Bear Dance is a Ute ceremonial dance that occurs in the spring. It is a ten-day event to strengthen social ties within the community, encourage courtship, and mark the end of puberty for girls. [1] The event includes dancing, feasting, games, horse racing, and gambling.
It is one of the oldest Ute ceremonies. [1] [2] The Bear Dance was first recorded by Spanish conquistadors in the 15th century, [3] but oral tradition dates it to be a thousand years old or older. [4] and continues to be performed by modern Ute. [3]
The bear symbolizes leadership, strength, and wisdom. Traditionally, a group of men play musical rasps for the dance. [1]
According to Ute tradition, the Bear Dance was first taught to a young hunter by a she-bear. [3] [4] The primal ancestor of the Ute Indians are believed by themselves to be bears. [2] The dance celebrates both the waking of hibernating bears and in winter, and the time when, historically, Ute people were able to break winter camps and look for food and game. [5]
Along with waking up for winter finding a new mate for the new season is another reason this dance is performed by bears, and humans. [2]
The Bear Dance lasts a week to ten days, beginning after the first thunder of the spring, [3] [6] which usually occurs in March. [7] Ute people of all ages are involved in this yearly dance, although some traditions say women who are menstruating or pregnant should not attend. [4] Both men and women prepared for the bear dance. Traditionally, women prepare the clothes to be worn during the dance, while the corral and other things related to the dance are made by men. [7] Each year, a new corral is made and is placed at the entrance of the dance, [5] with its entrance facing east. [4]
The Bear Dance is traditionally directed by a medicine man or chief. [2] The basic dance step, called mamakwanika in Ute (English: back-and-forth dance), involves a back-and-forth motion, meant to emulate bears scratching a tree. [4] During the dance, women are the ones who choose their male dance partner. [4] [6] Partners dance across from each other, without touching, for the first two days, and are allowed to touch while dancing for the last two days. [4] The dance leader, known as the "Cat Man", touches couples with a willow stick to note when they are allowed to touch. [4] Two different traditions exist regarding a dancer falling: one says that a fallen dancer marks the end of the dance; another says if dancers fall, they should remain on the ground until an elder blesses them. [4]
According to tradition, the songs played by the Ute show respect to the bears spirits. [3] Instruments used include wooden notched sticks, [5] musical rasps, [1] [4] and drums. The songs are meant to sound like bears scratching and growling. [4] When the drums are played, they sing an incantation. They believe the incantation takes the noises to the caves of the bears which are then transformed into thunder. [2]
Following the ceremony, recreational dancing, socializing, and feasting occur. [2] [7] At the end of the event, dancers can leave feathers or fringe from their outfits by the entrance of the corral, symbolizing the leaving of worries, pain, or bad luck in the past. [4] [8]
The Bear Dance continues to be performed by the Ute People in the 21st century, [3] primarily in Colorado and Utah [9] and often in a shorter four day format. [4] Some Ute now hold the dance around Memorial Day weekend, in May, so as to align with the schedules of schoolchildren and workers. [7] Others push the dance further back into the summer, leading to what some dub a "Bear Dance season" that stretches from April into September. [4] The event is generally open to the public. [8] During the COVID-19 pandemic, the 2020 Bear Dance was cancelled, with Utes using social media to share photos and videos of previous Bear Dances. [10] Some musicians performed Bear Dance chants in "otherwise empty arenas", so people could come hear the songs even if dancing did not occur. [10] In 2021, some groups put on a "pared down" Bear Dance, with COVID-19 screenings, encouraging of face masks, and vaccine distribution. [11]
Ute children often learn about the dance and its etiquette at school. [12]
Some modern adaptations include the use of technology both to promote the event and during the event, such as the use of loudspeakers. [4] The master of ceremonies is nearly always a male singer, who banters with the audiences in between songs, speaking both on traditional beliefs and modern life, often humorously. [4]
Some Christian Ute have interpreted the dance as being given to the Ute people by Jesus Christ. [4]
May Day is a European festival of ancient origins marking the beginning of summer, usually celebrated on 1 May, around halfway between the Northern Hemisphere's Spring equinox and June solstice. Festivities may also be held the night before, known as May Eve. Traditions often include gathering wildflowers and green branches, weaving floral garlands, crowning a May Queen, and setting up a Maypole, May Tree or May Bush, around which people dance and sing. Bonfires are also a major part of the festival in some regions. Regional varieties and related traditions include Walpurgis Night in central and northern Europe, the Gaelic festival Beltane, the Welsh festival Calan Mai, and May devotions to the Blessed Virgin Mary. It has also been associated with the ancient Roman festival Floralia.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
A powwow is a gathering with dances held by many Native American and First Nations communities. Powwows today are an opportunity for Indigenous people to socialize, dance, sing, and honor their cultures. Powwows may be private or public, indoors or outdoors. Dancing events can be competitive with monetary prizes. Powwows vary in length from single-day to weeklong events.
Hula is a Hawaiian dance form expressing chant (oli) or song (mele). It was developed in the Hawaiian Islands by the Native Hawaiians who settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form.
The music of Qatar is based on sea folk poetry, song and dance. The historical importance of pearl fishing have deeply resonated within the region's artistic expression, manifesting in melodies, tunes, and dances that reflect the enduring bond between humanity and the sea. Traditional dances in Doha are performed on Friday afternoons; one such dance is the Ardah, a stylized martial dance performed by two rows of dancers who are accompanied by an array of percussion instruments, including al-ras, mirwas and cymbals with small drums. Other folk instruments include the oud and rebaba, both string instruments, as well as the ney and sirttai, which are types of flutes.
