Bert and John | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1966 | |||
Recorded | c. early summer 1966 | |||
Studio | 23 St. Edmunds Terrace, St. John’s Wood, London | |||
Genre | Folk | |||
Label | Transatlantic | |||
Producer | Bill Leader | |||
Bert Jansch chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
Bert and John is the fourth album by the Scottish folk musician Bert Jansch, released in 1966. A number of songs are performed with friend and fellow guitarist John Renbourn, who would later join him in the group Pentangle. An expanded version of the album was later released in America in 1969 by Vanguard as Stepping Stones. It featured two extra tracks, "It Don't Bother Me" and "My Lover". [3]
All tracks credited to Bert Jansch and John Renbourn, except where specified.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "East Wind" | 1:25 | |
2. | "Piano Tune" | 1:39 | |
3. | "Goodbye Pork Pie Hat" | Charles Mingus | 3:51 |
4. | "Soho" | Jansch | 3:00 |
5. | "Tic-Tocative" | 1:56 | |
6. | "Orlando" | 1:40 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Red's Favourite" | 1:33 | |
8. | "No Exit" | 1:24 | |
9. | "Along the Way" | Renbourn | 2:02 |
10. | "The Time Has Come" | Anne Briggs | 2:53 |
11. | "Stepping Stones" | 2:42 | |
12. | "After the Dance" | 2:23 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "East Wind" | 1:22 | |
2. | "Piano Tune" | 1:27 | |
3. | "Goodbye Pork Pie Hat" | Mingus | 3:49 |
4. | "Soho" | Jansch | 2:59 |
5. | "Tic-Tocative" | 1:55 | |
6. | "Orlando" | 1:37 | |
7. | "My Lover" | Jansch | |
8. | "Stepping Stones" | 2:41 | |
9. | "Red's Favourite" | 1:31 | |
10. | "It Don't Bother Me" | Jansch | 4:25 |
11. | "No Exit" | 1:22 | |
12. | "Along the Way" | Renbourn | 2:02 |
13. | "The Time Has Come" | Briggs | 2:52 |
14. | "After the Dance" | 2:25 |
Pentangle are a British folk-jazz band with an eclectic mix of folk, jazz, blues and folk rock influences. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn ; Bert Jansch ; Danny Thompson ; and Terry Cox (drums).
Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded at least 25 albums and toured extensively from the 1960s to the 21st century.
John Renbourn was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman
Listen Here! is a sampler album released by Transatlantic Records in 1968. It was the second significant UK contemporary music sampler release in the period.
David Michael Gordon "Davey" Graham was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair". Graham is probably best known for his acoustic instrumental, "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.
Jack Orion is the third album by Scottish folk musician Bert Jansch, released in 1966. It contains a number of traditional songs, including the epic "Jack Orion": a ten-minute adaptation of the Child ballad "Glasgerion" which tells of a court fiddler’s attempt to seduce a countess and his servant's treachery in successfully impersonating him. A number of songs are performed with friend and fellow guitarist John Renbourn, who would later join him in the group Pentangle. "The Waggoner’s Lad" has Jansch unusually playing the banjo with Renbourn supplying the guitar part.
Beverley Martyn is an English singer, songwriter and guitarist.
Raymond Ronald Jones, better-known as Wizz Jones, is an English acoustic guitarist, singer and songwriter. He was born in Thornton Heath, Surrey. England and has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the British folk revival, such as John Renbourn and Bert Jansch.
Basket of Light is a 1969 album by the folk rock group Pentangle. It reached no. 5 on the UK Albums Chart. A single from the album, "Light Flight", the theme from BBC1's first colour drama series Take Three Girls, reached no. 43 on the UK Singles Chart. Another single from the album, "Once I Had a Sweetheart", reached no. 46 in the charts.
Cruel Sister was an album recorded in 1970 by folk-rock band Pentangle. It was the most folk-based of the albums recorded by the band, with all the tracks being versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of folk musicians.
The Pentangle was the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.
Reflection was an album recorded in 1971 by folk-rock band Pentangle.
Solomon's Seal is an album recorded in 1972 by folk-rock band Pentangle. It was the last album recorded by the original line-up, before the band split in 1973. Jacqui McShee has stated that it is her favourite Pentangle album. The album title refers to the Seal of Solomon — a mythical signet ring with magical powers, sometimes associated with the pentagram symbol adopted by Pentangle.
L.A. Turnaround is the ninth album by Scottish folk musician Bert Jansch, released in 1974.
"Anji" is an acoustic fingerstyle guitar piece composed and recorded by noted folk guitarist Davy Graham in 1961 and originally released as part of his EP debut 3/4 AD. The piece is one of the best-known acoustic blues-folk guitar pieces ever composed, with many notable artists covering it, such as Bert Jansch, John Renbourn, Lillebjørn Nilsen, Paul Simon, and Harry Sacksioni. The song is in the key of A minor and is notable for its trademark descending bassline. However, the original recording by Davy Graham is in the key of C minor with a capo at the third fret.
John Renbourn is the debut album by John Renbourn.
It Don't Bother Me is the second album by Scottish folk musician Bert Jansch, released in December 1965. The album was produced by Nathan Joseph and Bill Leader, although Leader was left uncredited.
Lucky Thirteen is the first release by Scottish folk musician Bert Jansch in America, compiled from his first two UK albums Bert Jansch and It Don't Bother Me. It was released by Vanguard in 1966.
Bert Jansch was a Scottish folk musician. His discography consists of 24 studio albums, 8 live albums, 36 compilations, 5 videos, 2 EPs, and 12 singles. In addition, his compositions and guitar work have been featured on a number of albums by other artists.
John Renbourn was an English guitarist and composer. His discography consists of 20 studio albums, 5 live albums, 19 compilations, and 2 videos. In addition, his compositions and guitar work have been featured on a number of albums by other artists.