The Bath curse tablets are a collection of about 130 Roman era curse tablets (or defixiones in Latin) discovered in 1979/1980 in the English city of Bath. The tablets were requests for intervention of the goddess Sulis Minerva in the return of stolen goods and to curse the perpetrators of the thefts. Inscribed mostly in British Latin, they have been used to attest to the everyday spoken vernacular of the Romano-British population of the second to fourth centuries AD. They have also been recognised by UNESCO in its Memory of the World UK Register.
The Roman baths and temple dedicated to the goddess Sulis Minerva in the English city of Bath (founded by the Romans as Aquae Sulis ) were excavated between 1978 and 1983 by a team led by Barry Cunliffe and Peter Davenport. [1] In 1979/1980, around 130 tablets were discovered in an excavation of the "Sacred Spring" under the King's Bath. [2] This excavation was made possible by the removal of the concrete floor and walls, revealing a huge array of Roman era items including the tablets. [3] The findings at the spring highlight what Sulis Minerva meant to the people here. [4]
The tablets, some in a fragmentary state, [5] were small and rectangular and initially were assumed to be made of lead, although subsequent metallurgical analysis revealed that they are, in fact, made of lead alloyed with tin, with occasional traces of copper. [6] Some of the tablets were cast under pressure into thin, flexible sheets with a finish as smooth as paper whereas others appear to have been roughly hammered out from a molten lump. [7] Most of the tablets were inscribed, either with Roman capitals or with cursive script, but the expertise of the lettering varied. [7] Some of the tablets had markings that appear to be an illiterate imitation of lettering, for example repetitive lines of crosses or sevens, and some were completely blank. [8]
The inscriptions on the tablets were published in full in 1988 by historian Roger Tomlin. [9] The tablets themselves are on public display at the Roman Baths Museum in Bath. [10] [11]
The tablets were identified as “curse tablets” dating from the second to fourth centuries AD. [5] Curse tablets are metal sheets inscribed with curses against specific people who committed petty theft. [12] The tablets were meant to call upon the gods for assistance in seeking justice and were popular throughout the Roman world. [13]
In the case of the Bath curse tablets the written formulae inscribed on the tablets were addressed to the goddess Sulis, who had the power to identify the thief and exact punishment. [14] The formulation of the tablets was part of a ritual known as a "prayer for justice" to the goddess and combined elements of magic and religion. [15] The aim of the prayer was not for the culprit to be actually punished. It acted as a threat whereby the thief would be punished if the items were not returned. In order for the curse to operate, the victim would have to first gift the item to the deity so that, in effect, it was a theft from Sulis herself. [16]
The inscriptions were likely completed by individuals specialising in this activity and typically followed a four step process. [4] [17] Although many tablets are believed to have been created by specialists, there is also evidence that amateur cursers also engaged in creating them. [17] Each of the four steps was critical for the supposed success of the curse. [17] The first step was the drawing up of the curse text. This was to check that the length of the text fitted the size of the tablet sheet. The second step was the production of the tablet using specialist equipment. The third step was the inscribing of the tablet. Numerous handwriting styles were used and sometimes ornate detail was included, which has led to speculation on the scribe’s role. It is believed that some tablets were created by “amateurs” or illiterate people who nevertheless trusted that the deity would decipher their curse marks. The final step was depositing the tablet in the appropriate place. This depended on which deity was being addressed. In the case of the Bath curse tablets, this was a body of water at a temple sacred to Sulis. [17]
Most of the inscriptions are in colloquial Latin, [18] and specifically in the Vulgar Latin of the Romano-British population, known as "British Latin". [5] [19] Two of the inscriptions are in a language which is not Latin, although they use Roman lettering, and may be in a British Celtic language. [20] If this should be the case, they would be the only examples of a written ancient British Celtic language; however, there is not yet scholarly consensus on their decipherment. [21]
All but one of the 130 Bath curse tablets concern the restitution of stolen goods and are a type of curse tablet known as "prayers for justice". [22] The complained of thefts are generally of personal possessions from the baths such as jewellery, gemstones, money, household goods and especially clothing. [16] Theft from public baths appears to have been a common problem as it was a well-known Roman literary stereotype and severe laws existed to punish the perpetrators. [23] Most of the depositors of the tablets (the victims of the thefts) appear to have been from the lower social classes. [24]
The inscriptions generally follow the same formula, suggesting it was taken from a handbook: the stolen property is declared as having been transferred to a deity so that the loss becomes the deity’s loss; the suspect is named and, in 21 cases, so is the victim; the victim then asks the deity to visit afflictions on the thief (including death) not as a punishment but to induce the thief to hand the stolen items back. [16] Once created, the tablets were later deposited by the victims in the spring that was sacred to the goddess Sulis Minerva herself. [3]
The Bath Curse Tablets include several different texts, all with a similar goal. Some wish for the goddess to kill their offender, while others seek alternative forms of justice. [25] A typical example reads:
The formula "whether man or woman or whether slave or free" is typical, and the following example is unusual in two respects. [27] Firstly it adds the words "whether pagan or Christian" and secondly the text was written in reversed lettering:
Many name the suspected thieves:
Some of the inscriptions are very specific in the afflictions requested and reveal the intensity of the victim's anger: [29]
One of the suspected British Celtic inscriptions has been translated as:
An alternative translation of the above inscription is:
The Bath curse tablets are the most important record of Romano-British religion yet published. [34] Curse tablets are of particular use in evidencing the Vulgar Latin of everyday speech, [13] and, since their publication in 1988, the Bath inscriptions have been used as evidence of the nature of British Latin. [5] [9] Additionally, the contents of the inscriptions have been used as evidence of popular attitudes to crime and the system of justice. [35]
In 2014, the Bath curse tablets were recognised by UNESCO in its Memory of the World UK Register. [10] [11]
Minerva is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
Aquae Sulis was a small town in the Roman province of Britannia. Today it is the English city of Bath, Somerset. The Antonine Itinerary register of Roman roads lists the town as Aquis Sulis. Ptolemy records the town as Aquae calidae in his 2nd-century work Geographia, where it is listed as one of the cities of the Belgae.
