and a sense of place. Museum Director Robert Yassin described Cook as "a painter who is in love with painting [whose] bravura use of paint is akin to the abstract expressionists; unlike them, however, he provides viewers with a recognizable reality, ordered by his own personal vision and controlled by his technical mastery." Discussing his urban works, Margaret Regan wrote, "Cook is so skilled a painter he can turn almost anything into a thing of beauty […] His bravura handling of the paint is what matters: his pure layers of color, slabbed in thick gobs onto his linen canvases with a palette knife, glistening like butter."
The year 2020 in art involved various significant events.
Syrus Marcus Ware is a Canadian artist, activist and scholar. He lives and works in Toronto, Ontario, Canada and is an Assistant Professor in the School of the Arts at McMaster University. He has worked since 2014 as faculty and as a designer for The Banff Centre. Ware is the inaugural artist-in-residence for Daniels Spectrum, a cultural centre in Toronto, and a founding member of Black Lives Matter Toronto. For 13 years, he was the coordinator of the Art Gallery of Ontario's youth program. During that time Ware oversaw the creation of the Free After Three program and the expansion of the youth program into a multi pronged offering.
Many artworks related to the Black Lives Matter movement have been created. These works are either seen as a direct tribute to those who have died or more broadly to the movement. Often the pieces are created in the streets as to be more publicly visible. As such several attempts have been made at preserving the art created in protest on the basis of their artistic merit and cultural significance. Increasingly, the erasure of the artwork has been a problem for preservationists. As such, the artworks below represent a fraction of the works created.
Patrick Webb is an American artist who has portrayed contemporary queer experience through representational narrative paintings. He is best known for his "Punchinello" paintings, begun in the early 1990s, which feature a gay "everyman" based on the Italian commedia dell'arte stock character, Pulcinella. Art historians Jonathan D. Katz and Jonathan Weinberg place Webb among artists who that gave voice to the loss and grief associated with the AIDS epidemic by looking beyond the message-heavy activist art and anti-expressive postmodernism of the 1980s to reinvigorated art-historical narrative traditions. Writers note his work for its classically influenced technique and pathos in fleshing out fears, fantasies, experiences and social dichotomies between self and Other, individual and collective, personal and sociocultural. He draws on pictorial strategies from old masters as well as modern artists such as Balthus, Jacob Lawrence, Philip Guston and the magic realist Jared French, building scenarios out of architecturally structured compositions, carefully placed elements and precise gestures.
A "Black Lives Matter" street mural was painted in Seattle, in the U.S. state of Washington in June 2020.
References
- ↑ Davison, Dave. "950 Gallery shows work of artist on the brink of the big time". Tacoma Weekly.
- 1 2 bchilders@cjonline.com, Brianna Childers. "Kansas boy at heart: Topeka-raised artist represents hometown wherever he goes". The Topeka Capital-Journal.
- 1 2 3 brooks@emporia.com, Ryann Brooks. "ESU alum celebrates diversity through art". Emporia Gazette.
- 1 2 Hannah Rose Prendergast (August 2019). ""barry johnson" in the Stories of Us – The Family Issue 9". Blanc Magazine. p. 188.
- ↑ "#MEFeature: barry johnson, Not One for the Clout". 15 March 2018.
- ↑ "9 Black Design Professionals Share Their Thoughts on Diversity in Design".
- ↑ "Out of Sight, into Mind: Art on the Margins of the Seattle Art Fair".
- ↑ "Breaking Boundaries: The many faces of artist Barry Johnson". www.realchangenews.org.
- ↑ "I'm F.I.N.E - Arts - Weekly Volcano - The alternative newsweekly for Tacoma and Olympia". www.weeklyvolcano.com.
- ↑ Group, Sinclair Broadcast (18 May 2018). "Artist of the Week: barry johnson". Seattle Refined.
- ↑ Alderman, Alex (25 February 2019). "'Reaching Down, Rising Up' art exhibit commemorates National Black HIV/AIDS awareness".
- ↑ "Saving Seattle's pandemic and protest murals | Crosscut".
- ↑ Keimig, Jasmyne. "CHOP's "Black Lives Matter" Mural Gets an Unwanted Layer of Sealant". The Stranger. Retrieved 2020-11-03.
- ↑ "Barry Johnson: The art of creating new personas | Art News and Events | Rise Art". Archived from the original on 2020-07-17. Retrieved 2020-07-17.