Benny Nemer (formerly Benny Nemerofsky Ramsay; born September 25, 1973) is a Montreal-born artist and diarist based in Paris, France.
Since 2000 his work has mediated emotional encounters with musical, art historical, and queer cultural material, encouraging deep listening and empathic viewing. Early video work concentrated on critical mimicry of material from popular culture, with references to Madonna, American Idol, Tatu, Françoise Hardy and Kylie Minogue. Recent work focuses on re-examinations of seminal texts, films and video art from queer and art history, working with material by Hervé Guibert, Colin Campbell, Rosa von Praunheim, and Harry Hay.
His work has exhibited internationally, including solo exhibitions at the Tiroler Kunstpavillon (Innsbruck), Dazibao Centre de Photographies Actuelles (Montreal), and the Staatsbibliothek (Stuttgart); and numerous group exhibitions including the Frankfurter Kunstverein (Frankfurt), The Power Plant Gallery of Contemporary Art (Toronto), Kunsthallen Nikolaj (Copenhagen), the Schwules Museum (Berlin), and the Red Brick House (Yokohama), among others. Nemer's video work has screened in festivals and galleries across Canada, Europe and East Asia and has won prizes at the Hamburg Short Film Festival, the Kasseler Dokumentarfilm und Videofest and the Kurzfilmtage Oberhausen (all in Germany), the Toronto Inside Out Film and Video Festival as well as first prize at the Globalica Media Arts Biennale in Wrocław, Poland. His work is part of numerous private collections as well as the permanent collection of the National Gallery of Canada, the Kunsthistorisches Museum Vienna and Thiel Gallery, Stockholm.
His works include an unconventional audioguide for POLIN Museum of the History of Polish Jews in Warsaw, which starts by telling visitors to leave the museum, and then spins a mix of folklore, truth, and lies about Warsaw. [1]
Nemer completed a practice-led PhD at the Edinburgh College of Art in 2019, where he was part of Cruising the 70s: Unearthing Pre-HIV/AIDS Queer Sexual Cultures, a three-year research project led by art historians, cultural anthropologists, and artists in Germany, Poland, Spain, and the United Kingdom. His doctoral research critically examined the museum audio guide as a media form, turning to queer theory and contemporary museum mediation practice to expand and critically reimagine its potential.
Nemer is a post-doctoral researcher at Royal Academy of Fine Arts (KASK) in Ghent, Belgium.
In 2021, Benny Nemer changed his name from Benny Nemerofsky Ramsay.
Zero Patience is a 1993 Canadian musical film written and directed by John Greyson. The film examines and refutes the urban legend of the alleged introduction of HIV to North America by a single individual, Gaëtan Dugas. Dugas, better known as Patient Zero, was the target of blame in the popular imagination in the 1980's in large measure because of Randy Shilts's American television film docudrama, And the Band Played On (1987), a history of the early days of the AIDS epidemic. Zero Patience tells its story against the backdrop of a romance between a time-displaced Sir Richard Francis Burton and the ghost of "Zero".
John Greyson is a Canadian director, writer, video artist, producer, and political activist, whose work frequently deals with queer characters and themes. He was part of a loosely-affiliated group of filmmakers to emerge in the 1980s from Toronto known as the Toronto New Wave.
José Esteban Muñoz was a Cuban American academic in the fields of performance studies, visual culture, queer theory, cultural studies, and critical theory. His first book, Disidentifications: Queers of Color and the Performance of Politics (1999) examines the performance, activism, and survival of queer people of color through the optics of performance studies. His second book, Cruising Utopia: the Then and There of Queer Futurity, was published by NYU Press in 2009. Muñoz was Professor in, and former Chair of, the Department of Performance Studies at New York University's Tisch School of the Arts. Muñoz was the recipient of the Duke Endowment Fellowship (1989) and the Penn State University Fellowship (1997). He was also affiliated with the Modern Language Association, American Studies Association, and the College Art Association.
Amelia Jones originally from Durham, North Carolina is an American art historian, art theorist, art critic, author, professor and curator. Her research specialisms include feminist art, body art, performance art, video art, identity politics, and New York Dada. Jones's earliest work established her as a feminist scholar and curator, including through a pioneering exhibition and publication concerning the art of Judy Chicago; later, she broadened her focus on other social activist topics including race, class and identity politics. Jones has contributed significantly to the study of art and performance as a teacher, researcher, and activist.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, painter and one of the most famous gay rights activists in the German-speaking world. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ rights movements worldwide.
Richard Fung is a video artist, writer, public intellectual and theorist who currently lives and works in Toronto, Ontario. He was born in Port of Spain, Trinidad and is openly gay.
Day Without Art (DWA) is an annual event where art institutions and other organizations organize programs to raise awareness of AIDS, remember people who have died, and inspire positive action. Initiated in 1988 by VisualAIDS from New York City (NYC), nowadays a global event.
