Decision at Sundown | |
---|---|
Directed by | Budd Boetticher |
Screenplay by | Charles G. Lang |
Based on | Decision at Sundown 1955 novel by Vernon L. Fluharty |
Produced by | Harry Joe Brown |
Starring | Randolph Scott |
Cinematography | Burnett Guffey |
Edited by | Al Clark |
Music by | Heinz Roemheld |
Color process | Technicolor |
Production companies | Producer-Actor Corporation Scott-Brown Productions |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
Decision at Sundown is a 1957 American Western film directed by Budd Boetticher and starring Randolph Scott. It is one of seven Boetticher/Scott western collaborations, including Seven Men from Now , The Tall T , Buchanan Rides Alone , Westbound , Ride Lonesome , and Comanche Station .
Boetticher said this film and Westbound were the only mediocre films he made as part of the Ranown cycle. [1]
Bart Allison and his true and faithful friend Sam ride into the town of Sundown. Blinded by hate, Bart has only one thing in mind: to seek revenge from Tate Kimbrough whom he believes had once immorally seduced and then abandoned his wife Mary, which finally led to her to kill herself. At least this is the story Allison believes. More probably his wife at that time had fallen out of love with him and intended to leave him, being genuinely attracted to the womanizing Tate, who later spurned her and renounced their relationship. Tate has taken political and economic control of the little town of Sundown. The citizens don't appreciate him but yield to his influence probably out of fear and material interest.
The very day that Bart shows up in the town, Tate is preparing to marry Lucy Summerton, the "finest and prettiest young lady" in Sundown, according to the barber in whose shop Bart finds an opportunity to get a shave. He intends to stop the ceremony from taking place by objecting to the wedding after the priest's traditional question. Tate has no real romantic interest in Lucy; the marriage is probably part of a scheme that will fortify his influence in the town. To the disapproval of Lucy's father, Tate spends time with Ruby James with whom he is probably sentimentally involved but also a little rough-mannered. She is supposed to leave town after the ceremony but she insists on attending the wedding in the church despite Tate's disapproval. She even has the nerve to sit on the front pew with the town's doctor, John Storrow, secretly also in love with Lucy and having a great moral and humane influence in the town, helping everybody out as well as making various hints at a possible opposition to Kimbrough's greedy control of the local community. Bart does not hesitate to show his animosity concerning the local boss and even goes as far as creating tension between him and the sheriff Swede Hansen, refusing to have his drinks paid in honor of Tate Kimbrough's wedding. After succeeding in spoiling the ceremony and in staying unscratched in a shootout, Bart and Sam find refuge in the local livery stable. The bride refuses to continue with the ceremony until the situation is cleared.
The doctor and Morley Chase, a local opposing ranch owner, show a certain understanding of Bart's predicament. Doctor Storrow is coming to the livery stable to take care of Spanish, one of Kimbrough's wounded hired guns. He tells about his strong resentment concerning Tate's bad influence in the town since he came to take it over. Anxious and in a hurry to get rid of this unexpected opponent, Tate decides to pretend to propose Bart a deal: he wants to make him believe that if he leaves the livery stable, he will let him ride out of town unharmed. Mr. Summerton, the bride's father, is trying to talk Bart into accepting the deal. He even suggests adding an interesting amount of money to convince the man. The deceptive proposal is rejected and Tate's bride persists in refusing to resume the wedding ceremony. She thinks everything over and ends up reconsidering her relationship with Tate whose affairs with Ruby and also previously Mary make her feel uncomfortable. Lucy goes to the livery stable and makes Bart realize that maybe his deceased wife was not so faithful and trustworthy as he might have imagined, trying thus to reduce Bart's obsession with killing Tate. Bart violently throws her out but starts thinking. Sam tries to confirm Lucy's point of view but gets his head knocked off by an infuriated Bart. Sam is allowed to have lunch at the local restaurant since the possibility to leave unharmed is also valid for him. Unfortunately Spanish shoots him in the back when he announces he wants to ride out of town. This outrageous killing contributes to the people's change of heart concerning Tate and opposition to the local boss is growing. Storrow addresses the people's consciences at the saloon and stirs up further the emotions. Morley Chase and his men take sides with Storrow and Bart and therefore disarm some of Kimbrough's men. The local boss loses his effective power.
Nevertheless, they return their guns to the sheriff so the situation amounts to a showdown between Sheriff Hanson and Bart Allison. The latter is faster on the draw and shoots Kimbrough's sheriff down. Yet unluckily, he injures himself on the palm of his hand. While bandaging Bart's hand, Storrow tries to talk him out of a showdown with Tate Kimbrough who thinks he can regain his power if he shoots the disturber. On her side, Ruby is trying to make Tate renounce and leave town but the man doesn't let her convince him. He shows certain anxiety but his courage makes him go down and face Bart.
