Belili | |
---|---|
Major cult center | Bad-tibira, Babylon |
Personal information | |
Parents | |
Siblings | Dumuzi, Geshtinanna [1] |
Spouse | Alala [2] |
Belili was a Mesopotamian goddess. This name refers both to a sister of Dumuzi known from some of the texts pertaining to his death, and to a primordial deity paired with Alala and listed in enumerations of ancestors of Anu. There is no consensus among researchers if they should be considered one and the same.
Belili's name has no plausible etymology in Sumerian or any Semitic language, and based on its structure it has been compared to other divine names whose origin also remains a mystery, such as Alala, Aruru, Bunene and Zababa. [3] Belili is also attested as an ordinary given name, one of the so-called banana names known from both Mesopotamia and Elam. [4] Names with this structure are particularly common in the earliest Akkadian documents from Gasur (later known as Nuzi). [2] It has been proposed that such names, both divine and ordinary, originate in a substrate language (so-called "proto-Euphratic" [5] ), but this conclusion is not universally accepted, and Gonzalo Rubio points out that they might simply represent a naming pattern among speakers of Akkadian. [6] Manfred Krebernik suggests that they were a type of hypocorism (pet name). [4]
The proposal that the theonym Belili was a contracted or corrupted form of the epithet Belet-ili is regarded as baseless today. [2]
Belili appears in two distinct roles in Mesopotamian texts, as a sister of Dumuzi and as a primordial deity counted among the ancestors of Anu. [7] Andrew R. George [7] and Wilfred G. Lambert consider the sister of Dumuzi and the ancestor of Anu to be the same goddess. [2] However, according to Manfred Krebernik, it is uncertain if Belili the sister of Dumuzi and Belili the primordial deity were related in any way. [4]
An explicit reference to the Belili as Dumuzi's sister is only present in the myth Ishtar's Descent, though they appear together in other texts as well. [8] Other deities considered to be Dumuzi's relatives were Geshtinanna, well attested as his sister, and their mother Duttur. [1] Belili is described as a mourner in the incantation series Šurpu , [4] which might be a reference to her relation to Dumuzi. [2]
It has been argued that similar to Belet-Seri, Belili was understood as the Akkadian counterpart of Geshtinanna. [9] However, Manfred Krebernik considers Belili and Gesthinanna to be two independent goddesses each of whom could be described as Dumuzi's sister. [10] Furthermore, both of them appear in separate roles in the myth Dumuzi's Dream. [11]
In lists of the sky god Anu's ancestors, Belili was typically paired with Alala, and together they occupy the final place in multiple documents enumerating such deities. [12] This most likely indicates they could be regarded as Anu's parents. [13] In the incantation series Udug Hul they appear in an enumeration of primeval deities: "Dūri, Dāri; Laḫmu, Laḫamu; Engur, Ningarra; Alāla; Bēlili." [14] A single god list (K 4349) equates them with each other. [15] According to Andrew R. George, this pair is also present in an unpublished hymn dedicated to the city of Borsippa. [16] However, they were not associated with each other in other contexts, and according to Wilfred G. Lambert it is possible that they only came to be regarded as a couple because of both of their names being iterative. [2]
Belili was commonly worshiped alongside Dumuzi. [4] E-Arali (Sumerian: "house, netherworld"), a well known shrine dedicated to this god located in his cult center Bad-tibira, also occurs as a location dedicated to Belili in the Canonical Temple List. [17] Another temple dedicated to both of them was the E-erra (Sumerian: "house of lament"), though its location is unknown. [18]
A temple dedicated to Belili, the Ekadimma, was located in Babylon. [19] In a single administrative text it is paired with a sparsely attested temple of Shara for unknown reasons. [20] Andrew R. George used its absence from the Canonical temple List to estimate the date of this document's composition as the second half of the Kassite period, since it postdates the foundation of Dur-Kurigalzu, but makes no mention of temples commonly listed in sources from Babylonia and Assyria from the late second and first millennium BCE, postdating the fall of the Kassite dynasty. [21] Belili was also worshiped in Esagil complex, in this case sharing a cultic seat with Alala. [22]
Some temples dedicated to Belili alone are also known from the Canonical Temple List, but their locations are unknown. They include the E-TIN-na, possibly to be read as Ekurunna, "house of liquor," [22] and the Euruku, "house, pure city." [23]
Belili is attested in a number of literary texts dealing with the death of Dumuzi. [8] In Dumuzi's Dream, Dumuzi wants to hide in her house while being chased by demons. [24] Belili agrees and offers him water, but later she has to leave, which lets the pursuers enter her house and take Dumuzi to the underworld. [24] She is described as an old woman. [24] Geshtinanna appears in the same myth in a different role. [25] In Ishtar's Descent, a late Akkadian reinterpretation of an earlier Sumerian myth, [26] Belili listens to the laments heard when Dumuzi dies and has to enter the underworld. [27] The term used to describe these sounds is ikkillu, "an inarticulate cry expressing suffering of high intensity." [27]
