"Believe Me, If All Those Endearing Young Charms" is a popular song written by the Irish poet Thomas Moore, setting new lyrics to a traditional Irish air that can be traced back into the 18th century. [1] He published it in 1808, naming the air as "My Lodging is on the Cold Ground" from lyrics of British origin with which it was widely associated at the time. The new lyrics were presented in an album of selected Irish melodies arranged by John Andrew Stevenson with “characteristic words” provided by Moore. [2]
The preface to their joint production quotes a letter that Moore wrote to Stevenson about the need for it to set the record straight on the Irish origin of many melodies that had come to be associated with "our English neighbours". Toward that end, Moore devised lyrics to replace British ones such as "My Lodging is on the Cold Ground". The original version is attested in the play The Rivals by William Davenant, initially performed in 1662. It is sung by the character Celania in Act 5 to a melody that is not indicated. [3]
William Grattan Flood provides details about a composed setting of "My Lodging is on the Cold Ground", published by Matthew Locke in 1665. It has no Irish nexus and is melodically altogether different from the one in the Stevenson/Moore compilation. The Rivals remained in the active theatre repertoire until at least 1668 and Locke's melody is an obvious candidate for having been the one sung during its performance. Flood cautions against confusing it with the traditional melody used by Moore, which he claims (without substantiation) had been known under various names to Irish harpers from about 1745. However, he extensively cites verifiable sources with the British lyrics set to it, beginning in 1773. [1]
The main focus of the Grattan Flood article is tracing the origins of yet another song set to the same melody in 1838 by Rev. Samuel Gilman in celebration of the 200th anniversary of the founding of Harvard University. It was titled "Fair Harvard" and adopted there for general festive use. The relatively brief interval between the publication of the two sets of lyrics can be seen as an indication of the popular attention that Moore had called to the shared melody. [1]
Moore's lyrics express a reassurance that love endures through time and misfortune. It has, therefore, anecdotally been suggested that the underlying sentiments were directed toward his wife, who is said to have been stricken with smallpox.
From Stevenson and Moore, A Selection of Irish Melodies, 1808:
BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS
Air—My Lodging is on the cold Ground
I.
Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Like fairy-gifts fading away,—
Thou wouldst still be ador'd as this moment thou art,
Let thy loveliness fade as it will;
And, around the dear ruin each wish of my heart
Would entwine itself verdantly still!
II.
It is not while beauty and youth are thine own,
And thy cheeks unprofan'd by a tear,
That the fervour and faith of a soul can be known,
To which time will but make thee more dear!
Oh! the heart, that has truly lov'd, never forgets,
But as truly loves on to the close;
As the sun-flower turns on her god, when he sets,
The same look which she turn'd when he rose!
This section needs additional citations for verification .(September 2022) |
"Endearing Young Charms" became a staple of Warner Bros. cartoons, appearing first in the 1944 Private Snafu short Booby Traps. Subsequent uses included the 1951 Merrie Melodies short Ballot Box Bunny and 1957 Looney Tunes short Show Biz Bugs , both starring Bugs Bunny, the 1965 cartoon Rushing Roulette and 1994 short Chariots of Fur featuring Wile E. Coyote and the Road Runner, and in a 1993 episode of Animaniacs , "Slappy Goes Walnuts", which introduces Slappy Squirrel. In its cartoon appearances, the song is often the cue for a classic "bomb gag" where the playing of the first line of the song sets off a rigged explosion on the final note. However, the target often misses, forcing the perpetrator to play it himself and fall for his own trap.
Simone Mantia, a pioneer of American euphonium music, composed a theme and variations on the melody, which remains a staple of the solo euphonium literature.
Little Virgie (Shirley Temple) sings the song to her father (John Boles) in the 1935 film The Littlest Rebel . It is used in the film The Informer by John Ford. The first verse was sung by the character Alfalfa in a 1936 episode of MGM's The Little Rascals titled Bored of Education . Walter Huston plays the melody on the harmonica in the film The Treasure of the Sierra Madre . Debbie Reynolds and Barbara Ruick sing the first stanza in the 1953 film The Affairs of Dobie Gillis .
Arrangements of the tune "Lodging Is On the Cold Ground" can be found in Mauro Giuliani's Op 125 (6 Irish National Airs) no. 5, Carl Czerny's Op 575 (Die Schule des Vortrags und der Verzierungen) Vol I no. 3, and Haydn's Hob. XXXIa:262.
Louis Drouet's "Introduction and Variations on an English Theme for Flute and Harp" is based on the tune
William Vincent Wallace composed a fantasy for piano on the melody.
Victor Herbert quotes the tune in his "Irish Rhapsody"
Roger Quilter's setting of the song was included in the Arnold Book of Old Songs , published in 1950.
Joni James includes the song on her album Joni Sings Irish Favorites (1959) and Bing Crosby included it in a medley on his album 101 Gang Songs (1961).
Variations were done in the 1963 Andy Griffith Show episode "Rafe Hollister Sings", and the 2010 South Park episode "Crippled Summer". [4] An instrumental version of the song plays around the midpoint of the 1963 Twilight Zone episode "Passage on the Lady Anne". The song is performed at a Christmas party of the Adams Family at the beginning of "Chapter VIII: John Quincy Adams, Secretary of State" of The Adams Chronicles (1976). Meredith Baxter performs a stanza of the song during a fundraiser for Steven's public television station and goes into labor as she sings the high F in the episode "Birth of a Keaton, Part 1" of Family Ties (1984).
