Upelluri

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Upelluri
Primordial giant

Upelluri or Ubelluri was a primordial giant in Hurrian mythology.

He is only known from the Song of Ullikummi , which is one of the few Hurrian texts offering a view of this culture's cosmology. [1] It was believed that Upelluri was already alive during the separation of heaven and earth, which were placed on his back, [2] and that he lived in the "Dark Earth," the Hurrian underworld. [3] His name ends with the Hurrian suffix -luri, known also from the names of the mountain goddess Lelluri and Impaluri, sukkal (attendant deity) of the sea god Kiaše, as well as a number of Hurrian mountain and stone names. [4]

In the Song of Ullikummi, known from poorly preserved fragments of a Hurrian original and a more complete Hittite translation, the eponymous monster is placed on his right shoulder by Irširra (perhaps to be identified as goddesses of nursing and midwifery [5] ), the servants of Kumarbi, to let him grow away from sight of allies of Kumarbi's enemy Teshub, such as the sun god Šimige. [3] Later the god Ea seeks him out in order to find out how to defeat Ullikummi, and asks him if he is aware of the identity of the monster growing on his back. As it turns out, Upelluri did not notice the new burden at first, but eventually he starts to feel discomfort, something that according to this text he did not experience even during the separation of heaven and earth. The rest of the tablet is broken, and the next preserved scene does not feature Upelluri anymore. [2]

It has been pointed out that the later Greek Atlas plays a similar cosmological role as Upelluri. [1]

Related Research Articles

Lelluri was a Hurrian goddess worshiped in southeastern Anatolia and northern Syria. She was associated with mountains, and in known sources appears in connection with the god Manuzi.

<span class="mw-page-title-main">Teshub</span> Hurrian weather god and king of the gods

Teshub was the Hurrian weather god, as well as the head of the Hurrian pantheon. The etymology of his name is uncertain, though it is agreed it can be classified as linguistically Hurrian. Both phonetic and logographic writings are attested. As a deity associated with the weather, Teshub could be portrayed both as destructive and protective. Individual weather phenomena, including winds, lightning, thunder and rain, could be described as his weapons. He was also believed to enable the growth of vegetation and create rivers and springs. His high position in Hurrian religion reflected the widespread importance of weather gods in northern Mesopotamia and nearby areas, where in contrast with the south agriculture relied primarily on rainfall rather than irrigation. It was believed that his authority extended to both mortal and other gods, both on earth and in heaven. However, the sea and the underworld were not under his control. Depictions of Teshub are rare, though it is agreed he was typically portrayed as an armed, bearded figure, sometimes holding a bundle of lightning. One such example is known from Yazılıkaya. In some cases, he was depicted driving in a chariot drawn by two sacred bulls.

Kumarbi, also known as Kumurwe, Kumarwi and Kumarma, was a Hurrian god. He held a senior position in the Hurrian pantheon, and was described as the "father of gods". He was portrayed as an old, deposed king of the gods, though this most likely did not reflect factual loss of the position of the head of the pantheon in Hurrian religion, but only a mythological narrative. It is often assumed that he was an agricultural deity, though this view is not universally accepted and the evidence is limited. He was also associated with prosperity. It was believed that he resided in the underworld.

<span class="mw-page-title-main">Kušuḫ</span> Hurrian lunar god

Kušuḫ, also known under the name Umbu, was the god of the moon in Hurrian pantheon. He is attested in cuneiform texts from many sites, from Hattusa in modern Turkey, through Ugarit, Alalakh, Mari and other locations in Syria, to Nuzi, located near modern Kirkuk in Iraq, but known sources do not indicate that he was associated with a single city. His name might be derived from the toponym Kuzina, possibly the Hurrian name of Harran, a city in Upper Mesopotamia, but both this etymology and identification of this sparsely attested place name remain uncertain. He was a popular, commonly worshiped god, and many theophoric names invoking him are known. In addition to serving as a divine representation of the moon, he was also associated with oaths, oracles and pregnancy. Some aspects of his character were likely influenced by his Mesopotamian counterpart Sin, while he in turn was an influence on the Ugaritic god Yarikh and Luwian Arma.

In Hurrian mythology, Ullikummi is a giant stone monster, son of Kumarbi and the sea god's daughter, Sertapsuruhi, or a female cliff. The language of the literary myth in its existing redaction is Hittite, in cuneiform texts recovered at Bogaskoy, where some Hurrian fragments of the "Song of Ullikummi" have been found. See Guterbock (1951).

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<span class="mw-page-title-main">Šauška</span> Hurrian goddess of love and war

Šauška (Shaushka), also called Šauša or Šawuška, was the highest ranked goddess in the Hurrian pantheon. She was associated with love and war, as well as with incantations and by extension with healing. While she was usually referred to as a goddess and with feminine titles, such as allai, references to masculine Šauška are also known. The Hurrians associated her with Nineveh, but she was also worshiped in many other centers associated with this culture, from Anatolian cities in Kizzuwatna, through Alalakh and Ugarit in Syria, to Nuzi and Ulamme in northeastern Mesopotamia. She was also worshiped in southern Mesopotamia, where she was introduced alongside a number of other foreign deities in the Ur III period. In this area, she came to be associated with Ishtar. At a later point in time, growing Hurrian influence on Hittite culture resulted in the adoption of Šauška into the Hittite state pantheon.