Tate gets out into the street to meet Bart but to everyone's surprise, Ruby shoots him in the arm with a Winchester to wound him and save his life, forcing him to abandon the confrontation. Bart wants him to take his gun and resume the fight but Ruby tries to explain to him his hate is not worth it since he "never had a wife". Storrow confirms her point saying he has learned it from Sam. Ruby and the injured Tate withdraw and Bart lets it happen, finally accepting the bitter truth after three years. Ruby and a beaten but living Kimbrough leave the town in a buggy. Bart drowns his blues in drinks and rejects the townspeople's friendly attitude, once more refusing to have his drinks paid. He would have preferred Chase to manifest himself before Sam's death, which would have changed a lot of things. A depressed and drunk Bart Allison rides out of the town he unwillingly freed mourning his lost friend Sam.
In 2008, a DVD box set of five Budd Boetticher films starring Randolph Scott was released. Along with Decision at Sundown, the set includes Buchanan Rides Alone , Comanche Station , Ride Lonesome , and The Tall T . [3]
The Tall T is a 1957 American Western film directed by Budd Boetticher and starring Randolph Scott, Richard Boone, and Maureen O'Sullivan. Adapted by Burt Kennedy from the 1955 short story "The Captives" by Elmore Leonard, the film is about an independent former ranch foreman who is kidnapped along with an heiress, who is being held for ransom by three ruthless outlaws. In 2000, The Tall T was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
George Randolph Scott was an American film actor, whose Hollywood career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in dramas, comedies, musicals, adventures, war, horror and fantasy films, and Westerns. Out of his more than 100 film appearances, more than 60 of them were Westerns.
Behind Locked Doors is a 1948 film noir directed by Budd Boetticher and starring Lucille Bremer, Richard Carlson and Tor Johnson.
James A. Westerfield was an American character actor of stage, film, and television.
Oscar Boetticher Jr., known as Budd Boetticher, was an American film director. He is best remembered for a series of low-budget Westerns he made in the late 1950s starring Randolph Scott.
John Carroll was an American actor.
Seven Men from Now is a 1956 American Western film directed by Budd Boetticher and starring Randolph Scott, Gail Russell and Lee Marvin. The film was written by Burt Kennedy and produced by John Wayne's Batjac Productions.
Burton Raphael Kennedy was an American screenwriter and director known mainly for directing Westerns. Budd Boetticher called him "the best Western writer ever."
Ride Lonesome is a 1959 American CinemaScope Western film directed by Budd Boetticher and starring Randolph Scott, Karen Steele, Pernell Roberts, Lee Van Cleef, and James Coburn in his film debut. This Eastmancolor film is one of Boetticher's so-called "Ranown cycle" of westerns, made with Randolph Scott, executive producer Harry Joe Brown and screenwriter Burt Kennedy, beginning with Seven Men from Now.
Harry Joe Brown was an American film producer, and earlier a theatre and film director.
The Killer Is Loose is a 1956 American crime film directed by Budd Boetticher and starring Joseph Cotten, Rhonda Fleming and Wendell Corey. An independent production, it was released by United Artists. It is based on a 1953 novelette published in The Saturday Evening Post, written by John and Ward Hawkins.
Comanche Station is a 1960 American CinemaScope Western film directed by Budd Boetticher and starring Randolph Scott. The film was the last of Boetticher's late 1950s Ranown Cycle. It was filmed in the Eastern Sierra area of Central California near Lone Pine, California, not far from the foot of Mount Whitney. The towering granitic boulders known as the Alabama Hills served as the backdrop for the film's opening and closing scenes.
East of Sumatra is a 1953 American south seas adventure film directed by Budd Boetticher and starring Jeff Chandler, Marilyn Maxwell, Anthony Quinn and Suzan Ball.
Buchanan Rides Alone is a 1958 American Western film directed by Budd Boetticher and starring Randolph Scott, Craig Stevens, and Barry Kelley. Based on the 1956 novel The Name's Buchanan by Jonas Ward, the film is about a Texan returning home with enough money to start his own ranch. When he stops in the crooked town of Agry, he is robbed and framed for murder.
The Desperadoes is a 1943 American Western film directed by Charles Vidor and starring Randolph Scott, Claire Trevor, Glenn Ford, Evelyn Keyes and Edgar Buchanan. Based on a story by Max Brand, the film is about a wanted outlaw who arrives in town to rob a bank that has already been held up. His past and his friendship with the sheriff land them both in trouble. The Desperadoes was the first Columbia Pictures production to be released in Technicolor.
Westbound is a 1959 American Western film directed by Budd Boetticher and starring Randolph Scott, Virginia Mayo and Karen Steele.
Assigned to Danger is a 1948 American crime film noir directed by Budd Boetticher and starring Gene Raymond, Noreen Nash and Robert Bice. The film's sets designed by the art director Edward L. Ilou. It was distributed by Eagle-Lion Films.
One Mysterious Night is a 1944 crime film, the seventh in a Columbia Pictures series of fourteen starring Chester Morris as reformed crook Boston Blackie. It was preceded by The Chance of a Lifetime and followed by Boston Blackie Booked on Suspicion. Blackie is called upon to recover a stolen diamond.
The Cimarron Kid is a 1952 American western film directed by Budd Boetticher and starring Audie Murphy, Beverly Tyler and Yvette Duguay. It was produced and distributed by Universal Pictures.
A Time for Dying is a 1969 American Western film written and directed by Budd Boetticher with a cameo role by Audie Murphy, who also produced the film, as Jesse James. It was Murphy's last film, as well as the final dramatic feature for Boetticher.