The first line appears in some versions of Dexys Midnight Runners' "Come On Eileen" as an introduction played by a solo fiddle. A short version of the tune also appears at the end of some versions of the song.
Leonard Bernstein uses the melody to demonstrate concepts in his lecture series "The Unanswered Question".
Vagabond Opera used the melody as the basis for their song "Manayunk" (released 2006).
The "Londonderry Air" is an Irish air that originated in County Londonderry, first recorded in the nineteenth century. The tune is played as the victory sporting anthem of Northern Ireland at the Commonwealth Games. The song "Danny Boy" written by English lawyer Fred Weatherly uses the tune, with a set of lyrics written in the early 20th century.
"Lillibullero" is a march attributed to Henry Purcell that became popular in England at the time of the Glorious Revolution of 1688.
"The Minstrel Boy" is an Irish song written by Irish poet Thomas Moore (1779–1852) and published as part of his Irish Melodies. Moore himself came to be nicknamed "The Minstrel Boy", and indeed it is the title of Leonard Strong's 1937 biography of Moore.
"Turkey in the Straw" is an American folk song that first gained popularity in the 19th century. Early versions of the song were titled "Zip Coon", which were first published around 1834 and performed in minstrel shows, with different people claiming authorship of the song. The melody of "Zip Coon" later became known as "Turkey in the Straw"; a song titled "Turkey in de Straw" with different music and lyrics was published in 1861 together with the wordless music of "Zip Coon" added at the end, and the title "Turkey in the Straw" then became linked to the tune of "Zip Coon".
"The Skye Boat Song" is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh. In the original song, the composer laments to a cuckoo that his unrequited love, Lady Marion Ross, is rejecting him. The 19th century English lyrics instead evoked the journey of Prince Charles Edward Stuart from Benbecula to the Isle of Skye as he evaded capture by government soldiers after his defeat at the Battle of Culloden in 1746.
"Oh, My Darling Clementine" is a traditional American, tragic but sometimes comic, Western folk ballad in trochaic meter usually credited to Percy Montross (1884), although it is sometimes credited to Barker Bradford.
"Danny Boy" is a song with lyrics written by English lawyer Frederic Weatherly in 1910, and set to the traditional Irish melody of "Londonderry Air" in 1913.
"Carolina in the Morning" is a popular song with words by Gus Kahn and music by Walter Donaldson, first published in 1922 by Jerome H. Remick & Co.
I Love to Singa is a 1936 Warner Bros. Merrie Melodies animated cartoon directed by Tex Avery. The short was released on July 18, 1936.
"Aura Lea" is an American Civil War song about a maiden. It was written by W. W. Fosdick (lyrics) and George R. Poulton (music). The melody was used in Elvis Presley's 1956 hit song "Love Me Tender".
"The Water Is Wide" is a folk song of British origin. It remains popular in the 21st century. Cecil Sharp published the song in Folk Songs From Somerset (1906).
"The Girl I Left Behind", also known as "The Girl I Left Behind Me", is an English folk song dating back to the Elizabethan era. It is said to have been played when soldiers left for war or a naval vessel set sail. According to other sources the song originated in 1758 when English Admirals Hawke and Rodney were observing the French fleet. The first printed text of the song appeared in Dublin in 1791. A popular tune with several variations, "The Girl I Left Behind Me", may have been imported into America around 1650 as "Brighton Camp", of which a copy dating from around 1796 resides in the Bodleian Library, Oxford.
"Streets of Laredo", also known as "The Dying Cowboy", is a famous American cowboy ballad in which a dying ranger tells his story to another cowboy. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"The Wearing of the Green" is an Irish street ballad lamenting the repression of supporters of the Irish Rebellion of 1798. It is to an old Irish air, and many versions of the lyric exist, the best-known being by Dion Boucicault. The song proclaims that "they are hanging men and women for the wearing of the green".
"Hooray for Hollywood" is a popular song first featured in the 1937 movie Hollywood Hotel, and which has since become the staple soundtrack element of any Academy Awards ceremony. It is even frequently played during non-American movie ceremonies, e.g. the French César Awards. The popularity of the song is notably due to an exciting and memorable melody and lyrics by Johnny Mercer, which reference the American movie industry and satirize the desire to become a Hollywood movie star.
"Fair Harvard" is the alma mater of Harvard University. Written by the Reverend Samuel Gilman of the class of 1811 for the university's 200th anniversary in 1836, it bids the school an affectionate farewell. Of its four verses, the first and fourth are traditionally sung and the second and third omitted.
"The Merry-Go-Round Broke Down" is a song written in 1937 by Cliff Friend and Dave Franklin and published by Harms Inc., New York. It is best known as the theme tune for the Looney Tunes cartoon series and Merrie Melodies reissued cartoon series produced by Warner Bros. Cartoons, used from 1937 to 1969.
Show Biz Bugs is a 1957 Warner Bros. Looney Tunes animated short directed by Friz Freleng and featuring Mel Blanc. The short was released on November 2, 1957, and stars Bugs Bunny and Daffy Duck.
"The Gold Diggers' Song " is a song from the 1933 Warner Bros. film Gold Diggers of 1933, sung in the opening sequence by Ginger Rogers and chorus. The entire song is never performed in the 1933 movie, though it introduces the film in the opening scene. Later in the movie, the tune is heard off stage in rehearsal as the director continues a discussion on camera about other matters.
The Coolin, or The Coolun, is an Irish air often characterised as one of the most beautiful in the traditional repertoire.