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Better Living Through Circuitry | |
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Directed by | Jon Reiss |
Produced by | Cleopatra Records, Parasite Production |
Starring | Moby, Lord T. Byron, McGuinnes |
Distributed by | Seventh Art Releasing (7AR) |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $100,000 |
Better Living Through Circuitry is a 1999 documentary directed by Jon Reiss [1] about the electronic dance music cultural scene of the 90's. This is considered to be the first full-length documentary film that goes behind the electronic dance scene and uncovers the culture it has spawned. The film presented aspects of rave culture such as: empowerment through advances in musical electronics technology, the DIY (do-it-yourself) ethic, and the flowering of a new spirituality embracing transcendence through sound and rhythm. A cross-section of the techno subculture is represented. In the documentary, ravers, DJs and musicians speak for themselves about their music and ideals. Produced by Cleopatra Pictures and Entertainment Group, presided by Cleopatra Records founder Brian Perera. [2]
The documentary features in-depth interviews with Moby, Genesis P-Orridge, Wolfgang Flür, Brian Transeau, DJ Spooky, DJ Keoki, The Crystal Method, Roni Size, Electric Skychurch, Carl Cox, Frankie Bones.
Better Living Through Circuitry equally emphasizes graphic designers, promoters, fans and other essential components of the scene, such as Mike Szabo, whose flyers [3] [4] for "N.A.S.A." (Nocturnal Audio + Sensory Awakening) events at Club Shelter, are part of the permanent collection [5] of the Smithsonian Museum and the Pure Children/Earth Program Collective [6] [7] who worked and lived in a New York City loft space from which they created graphics, promoted raves and managed their own record label. [8] [9]
Filming started in March 1997, with a budget of $100,000, at the Winter Music Conference. [2] In keeping with the theme of "empowerment through technology" Better Living Through Circuitry utilized some of what was considered, at the time of production, the latest digital film-making equipment. It was all filmed on a tiny Sony VX1000 digital video camera, which was usually taken by the director into raves in a backpack.
Virtually all post-production including editing, on-line, titles and effects were all performed in a spare bedroom of the producer's apartment using the Media 100 non-linear digital editing system and Adobe After Effects software on a Power Macintosh computer.
The film holds an 82% rating on Rotten Tomatoes based on 17 reviews. [10]
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.
Michael Alig was an American club promoter and convicted felon. He was one of the ringleaders of the Club Kids, a group of young New York City clubgoers who became a cultural phenomenon in the late 1980s and early 1990s. In March 1996, Alig and his roommate, Robert D. "Freeze" Riggs, killed fellow Club Kid Andre "Angel" Melendez in a confrontation over a drug debt. In October 1997, Alig pled guilty to first-degree manslaughter. Both men were sentenced to 10 to 20 years in prison. Riggs was released on parole in 2010. Alig was released on May 5, 2014.
The Club Kids were a group of young New York City dance club personalities popularized by Michael Alig, James St. James, Julie Jewels, Astro Erle, Michael Tronn, DJ Keoki, and Ernie Glam in the late 1980s, and throughout the 1990s would grow to include Amanda Lepore, Waltpaper, Christopher Comp, It Twins, Jennytalia, Desi Monster, Keda, Kabuki Starshine, and Richie Rich. The group was notable for its members' flamboyant behavior and outrageous costumes. In 1988, writer Michael Musto wrote about the Club Kids' "cult of crazy fashion and petulance": "They ... are terminally superficial, have dubious aesthetic values, and are master manipulators, exploiters, and, thank God, partiers."
The Second Summer of Love was a 1980s social phenomenon in the United Kingdom which saw the rise of acid house music and unlicensed rave parties. Although primarily referring to the summer of 1988, it lasted into the summer of 1989, when electronic dance music and the prevalence of the drug MDMA fuelled an explosion in youth culture culminating in mass free parties and the era of the rave. The music of this era fused dance beats with a psychedelic, 1960s flavour, and the dance culture drew parallels with the hedonism and freedom of the 1967 Summer of Love in San Francisco. The smiley logo is synonymous with this period in the UK.
Scratch is a 2001 documentary film, directed and edited by Doug Pray. The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences.
George Lopez, known by his stage name DJ Keoki or Keoki Franconi, is a Salvadoran-American electronic musician, among other genres, DJ. Born in El Salvador and raised in Hawaii, Keoki began advertising himself as "superstar" shortly after moving to New York City.
Timothy Wiles, known by the stage name Überzone, is an electronic musician originally from Anaheim, California. He has also been known as Q, named after the popular character in the James Bond series.
Cleopatra Records is an American independent record label based in Los Angeles, California. It was founded in 1992 by entrepreneur and music fan Brian Perera. The record label has since grown into a family of labels, including Hypnotic Records, Purple Pyramid Records, Deadline Music Records, and X-Ray Records, encompassing a variety of genres with emphasis on unique and experimental artists.
Don Falcone is an American producer and multi-instrumentalist, and the guiding light behind the Spirits Burning space-rock collective. In Spirits Burning and other offshoot bands and projects, his primary collaborations have been with Albert Bouchard, Bridget Wishart, Cyrille Verdeaux, Daevid Allen, and English writer and musician Michael Moorcock.
Moog is a 2004 documentary film by Hans Fjellestad about electronic instrument pioneer Dr. Robert Moog. The film features scenes of Dr. Moog interacting with various musical artists who view Moog as an influential figure in the history of electronic music.
Jon Mikl Thor, better known as simply Thor, is a Canadian bodybuilding champion, actor, songwriter, screenwriter, historian, vocalist and musician.
Jon Reiss is a film producer and director, and an author. He has made the feature film Cleopatra's Second Husband (1998) and the documentaries Better Living Through Circuitry (1999) and Bomb It (2007). He has directed music videos for Nine Inch Nails, Slayer, Danzig, the Black Crowes, Type O Negative and Kottonmouth Kings. He has written the books Think Outside the Box Office (2010) and Selling Your Film Without Selling Your Soul (2011).
Hypnotic Records is an American independent record label specializing in electronic music.
Wade Randolph Hampton is an American DJ, film and music producer and recording artist. He is known for his contributions to electronic music and his involvement in the development of the North American rave scene.
Heather Lotruglio, better known as Heather Heart, is an American based Techno DJ.
Joel Bevacqua is an American rave DJ, music producer, promoter, and writer known as DJ Deadly Buda. He is also known as the graffiti artist “Buda.” Originally from Pittsburgh, Pennsylvania, he is credited by authors Roger Gastman and Caleb Neelon in their "The History of American Graffiti" as being "Pittsburgh’s first graffiti superstar" and inventor of the “monster rock style” of graffiti lettering. He is also recognized for instigating Pittsburgh's rave scene in 1991. In 2005 part of his techno dance music collection was a notable acquisition of the US Library of Congress: Motion Picture, Broadcasting and Recorded Sound Division.
Michael Szewczyk, known as DJ Textbeak, is an American DJ, artist and record producer.
Onallee is a British vocalist and songwriter best known for being part of Reprazent, a British drum and bass act formed by Roni Size.
Michael Cox, known by the stage name MikeQ, is an American DJ, musician, music producer, and prominent figure in the ballroom community. He is the founder of the record label Qween Beat. In 2020 MikeQ was the DJ for HBO's Legendary.