In the Desert by the Early Grass, a collection of laments dedicated to temporarily dying gods mourned by their respective mothers or sisters, mentions Belili alongside Amashilama, Ninazimua, Geshtinanna and three deities whose names are not preserved. [28]
Sin or Suen (Akkadian: 𒀭𒂗𒍪, dEN.ZU) also known as Nanna (Sumerian: 𒀭𒋀𒆠DŠEŠ.KI, DNANNA) was the Mesopotamian god representing the moon. While these two names originate in two different languages, respectively Akkadian and Sumerian, they were already used interchangeably to refer to one deity in the Early Dynastic period. They were sometimes combined into the double name Nanna-Suen. A third well attested name is Dilimbabbar (𒀭𒀸𒁽𒌓). Additionally, the moon god could be represented by logograms reflecting his lunar character, such as d30 (𒀭𒌍), referring to days in the lunar month or dU4.SAKAR (𒀭𒌓𒊬), derived from a term referring to the crescent. In addition to his astral role, Sin was also closely associated with cattle herding. Furthermore, there is some evidence that he could serve as a judge of the dead in the underworld. A distinct tradition in which he was regarded either as a god of equal status as the usual heads of the Mesopotamian pantheon, Enlil and Anu, or as a king of the gods in his own right, is also attested, though it only had limited recognition. In Mesopotamian art, his symbol was the crescent. When depicted anthropomorphically, he typically either wore headwear decorated with it or held a staff topped with it, though on kudurru the crescent alone served as a representation of him. He was also associated with boats.
Shamash was the ancient Mesopotamian sun god, earlier known as Utu. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa.The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.
Ninšar was a Mesopotamian goddess commonly associated with the preparation of meat. The reading of her name remains uncertain, and its possible etymology appears to be unrelated to her role in the Mesopotamian pantheon. She was chiefly worshiped in Nippur, though her original cult center was the settlement AB.NAGAR.
Ištaran was a Mesopotamian god who was the tutelary deity of the city of Der, a city-state located east of the Tigris, in the proximity of the borders of Elam. It is known that he was a divine judge, and his position in the Mesopotamian pantheon was most likely high, but much about his character remains uncertain. He was associated with snakes, especially with the snake god Nirah, and it is possible that he could be depicted in a partially or fully serpentine form himself. He is first attested in the Early Dynastic period in royal inscriptions and theophoric names. He appears in sources from the reign of many later dynasties as well. When Der attained independence after the Ur III period, local rulers were considered representatives of Ištaran. In later times, he retained his position in Der, and multiple times his statue was carried away by Assyrians to secure the loyalty of the population of the city.
Ningishzida was a Mesopotamian deity of vegetation, the underworld and sometimes war. He was commonly associated with snakes. Like Dumuzi, he was believed to spend a part of the year in the land of the dead. He also shared many of his functions with his father Ninazu.
Ninkurra or Ninkur was a name of multiple Mesopotamian deities, including a divine artisan, presumably a female sculptor. There is no agreement among researchers if this Ninkurra corresponds to the identically named goddess appearing in the myth Enki and Ninhursag. A different deity named Ninkur appears in enumerations of ancestors of Enlil in god lists. This theonym was also employed as a logogram to represent the name of a goddess worshipped in Mari and in Emar on the Euphrates, possibly to be identified as the wife of Dagan, Shalash.
Uraš, or Urash, was a Mesopotamian goddess regarded as the personification of the earth. She should not be confused with a male deity sharing the same name, who had agricultural character and was worshiped in Dilbat. She is well attested in association with Anu, most commonly as his spouse, though traditions according to which she was one of his ancestors or even his alternate name are also known. She could be equated with other goddesses who could be considered his wives, namely Ki and Antu, though they were not always regarded as identical. Numerous deities were regarded as children of Urash and Anu, for example Ninisina and Ishkur. However, in some cases multiple genealogies existed, for example Enki was usually regarded as the son of Nammu and Geshtinanna of Duttur, even though texts describing them as children of Urash exist. Not much evidence for the worship of Urash is available, though offerings to her are mentioned in documents from the Ur III period and it is possible she had a temple in Nippur.
Azimua, also known as Ninazimua, was a Mesopotamian goddess regarded as the wife of Ningishzida.
