Alalu or Alala was a primordial figure in Mesopotamian and Hurrian mythology. He is also known from documents from Emar. While his role was not identical in these three contexts, it is agreed that all three versions share the same origin.
Hurrian Alalu, who plays the role of the oldest king of gods in the Kumarbi Cycle, is the best known, and is commonly discussed in scholarship focused on comparative mythology but it is agreed Mesopotamian Alala represents the oldest tradition regarding this being. However, the precise etymology of his name is unknown, and likely neither Sumerian nor Semitic.
Both Hurrian and Mesopotamian sources attest an association between him and Anu, but its nature varies between cultures.
The origin of the name Alala is not known, and in scholarship it is tentatively grouped with other Mesopotamian deity names with no clear Sumerian or Semitic etymologies, such as Zababa, Aruru or Bunene. [1]
Alala is known from the so-called Theogony of Anu, a name Wilfred G. Lambert applied to lists of Anu's ancestors known from god lists, a variant of which was worked into the genealogy of Marduk presented in Enuma Elish . [2] The pairs of ancestral gods appearing in various configurations in such lists include Duri and Dari, Lahmu and Lahamu, Anshar and Kishar, Enurulla and Ninurulla, Engur and Gara, and Alala and Belili. [2] Frans Wiggermann proposes that this tradition had its origin in northern Mesopotamia. [3] Most variants start with Duri and Dari, who likely represented time, and end with Alala and Belili, [4] indicating that they were viewed as parents of Anu. [5] The pairing of these two deities was most likely based entirely on both of their names being iterative. [6] Belili is very sparsely attested otherwise, and was not paired with Alalu outside the theogonic lists. [6] Based on a brief mention in Šurpu it has been proposed that she was associated with the underworld. [6] An old theory that her name was a corruption of Belet-ili is regarded as baseless today, [6] and the actual etymology of her name is unknown. [1]
A late text equates Alala with two other primordial figures, Enmesharra and Lugaldukuga. [7] Lugaldukuga was regarded as the father or grandfather of Enlil in some traditions, [7] while Enmesharra was a god listed alongside his ancestors but usually not explicitly identified as one of them. [8] A tradition in which he was Enlil's paternal uncle is also known. [9]
A mention of Alala "coming down to the land" in the distant past "before creation" is known from a brief mythological introduction to a late Assyrian version of an incantation pertaining to ergot, though he is absent from a similar Old Babylonian text. [10]
A few Maqlû incantations allude to Alala, for example referring to time "before Ningirsu gave utterance to Alala in the land." [11] According to Wilfred G. Lambert, in these passages he might represent a deified work cry or work song, in a similar way as the god Girra represented deified fire. [6]
It is agreed that the Hurrian Alalu was a figure of Mesopotamian origin. [3] [12] [13] [14] He was regarded as one of the enna turena or ammadena enna, so-called "primeval gods" inhabiting the underworld. [15]
Alalu is mentioned in the proem of the first part of the Kumarbi Cycle, Song of Emergence, a Hittite adaptation of Hurrian myths which relays that "formerly, in ancient times" he was the king of the gods ("king in heaven"), but in the ninth year of his reign he was overthrown by his cupbearer, Anu, and as a result had to flee to the Dark Earth, the underworld. [16] After escaping, he plays no further role in the narrative. [17] The origin of Alalu, Anu and Kumarbi, who after a violent struggle succeeded Anu, is not explained, [18] though in one passage Kumarbi is referred to as Alalu's "seed." [19] Furthermore, according to Mary R. Bachvarova he addresses himself as "Alalu's son" in another myth belonging to the same cycle, Song of Ḫedammu . [20]
Wilfred G. Lambert proposes that a hitherto unknown Mesopotamian myth about confrontation between Alala and Anu existed and inspired the Hurro-Hittite tradition regarding their conflict. [21] According to Christopher Metcalf, the motif of a cupbearer rising to the position of a ruler is likely Mesopotamian in origin, and appears in a legend about the historical Sargon's struggle against the king Ur-Zababa as well. [22]
