Barry Schwabsky (b. Paterson, New Jersey, in 1957) is an American art critic, art historian and poet. He has taught at the School of Visual Arts, Pratt Institute, New York University, Yale University, and Goldsmiths College, among others.
Barry Schwabsky (b. Paterson, New Jersey, in 1957) is an American art critic, art historian and poet. He has taught at the School of Visual Arts, Pratt Institute, New York University, Yale University, and Goldsmiths College, among others.
Schwabsky is art critic for The Nation [1] (the oldest continuously published weekly magazine in the United States) and co-editor of international reviews for Artforum . Schwabsky's essays have appeared in many other publications, including Flash Art , Contemporary , Artforum, London Review of Books and Art in America . [2]
His art criticism books include: Words for Art: Criticism, History, Theory, Practice (Ram Publications); The Widening Circle: Consequences of Modernism in Contemporary Art (Cambridge University Press); and contributions to Abstract Painting: Concepts and Techniques and Vitamin P: New Perspectives in Painting (Phaidon Press). He has published books on Jessica Stockholder (Phaidon Press), Mel Bochner, Chloe Piene, Karin Davie, Dana Schutz, Alex Katz, Gillian Wearing: Mass Observation (Merrill Publishers), Henri Matisse and Alighiero Boetti, among others. [3]
He was an early contributor to The Thing.
Schwabsky attended Haverford College (class of 1979) and is married to artist Carol Szymanski. They reside in New York City with their two daughters. [4]
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Rosalind Epstein Krauss is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic and theorist she has published steadily since 1965 in Artforum,Art International and Art in America. She was associate editor of Artforum from 1971 to 1974 and has been editor of October, a journal of contemporary arts criticism and theory that she co-founded in 1976.
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Alex Katz is an American figurative artist known for his paintings, sculptures, and prints.
Ghulam Mohammed Sheikh is a painter, poet and art critic from Gujarat, India. He was awarded the Padma Shri in 1983 and Padmabhushan in 2014 for his contribution in field of art.
Archie Rand is an American artist from Brooklyn, New York, United States.
The Brooklyn Rail is a publication and platform for the arts, culture, humanities, and politics. The Rail is based out of Brooklyn, New York. It features in-depth critical essays, fiction, poetry, as well as interviews with artists, critics, and curators, and reviews of art, music, dance, film, books, and theater.
Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting.
Thomas McEvilley was an American art critic, poet, novelist, and scholar. He was a Distinguished Lecturer in Art History at Rice University and founder and former chair of the Department of Art Criticism and Writing at the School of Visual Arts in New York City.
Paul Mpagi Sepuya is an American photographer and artist. His photographs focus heavily on the relationship between artist and subject. He often explores the nude in relation to the intimacy of studio photography. The foundation of Sepuya's work is portraiture. He features friends and muses in his work that creates meaningful relationships through the medium of photography. Sepuya reveals the subjects in his art in fragments: torsos, arms, legs, or feet rather the entire body. Through provocative photography, Sepuya creates a feeling of longing and wanting more. This yearning desire allows viewers to connect deeply with the photography in a meaningful way.
Chloe Piene is a visual artist known primarily for her drawing. It has been described as “brutal, delicate, figurative, forensic, erotic and fantastic.” Chloe Piene was born in the United States and received her BA in Art History at Columbia University and her MFA in Fine Art from Goldsmiths, University of London.
Jessica Stockholder is a Canadian-American artist known for site-specific installation works and sculptures that are often described as "paintings in space." She came to prominence in the early 1990s with monumental works that challenged boundaries between artwork and display environment as well as between pictorial and physical experience. Her art often presents a "barrage" of bold colors, textures and everyday objects, incorporating floors, walls and ceilings and sometimes spilling out of exhibition sites. Critics suggest that her work is informed by diverse artistic traditions, including abstract expressionism, color field painting, minimalism and Pop art. Since her early career, they have noted in her work an openness to spontaneity, accident and marginality and a rejection of permanency, monetization and disciplinary conventions that Stephen Westfall characterized as an "almost shocking sense of freedom."
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
Charles Gaines is an American artist whose work interrogates the discourse of aesthetics, politics, and philosophy. Taking the form of drawings, photographic series and video installations, the work consistently involves the use of systems, predominantly in the form of the grid, often in combination with photography. His work is rooted in Conceptual Art – in dialogue with artists such as Sol LeWitt, Lawrence Weiner and Mel Bochner – and Gaines is committed to its tenets of engaging cognition and language. As one of the only African-American conceptual artists working in the 1970s, a time when political expressionism was a prevailing concern among African-American artists, Gaines was an outlier in his pursuit of abstraction and non-didactic approach to race and politics. There is a strong musical thread running through much of Gaines' work, evident in his repeated use of musical scores as well in his engagement with the idea of indeterminacy, as similar to John Cage and Sol LeWitt.
Merlin James is an artist living and working in Glasgow, Scotland.
Sidney Tillim was an American artist and art critic, known for his maverick painting and independent point of view on modern art in post-war America. Best remembered for his revival of history painting in the 1970s, Tillim alternated between the figurative and the abstract throughout his career. Likewise, although he wrote on a wide range of topics for Artforum and Arts Magazine, he is most identified with supporting representational art when few did.
Diti Almog is an Israeli artist. She currently lives and works in New York City, New York, United States of America. Almog's most notable work is her acrylic paintings on aircraft plywood which focus on themes of interior and exterior spaces.
Miguel Abreu Gallery is a contemporary art gallery with two locations in New York City.
Brenda Zlamany is an American artist best known for portraiture that combines Old Master technique with a postmodern conceptual approach. She gained attention beginning in the 1990s, when critics such as Artforum's Barry Schwabsky, Donald Kuspit and John Yau identified her among a small group of figurative painters reviving the neglected legacies of portraiture and classical technique by introducing confrontational subject matter, psychological insight and social critique. Her early portraits of well-known male artists, such as Chuck Close and Leon Golub, reversed conventional artist/sitter gender and power dynamics; her later projects upend the traditionally "heroic" nature of portraiture by featuring underrepresented groups and everyday people. Zlamany has exhibited internationally at institutions including the Smithsonian National Portrait Gallery, Museum of Contemporary Art Taipei, National Museum, Gdańsk, and New-York Historical Society. Her work has been recognized with a Fulbright Fellowship, Pollock-Krasner Foundation Award, and commissions from Yale University, World Bank and The New York Times Magazine; it belongs to public collections such as the Neuberger Museum of Art and Virginia Museum of Fine Arts. Zlamany is based in Brooklyn, New York.
Johannes Phokela is a South African painter and sculptor.
Narbi Price born in Hartlepool, UK, in 1979, is a British painter and curator.