Frank's Cock is a 1993 Canadian short film written and directed by Mike Hoolboom. The eight-minute production stars Callum Keith Rennie as an unnamed narrator who discusses his relationship with his partner, Frank. The two met while the narrator was a teenager and spent nearly ten years together. Frank has since been diagnosed with AIDS, and the narrator fears his death. The story was based on the experience of one of Hoolboom's friends at People With AIDS, which Hoolboom adapted after receiving a commission to create a short film about breaking up.
David McDiarmid (1952–1995) was an artist, designer and political activist, recognised for his prominent and sustained artistic engagement in issues relating to gay male identity and HIV/AIDS. He is also known for his involvement in the gay liberation movement of the early 1970s, when he was the first person arrested at a gay rights protest in Australia, as well as his artistic direction of the Sydney Gay and Lesbian Mardi Gras. From its inception, McDiarmid's art career encompassed, as both subject and inspiration, gay male sexuality, politics and urban subcultures. His creative techniques included: collage, painting, drawing, calligraphy, mosaic, installation, various forms of print-making, sculpture and artist's books. He was a graphic designer, designer and fabric painter for women's and men's fashion, and an artist and creative director for the Sydney Gay and Lesbian Mardi Gras street parades.
Thomas Waugh is a Canadian critic, lecturer, author, actor, and activist, best known for his extensive work on documentary film and eroticism in the history of LGBT cinema and art. A professor emeritus at Concordia University, he taught 41 years in the film studies program of the School of Cinema and held a research chair in documentary film and sexual representation. He was also the director of the Concordia HIV/AIDS Project, 1993-2017, a program providing a platform for research and conversations involving HIV/AIDS in the Montréal area.
Viviane K. Namaste is a Canadian feminist professor at Concordia University in Montreal. Her research focuses on sexual health, HIV/AIDS prevention, and sex work.
The AIDS pandemic began in the early 1980s and brought with it a surge of emotions from the public: they were afraid, angry, fearful and defiant. The arrival of AIDS also brought with it a condemnation of the LGBT community. These emotions, along with the view on the LGBT community, paved the way for a new generation of artists. Artists involved in AIDS activist organizations had the ideology that while art could never save lives as science could, it may be able to deliver a message. Art of the AIDS crisis typically sought to make a sociopolitical statement, stress the medical impact of the disease, or express feelings of longing and loss. The ideologies were present in conceptions of art in the 1980s and are still pertinent to reception of art today as well. Elizabeth Taylor, for example, spoke at a benefit for AIDS involving artwork, emphasizing its importance to activism in that "art lives on forever". This comment articulates the ability of artwork from this time to teach and impact contemporary audiences, post-crisis. This page examines the efforts of artists, art collectives, and art movements to make sense of such an urgent pandemic in American society.
GoNightclubbing is a collaboration between video artists Pat Ivers and Emily Armstrong, who worked together to document the New York punk rock scene beginning in 1977. Ivers had previously worked with Metropolis Video from 1975 until their dissolution in 1977. Originally, Ivers and Armstrong were known as Advanced TV, but they incorporated as GoNightclubbing in 2001.
image+nation. LGBTQueer Montreal is an annual eleven-day film festival, which takes place in Montreal, Quebec, Canada. Held in November each year, the festival is dedicated to sharing the stories and experiences of LGBTQ+ people and is the first festival of its kind in Canada.
Lorna Boschman (1955) is a Canadian Queer media artist, film maker, curator, educator, editor, and camera operator working with themes such as sexual identity, body image, social justice, (dis)ability, cancer, abuse, health, and self-advocacy.
Yukio Cho, known professionally as Akira the Hustler, is a Japanese artist, writer, actor, activist, and former sex worker.
Queer art, also known as LGBT+ art or queer aesthetics, broadly refers to modern and contemporary visual art practices that draw on lesbian, gay, bisexual, and transgender+ imagery and issues. While by definition there can be no singular "queer art", contemporary artists who identify their practices as queer often call upon "utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships and relationships." Queer art is also occasionally very much about sex and the embracing of unauthorised desires.
Syrus Marcus Ware is a Canadian artist, activist and scholar. He lives and works in Toronto, Ontario, Canada and is an Assistant Professor in the School of the Arts at McMaster University. He has worked since 2014 as faculty and as a designer for The Banff Centre. Ware is the inaugural artist-in-residence for Daniels Spectrum, a cultural centre in Toronto, and a founding member of Black Lives Matter Toronto. For 13 years, he was the coordinator of the Art Gallery of Ontario's youth program. During that time Ware oversaw the creation of the Free After Three program and the expansion of the youth program into a multi pronged offering.
Sunil Gupta is an Indian-born Canadian photographer, based in London. His career has been spent "making work responding to the injustices suffered by gay men across the globe, himself included", including themes of sexual identity, migration, race and family. Gupta has produced a number of books and his work is held in the collections of the Museum of Modern Art in New York, Philadelphia Museum of Art, and Tate. In 2020 he was awarded Honorary Fellowship of the Royal Photographic Society.
Aleesa Cohene is a Canadian visual artist based in Los Angeles.