Description
The amphora is a masterpiece of Hellenistic glasswork. It is 59.6cm high and therefore the largest glass vessel from Antiquity. It is entirely free of air pockets. Nowadays the glass is milky and light yellow due to centuries of ultraviolet radiation from the Sun, but originally it was clear and had a pale green tinge. With its cap, it is 2.445 kg in weight and it has a diameter of 9.6 cm at the cap and 22.4 cm at the belly. The cap is not the original, which was probably broken and replaced by this new, slightly overlapping, conical cap of clear, rather yellowish glass. Because of the complicated manufacturing process there is a shift in the axis between the foot and the cap.
Below the belly on both sides, holes have been drilled. In these holes, taps have been fitted in the shape of satyrs, holding animal bladders, from which the liquid in the amphora could flow out. They, like the decorative bands and other decorative elements (the knob on the cap or the sleeves which cover the join between the handles and the amphora) are made of gilt copper sheet. The sleeves for the handles are in the shape of masks and maple scrolls. The shape imitates the Panathenaic amphora, which were manufactured in this form in the third and second centuries BC in Athens. It must have had the appearance of quartz, especially when used during feasts in the glow of artificial light.
A bottle is a narrow-necked container made of an impermeable material in various shapes and sizes to store and transport liquids and whose mouth at the bottling line can be sealed with an internal stopper, an external bottle cap, a closure, or a conductive "inner seal" using induction sealing. Some of the earliest bottles appeared in China, Phoenicia, Crete, and Rome.
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble with the aid of a blowpipe. A person who blows glass is called a glassblower, glassmith, or gaffer. A lampworker manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass.
The zun or yi, used until the Northern Song (960–1126) is a type of Chinese ritual bronze or ceramic wine vessel with a round or square vase-like form, sometimes in the shape of an animal, first appearing in the Shang dynasty. Used in religious ceremonies to hold wine, the zun has a wide lip to facilitate pouring. Vessels have been found in the shape of a dragon, an ox, a goose, and more. One notable zun is the He zun from the Western Zhou.
A vase is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower its holding or keeping in place.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal. Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or origin. The term is especially often used for funerary urns, vessels used in burials, either to hold the cremated ashes or as grave goods, but is used in many other contexts; in catering large vessels for serving tea or coffee are often called "tea-urns", even when they are metal cylinders of purely functional design. Large sculpted vases are often called urns, whether placed outdoors, in gardens or as architectural ornaments on buildings, or kept inside.
A tyg is a large English pottery mug with three or more handles dividing the rim into sections for several drinkers. These tall, black-glazed, red-bodied drinking vessels were produced from the 15th century through the first half of the 17th century, peaking in popularity during the 16th and 17th centuries. Some were made with as many as nine handles. The multiple handles also allow hot drinks to be passed around without pain.
Fashion in the period 1550–1600 in Western European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
Lydos was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the '’’Lydos Group’’’. His signature, ό Λυδός, ho Lydos, the Lydian, inscribed on two vases, is informative regarding the cultural background of the artist. Either he immigrated to Athens from the Lydian empire of King Kroisos, or he was born in Athens as the son of Lydian parents. In any case, he learned his trade in Athens.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic era. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
The Antikensammlung Berlin is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork.
An unguentarium is a small ceramic or glass bottle found frequently by archaeologists at Hellenistic and Roman sites, especially in cemeteries. Its most common use was probably as a container for oil, though it is also suited for storing and dispensing liquid and powdered substances. Some finds date into the early Christian era. From the 2nd to the 6th century they are more often made of blown glass rather than clay. A few examples are silver or alabaster.
Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used for transporting and storing liquids and other products – in this case probably mostly Spanish olive oil, which was landed nearby, and was the main fuel for lighting, as well as its use in the kitchen and washing in the baths.
The Pontic Group is a sub-style of Etruscan black-figure vase painting.
The statuette of Aphrodite known as Aphrodite Heyl in the Antikensammlung Berlin is an especially finely worked terracotta statue from the second century BC.
The Neck Amphora by Exekias ia a neck amphora in the black figure style by the Attic vase painter and potter Exekias. It is found in the possession of the Antikensammlung Berlin under the inventory number F 1720 and is on display in the Altes Museum. It depicts Herakles' battle with the Nemean lion on one side and the sons of Theseus on the other. The amphora could only be restored for the first time almost a hundred and fifty years after its original discovery due to negligence and political difficulties.
The statuette of hoplite found at Dodona is an archaeological find which was purchased in 1880 and is hosted today in Berlin at the Altes Museum
The basic chronology of the early town of Manda Island in the Lamu Archipelago of Kenya is divided into 6 different periods, based mostly on the types of imported pottery that has been found in different strata of the excavations. The first period, I, begins in the mid ninth century and is subdivided into four parts, a, b, c, and d, ending in the early eleventh century. Period II has two parts, A and B, though the divide between the two is rather vague and could be entirely arbitrary, and dates from the mid eleventh to the late twelfth for the former, and late twelfth to late thirteenth century for the latter. Period III runs from the late thirteenth century to the fourteenth when Period IV picks up and ends in the early Sixteenth. Period V covers the mid Sixteenth and all of the seventeenth, and the final period covers everything after the Seventeenth century.
Dancer of Pergamon is the modern name for a Hellenistic statue of a woman from Pergamon, which is now kept at the Antikensammlung Berlin.