While it is often assumed that Alalu was the father of Anu, similar to his Mesopotamian counterpart, [5] newer scholarship proposes that two lineages of gods appear in the prologue of the Kumarbi myth, and therefore that Alalu and Anu should not be regarded as father and son. [17] Gary Beckman notes that the two lines were seemingly only united with the birth of the new generation of gods (Teshub, Tashmishu and others), a result of Kumarbi's castration of Anu, [18] which resulted in a "burden," Anu's seed, being placed inside him. [19] The process is poetically compared to production of bronze from tin and copper. [19]
Like the other primeval gods, Alalu could serve as a divine witness of international treaties, [23] one example being that between Hittite king Muwatalli II and Alaksandu. [24]
Alalu's pair among the primeval deities, who usually appear in fixed groups of two or three, was Amizzadu, [23] also spelled Amezzadu. [18] Mary R. Bachvarova identifies this deity as his wife. [20] She is mentioned alongside an unknown deity in the role of parents of another, also unidentified, figure in the Song of Emergence, followed by the parents of Ishara. [18] According to Mary R. Bachvarova, she's also mentioned in an unknown context by Kumarbi in the Song of Ḫedammu right after he calls himself the son of Alalu. [20]
Only two ritual texts, one purely Hurrian and one Hurro-Hittite, mention Alalu, in both cases among the primeval gods. [25]
A deity bearing the name Alal or Alalu is also attested in documents from Emar. [26] Alfonso Archi notes that he was associated with Amaza, who he identifies with the Hurrian primordial deity Amizzadu, but that the rituals pertaining to him were written in Akkadian. [23] Gary Beckman assumes that he instead should be considered a Mesopotamian deity, and that Amaza had local Syrian, rather than Hurrian, origin. [26]
In Emar Alalu had a temple and priests, and appears in theophoric names as well. [27] Alfonso Archi proposes that he was an underworld deity. [23]
Scholars have pointed out the similarities between the Hurrian myth about kingship in Heaven and the succession of Greek gods in Hesiod's Theogony . [28] However, an equivalent of Alalu, a primordial king reigning before the sky god, is absent from Greek mythology. [29]
A similar theogony, compared with the Hurrian myth as early as in 1955, was also described by Philo of Byblos: the first ruler of the gods was Elyon, later replaced by his son Epigeius (identified as the Hellenic Uranus), who in turn was deposed by his own son Elus (identified with Cronos); Elus was then defeated by "Zeus-Demarous" (Hadad). [30] Philo states that Elyon was also known as Hypsistos, and that he was killed by wild animals during a hunt. [31] Hypsistos (Ὕψιστος, "most high") is known as an epithet of various deities in Hellenistic sources. [32]
Nanna, Sīn or Suen, and in Aramaic syn, syn’, or even shr 'moon', or Nannar was the god of the moon in the Mesopotamian religions of Sumer, Akkad, Assyria, Babylonia and Aram. He was also associated with cattle, perhaps due to the perceived similarity between bull horns and the crescent moon. He was always described as a major deity, though only a few sources, mostly these from the reign of Nabonidus, consider him to be the head of the Mesopotamian pantheon.
Dagon, or more accurately Dagan, was a god worshiped in ancient Syria across the middle of the Euphrates, with primary temples located in Tuttul and Terqa, though many attestations of his cult come from cities such as Mari and Emar as well. In settlements situated in the upper Euphrates area he was regarded as the "father of gods" similar to Mesopotamian Enlil or Hurrian Kumarbi, as well as a lord of the land, a god of prosperity, and a source of royal legitimacy. A large number of theophoric names, both masculine and feminine, attests that he was a popular deity. He was also worshiped further east, in Mesopotamia, where many rulers regarded him as the god capable of granting them kingship over the western areas.
Ḫebat or Hepat was a Hurrian goddess. She was the tutelary deity of Halab in origin, and in that role appears already in pre-Hurrian texts from Ebla. Her status was not identical in all Hurrian centers: while she was the main goddess in the pantheons of Halab and various cities of Kizzuwatna, her role in Ugarit and in eastern cities like Nuzi was smaller.
Kumarbi was an important god of the Hurrians, regarded as "the father of gods." He was also a member of the Hittite pantheon. According to Hurrian myths, he was a son of Alalu, and one of the parents of the storm-god Teshub, the other being Anu. His cult city was Urkesh.
