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Beverly J. Stoeltje is a professor in both the Department of Folklore and Ethnomusicology and the Department of Anthropology at Indiana University (Bloomington). She also serves as Affiliated Faculty in African Studies, American Studies, Cultural Studies, Gender Studies, and at the Russian-East European Institute.
Stoeltje earned her B.S. in Education in 1961, from the University of Texas, Austin. She continued on at the University of Texas to pursue both her M.A. (1973) and her Ph.D. (1979) in Folklore (Folkloristics) within the graduate folklore program associated with the UT Department of Anthropology. Stoeltje's dissertation and early work was focused on the American West and, in particular, on her home state of Texas. She is well known as a student of Rodeo and associated forms of cultural performance. She has continued to pursue her initial interests in performance, ritual, and gender, but shifted her geographical interests in the early 1990s to Ghana and West Africa, exploring the role of Asante Queen Mothers (see Akan Chieftaincy). She has also expanded her inquiries to include the anthropologies of law and nationalism. [1]
Ethnomusicology is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound. Ethnomusicologists study music as a reflection of culture and investigate the act of musicking through various immersive, observational, and analytical approaches drawn from other disciplines such as anthropology to understand a culture’s music. This discipline emerged from comparative musicology, initially focusing on non-Western music, but later expanded to embrace the study of any and all different kinds of music of the world.
Phillip H. McArthur is an American folklorist and anthropologist. His work in the Marshall Islands closely examines social power and indigenous epistemologies with special attention to the tumultuous relationship with the United States. McArthur has spent much of his career documenting and analyzing Marshall Islander narratives, mythology, songs, and performances.
Allucquére Rosanne "Sandy" Stone is an American academic theorist, media theorist, author, and performance artist. She is an Associate Professor Emeritus at the University of Texas at Austin where she was the Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the New Media Initiative in the department of Radio-TV-Film. Stone has worked in and written about film, music, experimental neurology, writing, engineering, and computer programming. Stone is transgender and is considered a founder of the academic discipline of transgender studies.
Laura Boulton was an American ethnomusicologist. She is known for the many field recordings, films and photographs of traditional music and its performances and practitioners from Egypt, the Sudan, Uganda, Kenya and Tanganyika. Boulton also collected traditional musical instruments around the world. In her work with the National Film Board of Canada (NFB) during the Second World War, she is recognized as being a pioneer for women who work in the film industry.
Richard Bauman is a folklorist and anthropologist, now retired from Indiana University Bloomington. He is Distinguished Professor emeritus of Folklore, of Anthropology, and of Communication and Culture. Before coming to IU in 1985, he was the Director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas and a faculty member in the UT Department of Anthropology. Just before retiring from Indiana, he was chair of the IU Department of Folklore and Ethnomusicology, as well as an important member of the Department of Anthropology and the Department of Communication and Culture.
Pravina Shukla is an American folklorist who is Provost Professor of Folklore at Indiana University Bloomington and serves as an adjunct faculty member in the Department of Anthropology, Department of American Studies, the Dhar India Studies Program, and the Center for Latin American and Caribbean Studies. She is also a consulting curator at the Mathers Museum of World Cultures.
Jason Baird Jackson is an American anthropologst who is Professor of Folklore and Anthropology at Indiana University Bloomington. He is "an advocate of open access issues and works for scholarly communications and scholarly publishing projects." At IUB, he has served as Chair of the Department of Folklore and Ethnomusicology and as Director of the Folklore Institute. According to the Journal of American Folklore, "Jason Baird Jackson establishes himself as one of the foremost scholars in American Indian studies today."
John Holmes McDowell is a Professor in the Department of Folklore and Ethnomusicology at Indiana University Bloomington. He also serves as Director of the Diverse Environmentalisms Research Team (DERT) headquartered at Indiana University. Broadly speaking his work is centered on performance and communication as well as the interplay of creativity and tradition. Geographically most of his fieldwork has been in Mexico, Colombia, Cuba, Ecuador, and Ghana. His interests include Speech play and verbal art; the corrido of Greater Mexico; music, myth, and cosmology in the Andes; ecoperformativity; commemoration; folklorization; ethnopoetics; Latin America; the United States.