Alalu or Alala was a primordial figure in Mesopotamian and Hurrian mythology. He is also known from documents from Emar, where he was known as Alal. While his role was not identical in these three contexts, it is agreed that all three versions share the same origin. Hurrian Alalu, who plays the role of the oldest king of gods in the Kumarbi Cycle, is the best known, and is commonly discussed in scholarship focused on comparative mythology but it is agreed Mesopotamian Alala represents the oldest tradition regarding this being. However, the precise etymology of his name is unknown, and likely neither Sumerian nor Semitic. Both Hurrian and Mesopotamian sources attest an association between him and Anu, but its nature varies between cultures.

<span class="mw-page-title-main">Hurrian religion</span> Polytheistic religion in the Bronze Age Near East

The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, it is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian, Hittite and Ugaritic. It was shaped by the contacts between Hurrians and various cultures they coexisted with. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from Mesopotamian, Syrian, Anatolian and Elamite beliefs. The culture of the Hurrians was not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populations, such as Ugarit and Alalakh.

<span class="mw-page-title-main">Aštabi</span> Eblaite and Hurrian god

Aštabi, also known as Aštabil, was a god worshiped in the third millennium BCE in Ebla, later incorporated into Hurrian beliefs in locations such as Alalakh and Ugarit and as a result also into the religion of the Hittite Empire.

<span class="mw-page-title-main">Šimige</span> Hurrian sun god

Šimige was the Hurrian sun god. Known sources do not associate him with any specific location, but he is attested in documents from various settlements inhabited by the Hurrians, from Kizzuwatnean cities in modern Turkey, through Ugarit, Alalakh and Mari in Syria, to Nuzi, in antiquity a part of the kingdom of Arrapha in northeastern Iraq. His character was to a large degree based on his Mesopotamian counterpart Shamash, though they were not identical. Šimige was in turn an influence on the Hittite Sun god of Heaven and Luwian Tiwaz.

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Takitu, Takiti or Daqitu was a Hurrian goddess who served as the sukkal of Ḫepat. She appears alongside her mistress in a number of Hurrian myths, in which she is portrayed as her closest confidante. Her name is usually assumed to have its origin in a Semitic language, though a possible Hurrian etymology has also been proposed. She was worshiped in Hattusa, Lawazantiya and Ugarit.

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Ḫešui, also known as Ḫišue, was a Hurrian war god. He was also incorporated into the Hittite pantheon. He is sparsely attested in known sources, and his origin and the meaning of his name remain unknown.

Šeri and Ḫurri were a pair of theriomorphic Hurrian gods who almost always appear together in known sources. They were believed to pull the chariot of Teššub, the Hurrian weather god. Šeri additionally could function as a deity mediating between petitioners and his master, but no individual role was ever assigned to Ḫurri. In addition to appearing in Hurrian offering lists and theophoric names, for example from Nuzi, Šeri and Ḫurri are also attested in Hittite and Mesopotamian sources. While the Hittites incorporated them into their pantheon alongside Teššub and other deities from his circle, in Mesopotamia they instead came to be associated with Adad.

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Namni and Ḫazzi were two mountain gods who belonged to the Hurrian pantheon. They are usually mentioned together in known texts. Ḫazzi corresponds to Jebel al-Aqra, while the identification of the mountain Namni represented is disputed. Both of them belonged to the court of the Hurrian weather god, Teššub, and it is possible they were worshiped alongside him in Aleppo. They are also attested in a variety of Hurrian and Hittite religious texts. They do not play an active role in known myths of Hurrian origin, though allusions to a conflict involving them have been identified in texts dealing with other deities.

Aranzaḫ, also known as Aranziḫ or Araššiḫ was a Hurrian deity who represented the river Tigris. He was believed to be one of the deities born as a result of Kumarbi biting off the genitals of Anu during a battle over kingship in heaven. He also appears in a myth focused on a hero named after him, Gurparanzaḫ, in which he acts as his ally. He is also attested in numerous Hurrian theophoric names. A handful of attestations of his name have been identified in Ugaritic and Mesopotamian texts as well. Additionally, it has been suggested that the Assyrian references to offerings made to the source of the Tigris in Shubria in the first millennium BCE were linked to earlier Hurrian worship of the Tigris as a deity.

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Kešši or Kešše is the eponymous protagonist of a narrative of Hurrian origin known from Hattusa and Amarna. Fragments of versions in Hurrian, Hittite and Akkadian have been discovered. Individual events vary between them, and they do not fully correspond to each other, but it is agreed that they record variants of the same main narrative. In addition to Kešši himself it involved his wife Šintalimeni, his mother, his wife's evil brother Udipšarri, a number of Hurrian deities such as Kušuḫ and Kumarbi and other characters. The Hurrian version preserves sections focused on Kešši's despair after he is asked to donate his emmer, an argument between him and his wife and a number of references to events involving deities. The Hittite passages describe how Kešši abandoned his duties towards the gods and his mother after getting married, a hunting trip and a number of dreams he has in its aftermath. Individual elements of the narrative have been compared to tales focused on other heroes, namely Gurparanzaḫ and Gilgamesh.

References

  1. 1 2 Haas 2015, p. 136.
  2. 1 2 Bachvarova 2013, p. 175.
  3. 1 2 Wilhelm 2014, p. 307.
  4. Haas 2015, p. 409.
  5. Haas 2015, p. 309.

Bibliography