Beverly J. Stoeltje is an emeritus professor in both the Department of Folklore and Ethnomusicology and the Department of Anthropology at Indiana University Bloomington. [1] She also serves as Affiliated Faculty in African Studies, American Studies, Cultural Studies, Gender Studies, and at the Russian-East European Institute. Stoelje has been described as one the "official foremothers of feminist folkloristics". [2]
Stoeltje earned her B.S. in Education in 1961, from the University of Texas, Austin. She remained at the University of Texas for her M.A. (1973) and her Ph.D. (1979) in Folklore (Folkloristics) within the graduate folklore program of the UT Department of Anthropology, and continued to teach there before joining Indiana University Bloomington in 1986. [3]
Stoeltje's dissertation and early work was focused on the American West and, in particular, on her home state of Texas. [4] She is known as a student of rodeo and associated forms of cultural performance. [5] In 1978, she conducted a series of workshops at the Amon Carter Museum of Western Art, designed to "find people who are rooted in their own folk cultures and are interested in preserving folk traditions." [6]
Stoeltje's later research continued to focus on her initial interests in performance, ritual, and gender; in 1990 she spent a year in Ghana funded by the Fulbright Program, [4] and subsequently shifted her geographical interests to Ghana and West Africa, exploring the role of Asante Queen Mothers (see Akan Chieftaincy). [5] [7] She also expanded her inquiries to include the anthropologies of law and nationalism. [7]
She was interviewed by Rebecca Tannenbaum in 2011 for the "Scholars of feminism" oral history program of University of Wisconsin–Madison. [5] Stoeltje retired in 2019, when panels entitled "With a Riata in Her Hand: Honoring the Scholarship of Beverly Stoeltje" were organized at meetings of the American Folklore Society and the American Anthropological Association. [4]
Stoelje is described in the Encyclopedia of Women's Folklore and Folklife as one the "official foremothers of feminist folkloristics". [2] Sara L. Spurgeon discusses her work in the context of the American "myth of the frontier". [8] Olaf Hoerschelmann discusses her work on ritual and festival in a modern society, originally formulated in response to rodeo, in the context of American televised quiz shows, [9] and Jiva Nath Lamsal applies this work to the rituals surrounding death in the Nepalese Gaijatra festival. [10]
Folklore is the body of expressive culture shared by a particular group of people, culture or subculture. This includes oral traditions such as tales, myths, legends, proverbs, poems, jokes, and other oral traditions. This also includes material culture, such as traditional building styles common to the group. Folklore also encompasses customary lore, taking actions for folk beliefs, and the forms and rituals of celebrations such as Christmas, weddings, folk dances, and initiation rites.
Folklore studies is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with Volkskunde (German), folkeminner (Norwegian), and folkminnen (Swedish), among others.
Richard Mercer Dorson was an American folklorist, professor, and director of the Folklore Institute at Indiana University. Dorson has been called the "father of American folklore" and "the dominant force in the study of folklore".
Simon J. Bronner is an American folklorist, ethnologist, historian, sociologist, educator, college dean, and author.
Betty Jane Belanus is an American writer and folklorist. Belanus completed her graduate work in folklore at Indiana University and has been with the Smithsonian Institution since 1987, ultimately working with the Smithsonian Center for Folklife and Cultural Heritage as an education specialist. Part of her work with the Smithsonian has been the curating of programs for the Smithsonian's annual Folklife Festival, including the 2009 Wales program. She has worked on "Smithsonian Inside Out", on the occupational life of the Smithsonian.
Henry Glassie College Professor Emeritus at Indiana University Bloomington, has done fieldwork on five continents and written books on the full range of folkloristic interest, from drama, song, and story to craft, art, and architecture. Three of his books -- Passing the Time in Ballymenone, The Spirit of Folk Art, and Turkish Traditional Art Today -- were named among the "Notable Books of the Year" by The New York Times. Glassie has won many awards for his work, including the Charles Homer Haskins Prize of the American Council of Learned Societies for a distinguished career of humanistic scholarship. A film on his work, directed by Pat Collins and titled Henry Glassie: Field Work, had its world premiere at the Toronto International Film Festival in 2019.
