This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Behind Locked Doors | |
---|---|
Directed by | Budd Boetticher |
Screenplay by | Eugene Ling Malvin Wald |
Story by | Malvin Wald |
Produced by | Eugene Ling |
Starring | Lucille Bremer Richard Carlson Douglas Fowley Tor Johnson |
Cinematography | Guy Roe |
Edited by | Norman Colbert |
Music by | Irving Friedman |
Production company | Aro Productions |
Distributed by | Eagle-Lion Films |
Release date |
|
Running time | 62 minutes |
Country | United States |
Language | English |
Behind Locked Doors is a 1948 film noir directed by Budd Boetticher and starring Lucille Bremer, Richard Carlson and Tor Johnson.
The title "Human Gorilla" for this movie can be found on various copies of this movie. Although the film features noir lighting and camerawork, depicts corruption, and provides suspense, it lacks most of the characterizations common to film noir. And it ends happily for the protagonists.
At the behest of a pretty reporter, an amorously forward private detective goes undercover as a patient in a private sanitarium in search of a judge hiding out from the police. The two plan to split the $10,000 reward for the judge's capture. As the reporter and detective begin to fall in love, the detective also falls deeper into danger from an abusive attendant and difficult inpatients. The latter include an arsonist and "The Champ," a lunatic ex-boxer who attacks anyone put into a room with him after he hears what sounds like a bell.
It was the first of a three picture deal Boetticher had with Eagle Lion films. [1]
Reviews for the movie when released on DVD in 2002 were mixed. Keith Phipps, writing for the Onion AV Club, wrote of the film, "A probable inspiration for Sam Fuller's Shock Corridor , Doors suffers in comparison; Fuller made transcendent B-movies, and this isn't one. In just about every other respect, however, it's everything it should be: fast-paced, stylishly shot, a little lurid, a little topical, and thoroughly entertaining." [2]
Film critic Dennis Schwartz gave the film a mixed review, writing, "Budd Boetticher directs a fast-paced low-budget B-film thriller with a far-fetched idea as its storyline and presents a shaky portrayal of the mental health profession. The film's claustrophobic and oppressive surroundings in a private mental hospital, moves this paranoiac tale somewhat into film noir territory ... No character was developed, the storyline never seemed believable, and despite the attempts made through the dark photography to create tension that wasn't possible because we didn't know enough about the lead characters and the villains were merely cardboard characters. Aside from being well directed, this melodrama has little else to recommend it. Boetticher is better known today for the many splendid Westerns he directed during the 1950s with Randolph Scott as star, which include Comanche Station , Ride Lonesome , and The Tall T ." [3]
The Tall T is a 1957 American Western film directed by Budd Boetticher and starring Randolph Scott, Richard Boone, and Maureen O'Sullivan. Adapted by Burt Kennedy from the 1955 short story "The Captives" by Elmore Leonard, the film is about an independent former ranch foreman who is kidnapped along with an heiress, who is being held for ransom by three ruthless outlaws. In 2000, The Tall T was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Lucille Bremer was an American film actress and dancer.
The Narrow Margin is a 1952 American film noir starring Charles McGraw and Marie Windsor. Directed by Richard Fleischer, the RKO picture was written by Earl Felton, based on an unpublished story written by Martin Goldsmith and Jack Leonard. The screenplay by Earl Felton was nominated for an Academy Award.
Night Moves is a 1975 American neo-noir film directed by Arthur Penn, and starring Gene Hackman, Jennifer Warren, Susan Clark, with supporting performances from Melanie Griffith and James Woods. Its plot follows a Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter of a former movie actress.
Side Street is a 1949 American film noir/police procedural starring Farley Granger and Cathy O'Donnell. Directed by Anthony Mann, the picture was filmed on location throughout New York City and culminated in one of the first modern car chases. Part of the story is set in the vicinity of the long-demolished Third Avenue El, a favorite location of the films made in the city during that era.
Oscar Boetticher Jr., known as Budd Boetticher, was an American film director. He is best remembered for a series of low-budget Westerns he made in the late 1950s starring Randolph Scott.
The Brasher Doubloon is a 1947 American crime film noir directed by John Brahm and starring George Montgomery and Nancy Guild. It is based on the 1942 novel The High Window by Raymond Chandler.
I Wake Up Screaming is a 1941 film noir. It is based on the novel of the same name by Steve Fisher, adapted by Dwight Taylor. The film stars Betty Grable, Victor Mature and Carole Landis, and features one of Grable's few dramatic roles.
The Second Woman is a 1950 American film noir mystery-suspense film directed by James V. Kern and featuring Robert Young, Betsy Drake, John Sutton and Florence Bates. Sequences of the film were shot on the coastal areas of Monterey, California.
Guilty Bystander is a 1950 American crime drama directed by Joseph Lerner, and starring Zachary Scott and Faye Emerson. The film was shot on location entirely in New York City. It also marked the last motion picture screen appearances for character actors Mary Boland and J. Edward Bromberg.
The Devil Thumbs a Ride is a 1947 American film noir directed by Felix E. Feist and featuring Lawrence Tierney, Ted North, Nan Leslie and Betty Lawford. It was produced and distributed by RKO Pictures.
Bluebeard is a 1944 film noir directed by Edgar G. Ulmer, starring John Carradine in the title role. The film also stars Jean Parker. The film is based on the famous French tale Barbe bleue that tells the story of a violent nobleman in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. The film is registered in the public domain.
The Killer Is Loose is a 1956 American crime film directed by Budd Boetticher and starring Joseph Cotten, Rhonda Fleming and Wendell Corey. An independent production, it was released by United Artists.
Buchanan Rides Alone is a 1958 American Western film directed by Budd Boetticher and starring Randolph Scott, Craig Stevens, and Barry Kelley. Based on the 1956 novel The Name's Buchanan by Jonas Ward, the film is about a Texan returning home with enough money to start his own ranch. When he stops in the crooked town of Agry, he is robbed and framed for murder.
Escape in the Fog is a 1945 American film noir crime film directed by Budd Boetticher and starring Otto Kruger, Nina Foch and William Wright.
The Spider is a 1945 American crime film noir directed by Robert D. Webb and starring Richard Conte, Faye Marlowe, and Kurt Kreuger.
The Other Woman is a 1954 American film noir written, directed and produced by Hugo Haas. Haas, Cleo Moore and John Qualen starred in the film.
Tomorrow Is Another Day is a 1951 crime drama film noir directed by Felix E. Feist and starring Ruth Roman and Steve Cochran. An ex-convict who thinks he killed a man goes into hiding with a woman whose boyfriend is the man he supposedly killed.
Mysterious Intruder is a 1946 American mystery film noir based on the radio drama The Whistler. Directed by William Castle, the production features Richard Dix, Barton MacLane and Nina Vale. It is the fifth of Columbia Pictures' eight "Whistler" films produced in the 1940s, the first seven starring Dix.
The Magnificent Matador is a 1955 American drama film directed by Budd Boetticher and written by Budd Boetticher and Charles Lang. The film stars Maureen O'Hara, Anthony Quinn, Manuel Rojas, Richard Denning, Thomas Gomez, Lola Albright, William Ching and an early appearance of Stuart Whitman. The film was released on May 24, 1955, by 20th Century Fox.