 | This article needs additional citations for verification .(September 2020) |
A basement show is a musical performance, often of the punk rock or hardcore punk variety, that is held in the basement of a residential home, rather than at a traditional venue. These are also sometimes referred to as house shows as they can happen anywhere in a residential house, not just in the basement. [1] [2]
Basement shows are normally held for a variety of reasons, including: [3]
Some bands have written songs about this, such as Deerhunter's "Basement Scene," "Theme Song for a New Brunswick Basement Show" by Lifetime and "It Sounds Better In The Basement" by The Devil Is Electric.[ citation needed ] Basement shows also build on the notion of music being more than just performance, but about the building and strengthening of community. By opening one's home to these performances where people come together to share their artwork/music, they open up a community-based cultural exchange. [3]
The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
Moshing is an extreme style of dancing in which participants push or slam into each other. Taking place in an area called the mosh pit, it is typically performed to aggressive styles of live music such as punk rock and heavy metal.
Washington, D.C., has been home to many prominent musicians and is particularly known for the musical genres of Jazz, Rhythm & Blues, bluegrass, punk rock and its locally-developed descendants hardcore and emo, and a local funk genre called go-go. The first major musical figure from District of Columbia was John Philip Sousa, a military brass band composer. Later figures include jazz musicians, such as Duke Ellington, Charlie Rouse, Buck Hill, Ron Holloway, Davey Yarborough, Michael A. Thomas, Butch Warren, and DeAndrey Howard; soul musicians, including Billy Stewart, The Unifics, The Moments, Ray, Goodman & Brown, Van McCoy, The Presidents, The Choice Four, Vernon Burch, guitarist Charles Pitts, and Sir Joe Quarterman & Free Soul.
The music of Indiana was strongly influenced by a large number of German and Irish immigrants who arrived in the 1830s. A prime example is "I'll Take You Home Again, Kathleen" written by Thomas Westendorf, from Hendricks County, Indiana, in 1875.
The American state of New Jersey is located in the Northeastern United States and is part of the Mid-Atlantic region.
Virginia's musical contribution to American culture has been diverse, and includes Piedmont blues, jazz, folk, brass, hip-hop, and rock and roll bands, as well as the founding origins of country music in the Bristol sessions by Appalachian Virginians.
The Alternative Music Foundation located at 924 Gilman Street, often referred to by its fans simply as "Gilman", is a non-profit, all-ages, collectively organized music club. It is located in the West Berkeley area of Berkeley, California, about a mile and a half west of the North Berkeley BART station and a quarter-mile west of San Pablo Avenue, at the corner of 8th and Gilman Streets.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Minneapolis hardcore is regional hardcore punk from the Minneapolis-St. Paul area of Minnesota.
The Effigies were an American punk band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes with frontman John Kezdy the only constant, before disbanding in 1990. The band released 5 albums and several EPs, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were on the Fever Records and Roadkill Records labels. They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue, Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
The Music in Leeds ecompasses a variety of styles and genres, including rock, pop and electronic. While groups like Soft Cell, the Kaiser Chiefs, the Wedding Present, Utah Saints and the Bridewell Taxis have gained success in the mainstream, Gang of Four, the Sisters of Mercy, Chumbawamba and the Mission have helped to define genres like punk rock, gothic rock and post-punk.
The Rathskeller was a live music venue in Boston that was open from 1974 to 1997. It was considered the "granddaddy" of Boston rock venues.
The music of Cardiff has been dominated mainly by rock music since the early 1990s with later trends developing towards more extreme styles of the genre such as heavy metal and metalcore music. It, along with the nearby music scene in Newport, has brought a number of musicians to perform or begin their careers in South Wales.
Canadian hardcore punk originated in the early 1980s. It was harder, faster, and heavier than the Canadian punk rock that preceded it. Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. The origin of the term "hardcore punk" is uncertain. The Vancouver-based band D.O.A. may have helped to popularize the term with the title of their 1981 album, Hardcore '81. Hardcore historian Steven Blush said that the term "hardcore" is also a reference to the sense of being "fed up" with the existing punk and new wave music. Blush also states that the term refers to "an extreme: the absolute most Punk." An article in Drowned in Sound argues that 1980s-era "hardcore is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the DIY ethics". One definition of the genre is "a form of exceptionally harsh punk rock."
Title Fight is an American rock band from Kingston, Pennsylvania, formed in 2003. They released three studio albums – Shed (2011), Floral Green (2012) and Hyperview (2015) – gradually shifting from a hardcore punk-oriented sound towards shoegaze and indie rock. Hyperview was released through Anti-, a record label to which the band signed in July 2014.
Tenement is an American three piece rock band from Appleton, Wisconsin, United States, formed in 2006. They are often associated with the American hardcore punk scene. Their recorded output has been described as everything from "noise pop" to "fuzz punk", while in a live setting they are often known for experimentation, improvisation, and high-energy performance. The visual art of singer/guitarist Amos Pitsch is associated with most of their records, as well as several records by other notable punk and hardcore bands. In January 2013, NME included Tenement in their "rising stars of 2013". CMJ called Tenement a "breakout artist to watch" in 2014. In 2015, Tenement was included in Spin 's "The 50 Best Rock Bands Right Now". In 2016, they were included in Rolling Stone 's "10 Great Modern Punk Bands".
The Philadelphia punk scene refers to the vibrant punk rock scene created in Philadelphia, Pennsylvania.
 | This music event–related article is a stub. You can help Wikipedia by expanding it. |