Betty Acquah (born 20 March 1965) is a Ghanaian feminist painter. She uses the techniques of pointillism, oil painting and acrylic. [1] [2]
A native of Cape Coast in Ghana, she spent part of her schooling at Wesley Girls' Senior High School and Holy Child School. Then furthered at the Kwame Nkrumah University of Science and Technology where she obtained a master's degree in Visual Arts specializing in painting. In Japan, she also completed a professional arts course at the Tokyo School of Art. [3]
Acquah has been working for seven years for the art gallery of the Center for National Culture in Accra and has been curating exhibitions at the Berj Art Gallery from 2002 to 2005. She is a member of Ghana Association of Visual Artists. [4] In June 2019, she said in an interview with Newsday BBC that she hoped for the opening of a national art gallery in Ghana. [5]
Acquah has exhibited in Ghana, Nigeria, the United Kingdom, India, Germany, Spain, Japan and the United States of America. [4]
Her work highlights the Ghanaian women she sees as the "unsung heroes of the republic of Ghana".
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Lois Mailou Jones (1905–1998) was an artist and educator. Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. She is often associated with the Harlem Renaissance.
Toko Shinoda was a Japanese artist. Shinoda is best known for her abstract sumi ink paintings and prints. Shinoda’s oeuvre was predominantly executed using the traditional means and media of East Asian calligraphy, but her resulting abstract ink paintings and prints express a nuanced visual affinity with the bold black brushstrokes of mid-century Abstract Expressionism. In the postwar New York art world, Shinoda’s works were exhibited at the prominent art galleries including the Bertha Schaefer Gallery and the Betty Parsons Gallery. Shinoda remained active all her life and in 2013, she was honored with a touring retrospective exhibition at four venues in Gifu Prefecture to celebrate her 100th birthday. Shinoda has had solo exhibitions at the Seibu Museum at Art, Tokyo in 1989, the Museum of Fine Arts, Gifu in 1992, the Singapore Art Museum in 1996, the Hara Museum of Contemporary Art in 2003, the Sogo Museum of Art in 2021, the Tokyo Opera City Art Gallery in 2022, and among many others. Shinoda's works are in the collection of the Albright-Knox Art Gallery, the Art Institute of Chicago, the British Museum, the Brooklyn Museum, the Harvard Art Museums, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the National Museum of Modern Art, Tokyo, the Singapore Art Museum, the Smithsonian Institution, the Solomon R. Guggenheim Museum, the National Gallery of Victoria, and other leading museums of the world. Shinoda was also a prolific writer published more than 20 books.
Fiona Margaret Hall, AO is an Australian artistic photographer and sculptor. Hall represented Australia in the 56th International Art Exhibition at the Venice Biennale in 2015. She is known as "one of Australia's most consistently innovative contemporary artists." Many of her works explore the "intersection of environment, politics and exploitation".
Elizabeth Woodman was an American ceramic artist.
Renée Stout is an American sculptor and contemporary artist known for assemblage artworks dealing with her personal history and African-American heritage. Born in Kansas, raised in Pittsburgh, living in Washington, D.C., and connected through her art to New Orleans, her art reflects this interest in African diasporic culture throughout the United States. Stout was the first American artist to exhibit in the Smithsonian's National Museum of African Art.
Nancy Chunn is an American artist based in New York, New York. Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings.
Betty Blayton was an American activist, advocate, artist, arts administrator and educator, and lecturer. As an artist, Blayton was an illustrator, painter, printmaker, and sculptor. She is best known for her works often described as "spiritual abstractions". Blayton was a founding member of the Studio Museum in Harlem and board secretary, co-founder and executive director of Harlem Children's Art Carnival (CAC), and a co-founder of Harlem Textile Works. She was also an advisor, consultant and board member to a variety of other arts and community-based service organizations and programs. Her abstract methods created a space for the viewer to insert themselves into the piece, allowing for self reflection, a central aspect of Blayton's work.
The Sister Chapel (1974–1978) is a visual arts installation, conceived by Ilise Greenstein and created as a collaboration by thirteen women artists during the feminist art movement. Before its completion, the critic and curator Lawrence Alloway recognized its potential to be "a notable contribution to the long-awaited legible iconography of women in political terms." The Sister Chapel is on permanent display at the Center for Art and Social Engagement, an initiative of the Rowan University Art Gallery in Glassboro, New Jersey.
Hisako Shimizu Hibi (1907–1991) was a Japanese-born American Issei painter and printmaker. Hibi attended the California School of Fine Arts in San Francisco, California where she garnered experience and recognition in the fine arts and community art-exhibition. Here, she met her husband George Matsusaburo Hibi, with whom she raised two children, Satoshi "Tommy" Hibi and Ibuki Hibi.
Pariyoush Ganji (Persian: پرییوش گنجی, born in 1945) is an Iranian painter, designer, and educator. Her artwork and design have been influenced by traditional Persian art. Ganji lives in Tehran.
Bright Tetteh Ackwerh is a Ghanaian satirical artist who employs the domains of popular art, street art, painting, and illustration to voice and document his persuasions. He has exhibited widely in Ghana and West Africa, building a niche as an emerging contemporary Ghanaian artist on the West African art scene.
Leslie Reid is a Canadian painter and printmaker from Ottawa, Ontario, known for adding a visual and sensory experience of light to the landscape tradition of painting in Canada. She is also an educator.
Prince Gyasi Nyantakyi also known by the artist name Prince Gyasi is a Ghanaian international visual artist. He is the co-founder of Boxedkids, a non-profit organization helping kids from Accra get an education.
Betty Waldo Parish (1910–1986) was an American printmaker and painter who exhibited with nonprofit organizations, including the Fine Arts Guild, the Pen and Brush Club, and the National Association of Women Artists, as well as commercial galleries. Best known for her etchings and woodcuts in a modernist representational style, she was also a watercolorist and oil painter and it was an oil painting of hers, "The Lower Lot," that won her the first of quite a few prizes during her career.
Natalie Ball is a Klamath/Modoc interdisciplinary artist based in Chiloquin, Oregon.
Ibrahim Mahama is a Ghanaian artist of monumental installations. He lives and works in Accra, Kumasi and Tamale, Ghana. He is the founder of Red Clay Studio, Savannah Centre for Contemporary Arts and Nkrumah Volini.
Samuel Prophask Asamoah is a Ghanaian painter. Brush name "Prophask", his works have been exhibited widely, locally and internationally with several in art collections. Asamoah reportedly sits comfortably in the field of painting with his inspirations for his themes from proverbs, daily activities and dreams. His motivation is finding joy while painting and experiencing pain when not painting.
Michelle Sakhai is an American painter and educator.
Miya Turnbull is an artist based in Halifax, Nova Scotia, Canada. She is of Japanese and Canadian ancestry and uses this to explore her identity in her work. Her work consists of photography, video, projection, and masks. Miya has had several installations around Canada and internationally. Miya's mask work has been inspired by quotes from Joseph Campbell and Andre Berthiaume.
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