Tanaquil | |
---|---|
Artist | Domenico Beccafumi |
Year | c. 1519 |
Medium | oil on wood |
Dimensions | 92.1 cm× 53.3 cm(36.3 in× 21.0 in) |
Location | National Gallery of London [1] , London |
Tanaquil is an oil-on-wood painting by the Italian Renaissance painter Domenico Beccafumi, which depicts Tanaquil, a queen of Rome. [2] The work was painted by Beccafumi c. 1519 for the bedroom of Francesco Petrucci, Lord of Siena, part of a series which also included Marcia . [3] The painting depicts the queen together with broken architecture and dead plants. [4] She points to a tablet that identifies her as Tanaquil. [5]
Caterina di Jacopo di Benincasa, TOSD, known as Catherine of Siena, was an Italian Catholic mystic and pious laywoman who engaged in papal and Italian politics through extensive letter-writing and advocacy. Canonized in 1461, she is revered as a saint and as a Doctor of the Church due to her extensive theological authorship. She is also considered to have influenced Italian literature.
The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries. Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Baldassare Tommaso Peruzzi was an Italian architect and painter, born in a small town near Siena and died in Rome. He worked for many years with Bramante, Raphael, and later Sangallo during the erection of the new St. Peter's. He returned to his native Siena after the Sack of Rome (1527) where he was employed as architect to the Republic. For the Sienese he built new fortifications for the city and designed a remarkable dam on the Bruna River near Giuncarico. He seems to have moved back to Rome permanently by 1535. He died there the following year and was buried in the Rotunda of the Pantheon, near Raphael.
Marco Pino or Marco da Siena (1521–1583) was an Italian painter of the Renaissance and Mannerist period. Born in Costalpino and first trained in Siena, he later worked in Rome and in Naples, where he died. He was putatively a pupil of the painters Beccafumi and Daniele da Volterra. The biographer Filippo Baldinucci also says he worked for Baldassare Peruzzi.
The mystical marriage of Saint Catherine covers two different subjects in Christian art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical marriage wedding ceremony with Christ, in the presence of the Virgin Mary, consecrating themselves and their virginity to him.
Siena is a city in Tuscany, Italy. It is the capital of the province of Siena. Siena is the 12th largest city in the region by number of inhabitants, with a population of 53,062 as of 2022.
The Three Graces is an oil painting by Italian painter Raphael, housed in the Musée Condé of Chantilly, France. The date of origin has not been positively determined, though it seems to have been painted at some point after his arrival to study with Pietro Perugino in about 1500, possibly 1503-1505. According to James Patrick in 2007's Renaissance and Reformation, the painting represents the first time that Raphael had depicted the nude female form in front and back views.
The Trinity Triptych is a 1513 oil-on-panel painting by the Italian Mannerist painter Domenico Beccafumi, now in the Pinacoteca Nazionale in Siena.
The Sarteano Annunciation is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1546. It is located in the church of San Martino in Foro in Sarteano, Italy.
Coronation of the Virgin is an oil-on-canvas painting executed c. 1539 by the Italian Renaissance painter Domenico Beccafumi, now in the Pinacoteca nazionale in Siena.
The Bellanti Madonna is oil-on-canvas painting by the Italian artist Domenico Beccafumi, executed c. 1515. Long attributed to Girolamo del Pacchia, Vigni reattributed it as a youthful work by Domenico Beccafumi in 1936, an attribution accepted by most other later art historians. The painting depicts the Virgin Mary glancing downward, holding the Christ Child in her arms. Jesus is in turn clinging on to Mary's collar. Heavily influenced by Michelangelo, its oval format is also influenced by Raphael's Madonnas, as are other Beccafumi works of the period such as the Madonna and Child in his Saint Paul Enthroned. Previously in the Bellanti collection, it is now one of several works by Beccafumi in the Pinacoteca Nazionale in Siena, including another Madonna and Child from 1514.
Saint Paul Enthroned is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, now in the Museo dell'Opera del Duomo in Siena. On the basis of its style it is dated to c. 1515, before his St Catherine of Siena Receiving the Stigmata and after his trip to Rome, where he had come into contact with Sodoma and Florentine artists of the period. The figure of Saint Paul draws on the prophets in Michelangelo's Sistine Chapel ceiling whilst those in the background draw on Dürer and Piero di Cosimo.
Marcia is an oil-on-wood painting executed c. 1519 by the Italian Renaissance painter Domenico Beccafumi. It depicts Marcia, wife of Cato the Younger. The painting's dimensions are 92.1 by 53.3 cm. Marcia and Tanaquil, both in the National Gallery, in London, originally formed part of a series of paintings of noted women from Roman antiquity.
The Oratory of the Compagnia di San Bernardino is a place of worship in the Piazza San Francesco in Siena. Elevated to minor basilica status in 1925 by Pope Pius XI, it adjoins rooms housing the diocesan museum. It is notable for its frescoes from various 16th- and 17th-century Sienese painters like Sodoma and Domenico Beccafumi. The oratory is almost adjacent to the Basilica of San Francesco, Siena.
Holy Family with the Infant Saint John the Baptist is an oil-on-canvas painting executed c. 1521–1522 by the Italian Renaissance painter Domenico Beccafumi. It is now in the Alte Pinakothek in Munich, which it entered in 1850. It was previously acquired from the casa Marsili in Siena in 1816 for 975 scudi for Prince Ludwig.
Saint Catherine of Siena Receiving the Stigmata is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena.
Mystic Marriage of Saint Catherine is an oil-on-canvas painting executed c. 1528 by the Italian Renaissance painter Domenico Beccafumi. It is now in the Palazzo Chigi-Saracini in Siena.
The Abduction of Helen is an Italian Renaissance mythological painting by Girolamo Genga. The painting was bought in 1898 in Rome by Wilhelm von Bode for its present location, the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 490.