Enmesharra was a Mesopotamian god associated with the underworld. He was regarded as a member of an inactive old generation of deities, and as such was commonly described as a ghost or resident of the underworld. He is best known from various lists of primordial deities, such as the so-called "theogony of Enlil," which lists many generations of ancestral deities.
Shara was a Mesopotamian god associated with the city of Umma and other nearby settlements. He was chiefly regarded as the tutelary deity of this area, responsible for agriculture, animal husbandry, and irrigation, but he could also be characterized as a divine warrior. In the third millennium BCE, his wife was Ninura, associated with the same area, but later, in the Old Babylonian period, her cult faded into obscurity, and Shara was instead associated with Usaḫara or Kumulmul. An association between him and Inanna is well attested. In Umma, he was regarded as the son of Inanna of Zabalam and an unknown father, while in the myth Inanna's Descent to the Underworld, he is one of the servants mourning her temporary death. He also appears in the myth of Anzû, in which he is one of the three gods who refuse to fight the eponymous monster.
Nungal, also known as Manungal and possibly Bēlet-balāṭi, was the Mesopotamian goddess of prisons, sometimes also associated with the underworld. She was worshiped especially in the Ur III period in cities such as Nippur, Lagash and Ur.
Duttur was a Mesopotamian goddess best known as the mother of Dumuzid. She frequently appears in texts mourning his death, either on her own or alongside Geshtinanna and Inanna. It is often assumed that she was associated with sheep.
Geshtinanna was a Mesopotamian goddess best known due to her role in myths about the death of Dumuzi, her brother. It is not certain what functions she fulfilled in the Mesopotamian pantheon, though her association with the scribal arts and dream interpretation is well attested. She could serve as a scribe in the underworld, where according to the myth Inanna's Descent she had to reside for a half of each year in place of her brother.
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.
Alalu or Alala was a primordial figure in Mesopotamian and Hurrian mythology. He is also known from documents from Emar, where he was known as Alal. While his role was not identical in these three contexts, it is agreed that all three versions share the same origin. Hurrian Alalu, who plays the role of the oldest king of gods in the Kumarbi Cycle, is the best known, and is commonly discussed in scholarship focused on comparative mythology but it is agreed Mesopotamian Alala represents the oldest tradition regarding this being. However, the precise etymology of his name is unknown, and likely neither Sumerian nor Semitic. Both Hurrian and Mesopotamian sources attest an association between him and Anu, but its nature varies between cultures.
Nuska or Nusku, possibly also known as Našuḫ, was a Mesopotamian god best attested as the sukkal of Enlil. He was also associated with fire and light, and could be invoked as a protective deity against various demons, such as Lamashtu or gallu. His symbols included a staff, a lamp and a rooster. Various traditions existed regarding his genealogy, with some of them restricted to texts from specific cities. His wife was the goddess Sadarnunna, whose character is poorly known. He could be associated with the fire god Gibil, as well as with various courtiers of Enlil, such as Shuzianna and Ninimma.
Lugaldukuga was a Mesopotamian god primarily understood as a theogonic figure. He is best attested as the father of Enlil, the head of the Mesopotamian pantheon, though other traditions about the parentage of the latter also existed, and no references to him in this role are known from before the Kassite period. Sometimes he could also be described as his grandfather instead. He was envisioned as a no longer active and as an inhabitant of the underworld. He could be equated with other deities of similar character, such as Enmesharra. It is not known which part of Mesopotamia he originated in, though references to him are known from texts from both Babylonia and Assyria.
Alla or Alla-gula was a Mesopotamian god associated with the underworld. He functioned as the sukkal of Ningishzida, and most likely was a dying god similar to Dumuzi and Damu, but his character is not well known otherwise. He had his own cult center, Esagi, but its location is presently unknown.
Aruru was a Mesopotamian goddess. The origin of her name is presently uncertain. While initially considered an independent deity associated with vegetation and portrayed in hymns as violent, she eventually came to be viewed as analogous Ninhursag. Her name could also function as an epithet of goddesses such as Nisaba and Ezina-Kusu. She was often called the older sister of Enlil. Her cult centers most likely were the cities of Kesh, Adab and Irisaĝrig. She appears in a number of literary texts, some of which preserve information about her original character. She is also present in the Epic of Gilgamesh, which portrays her as the creator of Enkidu.
Ancestors of Enlil or Enki-Ninki deities were a group of Mesopotamian deities. Individual lists do not agree on their number, though the enumerations always start with the pair Enki and Ninki and end with Enlil. They were regarded as primordial, ancestral beings who were no longer active and resided in the underworld. They could be invoked in exorcisms. They are attested in various texts, including god lists, incantations, prayers and myths.