Beverley Clifford was an Australian magazine photographer and photojournalist active during the 1950s-1970s.
Beverley Clifford produced photographs for magazines, books, government [1] [2] [3] [4] and commercial commissions and projects, much of it made on the Northern Beaches and in Sydney during her professional career. Husband Ken also worked as a medical photographer at the University of Sydney and the couple collaborated on a number of projects.
In 1991 collector Dale Egan of Warriewood discovered a trove of 4,000 lost photos of Sydney beaches made between the 1930s and the 1970s by the Cliffords. [5] [6]
Clifford worked in the mid-1950s as a government typist [7] before joining a number of women infiltrating the field of professional freelance photojournalism that had so long been the domain of men. [8] She was sole illustrator for the 1969 coffee table book, Sydney, more than a harbor : a photographic glance at a surging city [9] that was reviewed in by ’Scrutarius’ (journalist H. C. (Peter) Fenton) in Walkabout magazine [10] in which he writes that while the obvious landmarks of the "bridge and the opera house, “Paddo’s” iron lacework, Bondi and Manly beaches, the post office colonnade and the tall glass boxes that, with telephoto lens treatment, constricts Pitt Street into more of a claustrophobic canyon than it really is,..." and a soccer crowd which...
Photographically...is well justified by the warmly appropriate touch of an argument erupting in the near foreground. Indeed, most of the behind-scenes pictures seem to have been selected for the human quirks they encapsulate—the fiercely vocal woman at a political meeting, the clasped couple testing Luna Park’s “love-meter”, the patience of anglers on a jetty’s timbers and of passengers sitting in front of Central’s train indicator board, the extraordinary character declaiming in the Domain. These are all quite cleverly caught in action or inaction.
Clifford contributed images for a number of other books on Australia, including Camera in Australia published in 1970, which also included work by Max Dupain, Kerry Dundas, David Moore, and Wolfgang Sievers, [11] and I. V. Hansen's The tiger and the Rose. [12]
Artiste (AFIAP) 1967. [13]
The Hattah-Kulkyne National Park is a national park in the Mallee district of Victoria, Australia. The 48,000-hectare (120,000-acre) national park is situated adjacent to the Murray River, approximately 417 kilometres (259 mi) northwest of Melbourne with the nearest regional centre being Mildura. The Hattah Lakes National Park was proclaimed on 7 June 1960, later being greatly expanded in 1980 and becoming the Hattah-Kulkyne National Park. It is a popular destination for bushwalkers and school camping trips.
Edna Margaret Walling was one of Australia's most influential landscape designers.
Graham Martin Pizzey was a noted Australian author, photographer and ornithologist.
Leslie Gordon Chandler (1888–1980) was an Australian jeweller, vigneron, bird photographer, writer and speaker on natural history, and ornithologist. He became a member of the Royal Australasian Ornithologists Union (RAOU) in 1911 and was Press Correspondent for the RAOU 1914-1916 and again in 1920, war service and disability intervening. From 1920 he was based at Red Cliffs in the Victorian Mallee region. He was instrumental in the establishment of the Hattah-Kulkyne National Park there.
Walkabout was an Australian illustrated magazine published from 1934 to 1974 combining cultural, geographic, and scientific content with travel literature. Initially a travel magazine, in its forty-year run it featured a popular mix of articles by travellers, officials, residents, journalists, naturalists, anthropologists and novelists, illustrated by Australian photojournalists. Its title derived "from the supposed 'racial characteristic of the Australian Aboriginal who is always on the move'."
David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.
Richard Leo Woldendorp AM was a Dutch-Australian photographer known for his aerial photography of Australian geography.
Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.
Arthur Groom was an Australian writer, conservationist, journalist and photographer, the son of Arthur Champion Groom.
Ernest Henry Higgins was an Australian cinematographer during the days of silent film. He was the eldest brother of Arthur and Tasman Higgins. He shot the film The Throwback (1920) for director Arthur Shirley which resulted in Shirley unsuccessfully suing Higgins for breach of contract.
Mark Strizic was a 20th-century German-born Australian photographer, teacher of photography, and artist. Best known for his architectural and industrial photography, he was also a portraitist of significant Australians, and fine art photographer and painter known for his multimedia mural work.
Laurence Craddock Le Guay, was an Australian fashion photographer.
The Fruit Flyer was a fast overnight freight train operated by the Victorian Railways to bring fruit produce from the Mildura district to the Melbourne Markets. It first ran on 13 October 1958.
Heather George (1907–1983) was a commercial photographer known for her industrial, fashion and outback photography, and a designer and painter.
Old Eyre Highway is a remnant part of the Eyre Highway that was abandoned in the construction of a route closer to the coast of the Great Australian Bight.
Tony Maskill is an Australian photographer.
Helmut Gritscher was an Austrian-born skier, ski instructor and photographer who worked in Australia 1961–70.
Cape Leeuwin water wheel, sometimes called the petrified water wheel, is a non-operating water wheel, near Cape Leeuwin, in the south-west of Western Australia. It was used to pump fresh water to the Cape Leeuwin Lighthouse. It is notable both for its coastal location and because it has become heavily calcified. The water wheel is located above a small cove, approximately 400m to the north of the Cape Leeuwin Lighthouse cottages. The base of the water wheel structure is just above the high-tide sea level.
Pamela Ruskin was an Australian freelance journalist with a special interest in the arts.
Fish Hook Bay is a bay on Rottnest Island, in the Australian state of Western Australia. The bay is the westernmost bay on the island, and isolated from habitation, which occurs on the eastern side.
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