Elli-Kaija Köngäs-Maranda was an internationally renowned anthropologist and feminist folklorist. She studied Finnish language and folklore at the University of Helsinki, where she received her B.A. in 1954 and her M.A. in 1955. She continued her studies in the United States of America and did her doctoral dissertation in 1963 at Indiana University. She was a lecturer at Columbia University and a fellow at the Radcliffe Institute of Harvard University. Köngäs-Maranda was elected a Fellow of the American Folklore Society. The Society's Women's section inaugurated 1983 two prizes in her memory.
Richard Bauman is a folklorist and anthropologist, now retired from Indiana University Bloomington. He is Distinguished Professor emeritus of Folklore, of Anthropology, and of Communication and Culture. Before coming to IU in 1985, he was the Director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas and a faculty member in the UT Department of Anthropology. Just before retiring from Indiana, he was chair of the IU Department of Folklore and Ethnomusicology, as well as an important member of the Department of Anthropology and the Department of Communication and Culture.
Pravina Shukla is an American folklorist who is Provost Professor of Folklore at Indiana University Bloomington and serves as an adjunct faculty member in the Department of Anthropology, Department of American Studies, the Dhar India Studies Program, and the Center for Latin American and Caribbean Studies. She is also a consulting curator at the Mathers Museum of World Cultures.
Jason Baird Jackson is an American anthropologist who is Professor of Folklore and Anthropology at Indiana University Bloomington. He is "an advocate of open access issues and works for scholarly communications and scholarly publishing projects." At IUB, he has served as Chair of the Department of Folklore and Ethnomusicology and as Director of the Folklore Institute. According to the Journal of American Folklore, "Jason Baird Jackson establishes himself as one of the foremost scholars in American Indian studies today."
Dorothy Noyes is an American folklorist and ethnologist whose comparative, ethnographic and historical research focuses on European societies and upon European immigrant communities in the United States. Beyond its area studies context, her work has aimed to enrich the conceptual toolkit of folklore studies (folkloristics) and ethnology. General problems upon which she has focused attention include the status of "provincial" communities in national and global contexts, heritage policies and politics, problems of innovation and creativity, and the nature of festival specifically and of cultural displays and representations generally.
Hasan M. El-Shamy is a professor of folklore (folkloristics) in the Department of Folklore and Ethnomusicology, the Department of Near Eastern Languages and Cultures, and the African Studies Program at Indiana University. He received a B.A. with honors in Arabic and Islamic studies from Ain-Shams University in Cairo, Egypt in 1959. He then completed an intensive graduate program in psychology and education from Ain-Shams (Heliopolis) University in 1959–1960. Later he received an M.A. in folklore from Indiana University in 1964, as well as a Ph.D. in folklore with interdisciplinary training in folklore, psychology, and anthropology from Indiana University in 1967. El-Shamy is retired and professor emeritus at Indiana University Bloomington.
Roger David Abrahams was an American folklorist whose work focused on the expressive cultures and cultural histories of the Americas, with a specific emphasis on African American peoples and traditions.
Dan Ben-Amos was an Israeli-American folklorist and academic who worked as a professor at the University of Pennsylvania, Philadelphia, where he held the Graduate Program Chair for the Department of Folklore and Folklife.
Folklore Institute refers to the folklore studies program of Indiana University Bloomington (USA). The Folklore Institute, together with the Ethnomusicology Institute, constitute the larger Department of Folklore and Ethnomusicology. The Department of Folklore and Ethnomusicology is a unit of the College of Arts and Sciences.
Kay Turner is an artist and scholar working across disciplines including performance, writing, music, exhibition curation, and public and academic folklore. She is noted for her feminist writings and performances on subjects such as women’s home altars, fairy tale witches, and historical goddess figures. She co-founded “Girls in the Nose,” a lesbian feminist rock punk band that anticipated riot grrl.
Marta Weigle was an American anthropologist and folklorist.
Judith McCulloh was an American folklorist, ethnomusicologist, and university press editor.
Deborah Kapchan is an American folklorist, writer, translator and ethnographer, specializing in North Africa and its diaspora in Europe. In 2000, Kapchan became a Guggenheim fellow. She has been a Fulbright-Hays recipient twice, and is a Fellow of the American Folklore Society. She is professor of Performance Studies at New York University, and the former director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas at Austin.
Marilyn M. White is an American folklorist who researches African American folklore and family folklore. She conducts research in Little Cayman. White is the president of the American Folklore Society and the long-time president of the Association of African and African American Folklorists. White is also ex officio member of the board of trustees of the American Folklife Center.