The poems and their background
The book is Melville's return to poetry after a hiatus which began in 1860 when Harper & Brothers turned down a book of his poems, which is now lost. After moving his family from Massachusetts to New York in 1863, Melville contemplated writing a book of poems on the war, but evidently did not begin to do so until 1864. [2] The book was not published until 1866, a year after the end of the war. The title refers to the familiar paintings by Dutch and British artists who depicted scenes of battle at sea and musical settings of these battles. Melville's major source for the poems were the early volumes of Frank Moore's (compiler) eleven-volume The Rebellion Record: A Diary of American Events, with Documents, Narratives, Illustrative Incidents, Poetry, Etc. (New York:G.P. Putnam, 1861-1868). [4]
Battle-Pieces is made up of 72 short lyric and narrative poems grouped into two sections. The first and longer sequence is centered on battles, but the emphasis is on taking stock of the results and on the personalities of the officers who led them. The second, shorter series is made up of elegies, epitaphs, and requiems.
The opening poem is "The Portent", a meditation on the hanging of the abolitionist John Brown:
- Hanging from the beam,
- Slowly swaying (such the law),
- Gaunt the shadow on your green,
- Shenandoah!
- The cut is on the crown
- (Lo, John Brown),
- And the stabs shall heal no more.
- Hidden in the cap
- Is the anguish none can draw;
- So your future veils its face,
- Shenandoah!
- But the streaming beard is shown
- (Weird John Brown),
- The meteor of the war.
Other poems include "A Requiem For Soldiers Lost In Ocean Transports", "The Martyr Indicative of the Passion of the People on the 15th of April 1865", "The Frenzy In The Wake Sherman's Advance Through The Carolinas", "The March To The Sea", "Look-Out Mountain The Night Fight", "Shiloh A Requiem", "A Utilitarian View Of The Monitor's Fight", "The Conflict Of Convictions" and "On the Slain at Chickamauga".
In the prose "Supplement", Melville says that he is "one who never was a blind adherent" and advocates reconciliation with the South. He does not favor enfranchising former slaves immediately, for they are "in their infant pupilage to freedom" and argues that sympathy for them "should not be allowed to exclude kindliness to communities who stand closer to us in nature". He continues, "Let us be Christians toward our fellow-whites, we well as philanthropists toward the blacks, our fellow-men."
Lawrence Buell notes that Melville wrote from a Yankee viewpoint but that Battle-Pieces seldom voices jingoism or triumphalism.
Herman Melville was an American novelist, short story writer, and poet of the American Renaissance period. Among his best-known works are Moby-Dick (1851); Typee (1846), a romanticized account of his experiences in Polynesia; and Billy Budd, Sailor, a posthumously published novella. At the time of his death, Melville was no longer well known to the public, but the 1919 centennial of his birth was the starting point of a Melville revival. Moby-Dick eventually would be considered one of the great American novels.
Moby-Dick; or, The Whale is an 1851 novel by American writer Herman Melville. The book is the sailor Ishmael's narrative of the maniacal quest of Ahab, captain of the whaling ship Pequod, for vengeance against Moby Dick, the giant white sperm whale that bit off his leg on the ship's previous voyage. A contribution to the literature of the American Renaissance, Moby-Dick was published to mixed reviews, was a commercial failure, and was out of print at the time of the author's death in 1891. Its reputation as a Great American Novel was established only in the 20th century, after the 1919 centennial of its author's birth. William Faulkner said he wished he had written the book himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world" and "the greatest book of the sea ever written". Its opening sentence, "Call me Ishmael", is among world literature's most famous.
Billy Budd, Sailor , also known as Billy Budd, Foretopman, is a novella by American writer Herman Melville, left unfinished at his death in 1891. Acclaimed by critics as a masterpiece when a hastily transcribed version was finally published in 1924, it quickly took its place as a classic second only to Moby-Dick among Melville's works. Billy Budd is a "handsome sailor" who strikes and inadvertently kills his false accuser, Master-at-arms John Claggart. The ship's Captain, Edward Vere, recognizes Billy's lack of intent, but claims that the law of mutiny requires him to sentence Billy to be hanged.
"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine and reprinted with minor textual alterations in his The Piazza Tales in 1856. In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copies or do any other task required of him, refusing with the words "I would prefer not to."
White-Jacket; or, The World in a Man-of-War is the fifth book by American writer Herman Melville, first published in London in 1850. The book is based on the author's fourteen months' service in the United States Navy, aboard the frigate USS Neversink.
Pierre; or, The Ambiguities is the seventh book by American writer Herman Melville, first published in New York in 1852. The novel, which uses many conventions of Gothic fiction, develops the psychological, sexual, and family tensions between Pierre Glendinning; his widowed mother; Glendinning Stanley, his cousin; Lucy Tartan, his fiancée; and Isabel Banford, who is revealed to be his half-sister. According to scholar Henry A. Murray, in writing Pierre Melville "purposed to write his spiritual autobiography in the form of a novel" rather than to experiment and incidentally work some personal experience into the novel.
The Piazza Tales is a collection of six short stories by American writer Herman Melville, published by Dix & Edwards in the United States in May 1856 and in Britain in June. Except for the newly written title story, "The Piazza," all of the stories had appeared in Putnam's Monthly between 1853 and 1855. The collection includes what have long been regarded as three of Melville's most important achievements in the genre of short fiction, "Bartleby, the Scrivener", "Benito Cereno", and "The Encantadas", his sketches of the Galápagos Islands.