Pinikir, also known as Pinigir, Pirengir and Parakaras, was an Ancient Near Eastern astral goddess who originates in Elamite religious beliefs. While she is only infrequently attested in Elamite documents, she achieved a degree of prominence in Hurrian religion. Due to her presence in pantheons of many parts of the Ancient Near East, from Anatolia to Iran, modern researchers refer to her as a "cosmopolitan deity."
Ishara (Išḫara) was the tutelary goddess of the ancient Syrian city of Ebla. The origin of her name is unknown. Both Hurrian and West Semitic etymologies have been proposed, but they found no broad support and today it is often assumed that her name belongs to an unknown linguistic substrate.
Nikkal or Nikkal-wa-Ib was a goddess worshiped in various areas of the ancient Near East west of Mesopotamia. She was derived from the Sumerian Ningal, and like her forerunner was regarded as the spouse of a moon god, whose precise identity varied between locations.
Earth and Heaven were worshiped by various Hurrian communities in the Ancient Near East. While considered to be a part of the Hurrian pantheon, they were not envisioned as personified deities. They were also incorporated into the Mesopotamian pantheon, possibly during the period of Mitanni influence over part of Mesopotamia, and under the names Hahharnum and Hayyashum appear in a variety of texts, including the myth Theogony of Dunnu.
Šauška (Shaushka), also called Šauša or Šawuška, was the highest ranked goddess in the Hurrian pantheon, associated with love and war, as well as with incantations and by extension with healing. While she was usually referred to as a goddess and with feminine titles, such as allai, references to masculine Shaushka are also known. The Hurrians associated her with Nineveh, but she was also worshiped in many other centers associated with this culture, from Anatolian cities in Kizzuwatna, through Alalakh and Ugarit in Syria, to Nuzi and Ulamme in northeastern Mesopotamia. She was also worshiped in southern Mesopotamia, where she was introduced alongside a number of other foreign deities in the Ur III period. In this area, she came to be associated with Ishtar. At a later point in time, growing Hurrian influence on Hittite culture resulted in the adoption of Shaushka into the Hittite state pantheon.
Allani, also known under the Akkadian name Allatu was the Hurrian goddess of the underworld, incorporated into Hittite and Mesopotamian pantheons as well.
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshiped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result was actively worshiped by inhabitants of the city in the final centuries of history of ancient Mesopotamia.
The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian, Hittite and Ugaritic. It was shaped by the contacts between Hurrians and various cultures they coexisted with. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from Mesopotamian, Syrian, Anatolian and Elamite beliefs. The culture of the Hurrians were not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populations, such as Ugarit and Alalakh.
Aštabi, also known as Aštabil, was a god worshiped in the third millennium BCE in Ebla, later incorporated into Hurrian beliefs in locations such as Alalakh and Ugarit and as a result also into the religion of the Hittite Empire.
Sukkal was a term which could denote both a type of official and a class of deities in ancient Mesopotamia. The historical sukkals were responsible for overseeing the execution of various commands of the kings and acted as diplomatic envoys and translators for foreign dignitaties. The deities referred to as sukkals fulfilled a similar role in mythology, acting as servants, advisors and envoys of the main gods of the Mesopotamian pantheon, such as Enlil or Inanna. The best known sukkal is the goddess Ninshubur. In art, they were depicted carrying staffs, most likely understood as their attribute. They could function as intercessory deities, believed to mediate between worshipers and the major gods.
Shuwala (Šuwala) was a Hurrian goddess who was regarded as the tutelary deity of Mardaman, a Hurrian city in the north of modern Iraq. She was also worshiped in other Hurrian centers, such as Nuzi and Alalakh, as well as in Ur in Mesopotamia, Hattusa in the Hittite Empire and in the Syrian cities Emar and Ugarit.
Kiaše, also spelled Kiaže or Kiyaši was a Hurrian deity representing the sea. Sometimes in modern scholarship, he is simply referred to as "the Sea" or "the Sea God."
Nabarbi was a Hurrian goddess worshiped in the proximity of the river Khabur, especially in the city Taite. It has been proposed that she was associated with the Syrian goddess Belet Nagar.
Takitu or Takiti was a Hurrian goddess who served as the sukkal of Hebat. Her name is usually assumed to have its origin in a Semitic language, though a possible Hurrian etymology has also been proposed.
Tašmišu (Tashmishu) was a Hurrian god. He was regarded as a brother of Teshub, and it is assumed he had a warlike character.