The Limbu (exonym) / Yakthung (endonym) or are a Sino-Tibetan ethnolinguistic group indigenous to the Himalayan region of eastern Nepal, Sikkim, Assam, Nagaland, northern West Bengal, and western Bhutan.
Ainu music is the musical tradition of the Ainu people of northern Japan. Ainu people have no indigenous system of writing, and so have traditionally inherited the folklore and the laws of their culture orally, often through music.
Music is often played at wedding celebrations, including during the ceremony and at festivities before or after the event. The music can be performed live by instrumentalists or vocalists or may use pre-recorded songs, depending on the format of the event, traditions associated with the prevailing culture and the wishes of the couple being married.
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
Ute are an Indigenous people of the Great Basin and Colorado Plateau in present-day Utah, western Colorado, and northern New Mexico. Historically, their territory also included parts of Wyoming, eastern Nevada, and Arizona.
Bear worship is the religious practice of the worshipping of bears found in many North Eurasian ethnic religions such as among the Sami, Nivkh, Ainu, Basques, Germanic peoples, Slavs and Finns. There are also a number of deities from Celtic Gaul and Britain associated with the bear, and the Dacians, Thracians, and Getians were noted to worship bears and annually celebrate the bear dance festival. The bear is featured on many totems throughout northern cultures that carve them.
Punjabi wedding traditions are a strong reflection of Punjabi culture with ritual, song, dance, food, and dress that have evolved over centuries.
Dancing in Zimbabwe is an important aspect of the Zimbabwean culture, tradition, spirituality and history. There are many dances that reflect the culture of the people, although the dances may have changed throughout the years. Ethnic diversity is also a key factor in influencing the dances of the Zimbabwean culture. These dances are self-reflective, for the entire community because all music and dance are communal events. Dance to Zimbabweans is a very spiritual, powerful tool that carries on traditions, and chronicles the important events of their history and culture.
Ukrainian folklore is the folk tradition which has developed in Ukraine and among ethnic Ukrainians. The earliest examples of folklore found in Ukraine is the layer of pan-Slavic folklore that dates back to the ancient Slavic mythology of the Eastern Slavs. Gradually, Ukrainians developed a layer of their own distinct folk culture. Folklore has been an important tool in defining and retaining a cultural distinctiveness in Ukraine in the face of strong assimilatory pressures from neighboring lands.
Samia speaking people live in Western Kenya and Eastern Uganda. They are composed of several clans and their ancient economic activities include fishing in Lake Victoria and other rivers such as River Sio, crop farming (obulimi), and animal farming (obutuki). The Samia speaking people, as widely known by other tribes, predominantly live in Busia districts and speak a dialect similar to the Luhya tribe in Kenya. However, on the Ugandan side there is a slight variation in the dialect spoken by the Samia of Southern Busia on the fringe of Lake Victoria and those of North Busia district closer to Tororo District. The former speak Olusamia while the latter speak Olugwe. The two dialects are difficult to differentiate by non Samia speaking people but easily discernible by the natives. and in Uganda mainly found inbusia and Namayingo district.
Solomon Islands dance is part of the culture of the Solomon Islands. Dances are performed at ceremonies and special occasions, as well as on a regular basis in some hotels and restaurants, which feature local musicians performing traditional songs and dance. The National Museum of Solomon Islands at Point Cruz also organises live dances and other cultural displays of its provinces.
Yup'ik dance or Yuraq, also Yuraqing is a traditional Eskimo style dancing form usually performed to songs in Yup'ik, with dances choreographed for specific songs which the Yup'ik people of southwestern Alaska. Also known as Cup'ik dance for the Chevak Cup'ik dialect speaking Yup'ik of Chevak and Cup'ig dance for the Nunivak Cup'ig dialect speaking Yup'ik of Nunivak Island. Yup'ik dancing is set up in a very specific and cultural format. Typically, the men are in the front, kneeling and the women stand in the back. The drummers are in the very back of the dance group. Dance is the heart of Yup’ik spiritual and social life. Traditional dancing in the qasgiq is a communal activity in Yup’ik tradition. The mask (kegginaquq) was a central element in Yup'ik ceremonial dancing.
A snow dance is a ritual that is performed with the hopes of bringing snow in the winter months. This ritual is often performed with the goal of avoiding school or work the next day. Specific snow dance rituals vary from person to person, but commonly include sleeping with silverware under one's pillow, flushing ice cubes down a toilet, or wearing pajamas inside out and backwards. Snow dancing is often performed outside in sunny or rainy conditions as the participating dancer would want it to snow that day or week, rather than be rainy or sunny. Considered by many to be an urban legend, the Snow Dance is often referred to in jest.
Ute music constitutes the music of the Indigenous Northern American Ute tribe. Much of this music has been recorded and preserved. Each song of the Ute tribe has a meaning or is based on an experience. These experiences may be social, religious or emotional. Many Ute songs are social songs. They include war songs, social dance songs, parade songs, medicine songs, love songs, game songs and story songs.
Southern Ute Cultural Center and Museum is a historic, cultural, and educational museum about the Southern Ute people in Ignacio, Colorado. The museum, surrounded by gardens, was built by Southern Ute tribe members in 2011, many of whom donated or loaned artifacts for the museum.