Clarel: A Poem and Pilgrimage in the Holy Land is an epic poem by American writer Herman Melville, originally published in two volumes in 1876. It is a poetic fiction about an American young man named Clarel, on pilgrimage through the Holy Land with a cluster of companions who question each other as they pass through Biblical sites. Melville uses this situation to explore his own spiritual dilemma, his inability to either accept or reject inherited Christian doctrine in the face of Darwin's challenge, and to represent the general theological crisis in the Victorian era.
"The Encantadas, or Enchanted Isles", is a novella by American author Herman Melville. First published in Putnam's Magazine in 1854, it consists of eleven philosophical "Sketches" on the Galápagos Islands, then frequently known as the "Enchanted Islands" from the treatcherous winds and currents around them. It was collected in The Piazza Tales in 1856. The Encantadas was a success with the critics and contains some of Melville's "most memorable prose".
"Isle of the Cross" is a possible unpublished and lost work by Herman Melville, which would have been his eighth book, coming after the commercial and critical failures of Moby-Dick (1851) and Pierre: or, The Ambiguities (1852). Melville biographer Hershel Parker suggests that the work, perhaps a novel, perhaps a story, was what had been known as the "story of Agatha," completed around May 1853. He further suggests that finishing the work showed that Melville had not, as many biographers argued, been discouraged and turned away from fiction.
Historical poetry is a subgenre of poetry that has its roots in history. Its aim is to delineate events of the past by incorporating elements of artful composition and poetic diction. It seems that many of these events are limited to the phenomenon of war, merely because war in and of itself foments not only hostilities amongst men, but also severely transposes the character of a society in general. The poetry of Walt Whitman, for instance, reflects scenes of the American Civil War which occurred during his lifetime.
David S. Reynolds is an American literary critic, biographer, and historian who has written about American literature and culture. He is the author or editor of fifteen books, on the Civil War era—including figures such as Walt Whitman, Abraham Lincoln, Herman Melville, Nathaniel Hawthorne, Edgar Allan Poe, Ralph Waldo Emerson, Henry David Thoreau, Emily Dickinson, Harriet Beecher Stowe, George Lippard, and John Brown. Reynolds has been awarded the Bancroft Prize, the Lincoln Prize, the Christian Gauss Award, the Ambassador Book Award, the Gustavus Myers Book Award, the John Hope Franklin Prize, and was a finalist for the National Book Critics Circle Award. He is a regular reviewer for The New York Times Book Review.
Hershel Parker is an American professor of English and literature, noted for his research into the works of Herman Melville. Parker is the H. Fletcher Brown Professor Emeritus at the University of Delaware. He is co-editor with Harrison Hayford of the Norton Critical Edition of Herman Melville's Moby-Dick, and the General Editor of the Northwestern-Newberry Edition of The Writings of Herman Melville, which, with the publication of volume 13, "Billy Budd, Sailor" and Other Uncompleted Writings, is now (2017) complete in fifteen volumes. Parker is the author of a two-volume biography of Herman Melville published by Johns Hopkins University Press. Parker also edited the first ever one-volume edition of Melville's complete poetry, Herman Melville: Complete Poems, published by the Library of America in 2019.
The bibliography of Herman Melville includes magazine articles, book reviews, other occasional writings, and 15 books. Of these, seven books were published between 1846 and 1853, seven more between 1853 and 1891, and one in 1924. Melville was 26 when his first book was published, and his last book was not released until 33 years after his death. At the time of his death he was on the verge of completing the manuscript for his first novel in three decades, Billy Budd, and had accumulated several large folders of unpublished verse.
"Hawthorne and His Mosses" (1850) is an essay and critical review by Herman Melville of the short story collection Mosses from an Old Manse written by Nathaniel Hawthorne in 1846. Published pseudonymously by "a Virginian spending July in Vermont", it appeared in The Literary World magazine in two issues: August 17 and August 24, 1850. It has been called the "most famous literary manifesto of the American nineteenth century."
Stanley Thomas Williams was a scholar who helped to establish the study of American literature as an academic field during his teaching career at Yale University. In 1935 he was awarded a Guggenheim Fellowship. His most notable publication is a two-volume biography of Washington Irving but he is best remembered for changing the study of Herman Melville by strategically directing doctoral dissertations on his life and works.
John Marr and Other Sailors is a volume of poetry published by Herman Melville in 1888. Melville published twenty-five copies at his own expense, indicating that they were intended for family and friends. Henry Chapin wrote in an introduction to a reprint that "Melville's loveable freshness of personality is everywhere in evidence, in the voice of a true poet".
Harrison Mosher Hayford was a scholar of American literature, most prominently of Herman Melville, a book-collector, and a textual editor. He taught at Northwestern University from 1942 until his retirement in 1986. He was a leading figure in the post-World War II generation of Melville scholars who mounted the Melville Revival. He was General Editor of the Northwestern-Newberry The Writings of Herman Melville published by Northwestern University Press, which established reliable texts for all of Melville's works by using techniques of textual criticism.
Sarah Morewood (1823–1863) was a poet and literary figure who developed a close relationship in the 1850s with her nearest neighbor in the Berkshires, the novelist Herman Melville. In 1983 Professor Michael Rogin of the University of California, Berkeley, was the first to suggest that Morewood was a model for the character of Isabel in Melville's dark novel of romance and ambition Pierre; or, The Ambiguities (1852). Thirty-three years later biographer Michael Shelden argued in Melville in Love (2016) that Morewood influenced Melville's work not only in Pierre, but also in Moby-Dick (1851), and that for much of the 1850s the two were lovers.
Walter E. Bezanson was a scholar and critic of American literature best known for his studies of Herman Melville and contributions to the Melville revival that restored the writer to prominence in the 1940s and 1950s. Bezanson's research and editorial work rescued from neglect Mevlille's unappreciated epic poem, Clarel, and he published essays on Moby-Dick that were widely cited and reprinted.
