The Bellanti Madonna is oil-on-canvas painting by the Italian artist Domenico Beccafumi, executed c. 1515. Long attributed to Girolamo del Pacchia, Vigni reattributed it as a youthful work by Domenico Beccafumi in 1936, an attribution accepted by most other later art historians. [1] The painting depicts the Virgin Mary glancing downward, holding the Christ Child in her arms. Jesus is in turn clinging on to Mary's collar. Heavily influenced by Michelangelo (Beccafumi is thought to have travelled to Rome around 1512 and seen the new Sistine Chapel ceiling), its oval format is also influenced by Raphael's Madonnas, as are other Beccafumi works of the period such as the Madonna and Child in his Saint Paul Enthroned . Previously in the Bellanti collection, it is now one of several works by Beccafumi in the Pinacoteca Nazionale in Siena, including another Madonna and Child from 1514. [2]
Fra Bartolomeo or Bartolommeo, also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
Domenico di Bartolo, born in Asciano, Siena, was a Sienese painter of the early Renaissance period. In the Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari says that Domenico was the nephew of Taddeo di Bartolo. Influenced by the new Florentine style of painting, Domenico di Bartolo was the only Sienese painter of his time to receive commissions from clients in Florence. In Siena, he was employed by Lorenzo di Pietro, to help execute the fresco The Care of the Sick, in the Pilgrim's Hall of the Hospital of Santa Maria della Scala.
The Madonna della Seggiola or The Madonna della Sedia is an oil on panel Madonna painting by the High Italian Renaissance artist Raphael, executed c. 1513–1514, and housed at the Palazzo Pitti Collection in Florence, Italy. Although there is documentation on its arrival to its current location, Palazzo Pitti, it is still unknown who commissioned the painting; however, it has been in the Medici family since the 16th century.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, built in the 15th century, was until recently thought to have a 19th-century neo-medieval façade based on the city's Palazzo Pubblico; however, restoration in 2022 revealed that it is mostly original.
Andrea di Niccolò, also Andrea di Niccolò di Giacomo, (1440–1514) was an Italian painter of the Sienese School.
Holy Family with the Infant John the Baptist and a Donor is an oil painting on panel executed c. 1528 by the Italian Renaissance painter Domenico Beccafumi. It is a tondo measuring 140 cm in diameter, and is now in the Museo Horne in Florence.
The Trinity Triptych is a 1513 oil-on-panel painting by the Italian Mannerist painter Domenico Beccafumi, now in the Pinacoteca Nazionale in Siena.
Coronation of the Virgin is an oil-on-canvas painting executed c. 1539 by the Italian Renaissance painter Domenico Beccafumi, now in the Pinacoteca nazionale in Siena.
Saint Paul Enthroned is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, now in the Museo dell'Opera del Duomo in Siena. On the basis of its style it is dated to c. 1515, before his St Catherine of Siena Receiving the Stigmata and after his trip to Rome, where he had come into contact with Sodoma and Florentine artists of the period. The figure of Saint Paul draws on the prophets in Michelangelo's Sistine Chapel ceiling whilst those in the background draw on Dürer and Piero di Cosimo.
The San Martino Nativity is an oil painting on canvas executed c. 1524 by the Italian Renaissance painter Domenico Beccafumi. It is named after the church of San Martino in Siena, where it still hangs over the altar in the funerary chapel of its commissioner Anastasia Marisli, who died in 1524.
The Oratory of the Compagnia di San Bernardino is a place of worship in the Piazza San Francesco in Siena. Elevated to minor basilica status in 1925 by Pope Pius XI, it adjoins rooms housing the diocesan museum. It is notable for its frescoes from various 16th- and 17th-century Sienese painters like Sodoma and Domenico Beccafumi. The oratory is almost adjacent to the Basilica of San Francesco, Siena.
Holy Family with the Infant Saint John the Baptist is an oil-on-wood painting by the Italian Mannerist painter Domenico Beccafumi, executed c. 1514–1515, now in the Uffizi in Florence.
Holy Family with the Infant Saint John the Baptist is an oil-on-canvas painting executed c. 1521–1522 by the Italian Renaissance painter Domenico Beccafumi. It is now in the Alte Pinakothek in Munich, which it entered in 1850. It was previously acquired from the casa Marsili in Siena in 1816 for 975 scudi for Prince Ludwig.
Saint Catherine of Siena Receiving the Stigmata is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena.
Mystic Marriage of Saint Catherine is an oil-on-canvas painting executed c. 1528 by the Italian Renaissance painter Domenico Beccafumi. It is now in the Palazzo Chigi-Saracini in Siena.