Hasan M. El-Shamy is a professor of folklore (folkloristics) in the Department of Folklore and Ethnomusicology, the Department of Near Eastern Languages and Cultures, and the African Studies Program at Indiana University. He received a B.A. with honors in Arabic and Islamic studies from Ain-Shams University in Cairo, Egypt in 1959. He then completed an intensive graduate program in psychology and education from Ain-Shams (Heliopolis) University in 1959–1960. Later he received an M.A. in folklore from Indiana University in 1964, as well as a Ph.D. in folklore with interdisciplinary training in folklore, psychology, and anthropology from Indiana University in 1967. El-Shamy is retired and professor emeritus at Indiana University Bloomington.
Roger David Abrahams was an American folklorist whose work focused on the expressive cultures and cultural histories of the Americas, with a specific emphasis on African American peoples and traditions.
Dan Ben-Amos was an Israeli-American folklorist and academic who worked as a professor at the University of Pennsylvania, Philadelphia, where he held the Graduate Program Chair for the Department of Folklore and Folklife.
Dr. Regina Bendix is a professor of European Ethnology at the University of Göttingen, Germany.
Folklore Institute refers to the folklore studies program of Indiana University Bloomington (USA). The Folklore Institute, together with the Ethnomusicology Institute, constitute the larger Department of Folklore and Ethnomusicology. The Department of Folklore and Ethnomusicology is a unit of the College of Arts and Sciences.
Dame Karin Judith Barber, is a British cultural anthropologist and academic, who specialises in the Yoruba-speaking area of Nigeria. From 1999 to 2017, she was Professor of African Cultural Anthropology at the University of Birmingham. Before joining the Centre of West African Studies of the University of Birmingham, she was a lecturer at the University of Ife in Nigeria. Since 2018, she has been Centennial Professor of Anthropology at the London School of Economics.
Kay Turner is an artist and scholar working across disciplines including performance, writing, music, exhibition curation, and public and academic folklore. She is noted for her feminist writings and performances on subjects such as women’s home altars, fairy tale witches, and historical goddess figures. She co-founded “Girls in the Nose,” a lesbian feminist rock punk band that anticipated riot grrl.
Portia Katrenia Maultsby is an American ethnomusicologist and educator. She is a professor emerita at Indiana University Bloomington and specializes in African-American music. She founded the university's Archives of African American Music and Culture in 1991.
Mellonee Victoria Burnim is an American ethnomusicologist. A professor emerita at Indiana University Bloomington who specializes in African American gospel music, she previously served as director of the university's Archives of African American Music and Culture.
Deborah Kapchan is an American folklorist, writer, translator and ethnographer, specializing in North Africa and its diaspora in Europe. In 2000, Kapchan became a Guggenheim fellow. She has been a Fulbright-Hays recipient twice, and is a Fellow of the American Folklore Society. She is professor of Performance Studies at New York University, and the former director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas at Austin.
Marcia Alice Herndon was an American ethnomusicologist and anthropologist. She specialized in the ways culture and music reflect each other. Herndon grew up in a family of country music performers in North Carolina. After completing her master's degree in 1964 at Tulane University, she performed classical music for several years. Earning a PhD in anthropology and ethnomusicology in 1971, she taught at the University of Texas at Austin, the University of California, Berkeley, and the University of Maryland. She is widely known for her contributions to Native American music studies with books such as Native American Music, as well as collaborating on Music as Culture, and Music, Gender, and Culture, which analyze the overlapping of musical forms and cultural structures.
Joyce Marie Jackson is the James J. Parsons Endowed Professor and chair of the department of geography and anthropology at Louisiana State University in Baton Rouge, Louisiana. A cultural anthropologist, ethnomusicologist and folklorist, she was also the director of the university's African and African American studies program from 2010 to 2016.