The Dobunni were one of the Iron Age tribes living in the British Isles prior to the Roman conquest of Britain. There are seven known references to the tribe in Roman histories and inscriptions.
The Roman Baths are well-preserved thermae in the city of Bath, Somerset, England. A temple was constructed on the site between 60 and 70 AD in the first few decades of Roman Britain. Its presence led to the development of the small Roman urban settlement known as Aquae Sulis around the site. The Roman baths—designed for public bathing—were used until the end of Roman rule in Britain in the 5th century AD. According to the Anglo-Saxon Chronicle, the original Roman baths were in ruins a century later. The area around the natural springs was redeveloped several times during the Early and Late Middle Ages.
In the localised Celtic polytheism practised in Great Britain, Sulis was a deity worshiped at the thermal spring of Bath. She was worshiped by the Romano-British as Sulis Minerva, whose votive objects and inscribed lead tablets suggest that she was conceived of both as a nourishing, life-giving mother goddess and as an effective agent of curses invoked by her votaries.
In ancient Celtic religion, Sulevia was a goddess worshipped in Gaul, Britain, and Gallaecia, very often in the plural forms Suleviae or (dative) Sule(v)is. Dedications to Sulevia(e) are attested in about forty inscriptions, distributed quite widely in the Celtic world, but with particular concentrations in Noricum, among the Helvetii, along the Rhine, and also in Rome. Jufer and Luginbühl distinguish the Suleviae from another group of plural Celtic goddesses, the Matres, and interpret the name Suleviae as meaning "those who govern well". In the same vein, Patrizia de Bernardo Stempel connects Suleviae with Welsh hylyw 'leading (well)' and Breton helevez 'good behaviour'.
Senuna was a Celtic goddess worshipped in Roman Britain. She was unknown until a cache of 26 votive offerings to her were discovered in 2002 in an undisclosed field at Ashwell End in Hertfordshire by metal detectorist Alan Meek. Her imagery shows evidence of syncretism between a pre-Roman goddess with the Roman Minerva.
In ancient Rome, the apodyterium was the primary entry in the public baths, composed of a large changing room with cubicles or shelves where citizens could store clothing and other belongings while bathing.
A curse tablet is a small tablet with a curse written on it from the Greco-Roman world. Its name originated from the Greek and Latin words for "pierce" and "bind". The tablets were used to ask the gods, place spirits, or the deceased to perform an action on a person or object, or otherwise compel the subject of the curse.
Gallo-Roman religion is a fusion of the traditional religious practices of the Gauls, who were originally Celtic speakers, and the Roman and Hellenistic religions introduced to the region under Roman Imperial rule. It was the result of selective acculturation.
Brigantia or Brigindo was a goddess in Celtic religion of Late Antiquity.
Aquae Arnemetiae was a small town in the Roman province of Britannia. The settlement was based around its natural warm springs. The Roman occupation ran from around 75 AD to 410 AD. Today it is the town of Buxton, Derbyshire in England.
According to classical sources, the ancient Celts were animists. They honoured the forces of nature, saw the world as inhabited by many spirits, and saw the Divine manifesting in aspects of the natural world.
The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. Epona was an exception and retained without association with any Roman deity. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.
The Vacomagi were a people of ancient Britain, known only from a single mention of them by the geographer Claudius Ptolemy. Their principal places are known from Ptolemy's map c.150 of Albion island of Britannia – from the First Map of Europe.
Common Brittonic, also known as British, Common Brythonic, or Proto-Brittonic, is an extinct Celtic language spoken in Britain and Brittany.
Niskus is a Romano-British river god, mentioned one time from a lead curse tablet inscription. The theonym is related to a local river deity linked to the River Hamble. It is possible that the origin of the theonym is connected with the ancient Greek word νῆξις - floating. Found on Creek Badnam in Southampton in 1982, this curse tablet from the Greco-Roman world was created in about 350 or 400 AD by Muconius, a man angry at the mystery thief who stole his gold and silver coins.
Roger Simon Ouin Tomlin is a British archaeologist specialising in the translation of Latin text and epigraphy. Tomlin is an Emeritus Fellow of Wolfson College, Oxford.
Goetia is a type of European sorcery, often referred to as witchcraft, that has been transmitted through grimoires—books containing instructions for performing magical practices. The term "goetia" finds its origins in the Greek word "goes", which originally denoted diviners, magicians, healers, and seers. Initially, it held a connotation of low magic, implying fraudulent or deceptive mageia as opposed to theurgy, which was regarded as divine magic. Grimoires, also known as "books of spells" or "spellbooks", serve as instructional manuals for various magical endeavors. They cover crafting magical objects, casting spells, performing divination, and summoning supernatural entities, such as angels, spirits, deities, and demons. Although the term "grimoire" originates from Europe, similar magical texts have been found in diverse cultures across the world.