Bhai Baldeep Singh | |
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Born | Chandigarh | 13 September 1969
Occupation | Exponent of Pakhawaj Jori, Luether, Gurmat & Classical music singer and player |
Education | Bachelors Degree in Arts (1988) |
Alma mater | Goveronment College of Arts Sector 11 Chandigarh [1] |
Genre | Gurbani Sangeet, Chant, Var & Drupad |
Years active | 1989-present |
Notable works | Research on crafting rabab used at Guru times, made a documentary on Gurmat Sangeet |
Notable awards | [2] [3]
|
Relatives | Amarjeet Singh ( Father) [5] |
Website | |
anadfoundation |
Bhai Baldeep Singh (born 1969) [6] is a Ragi known for his Shabad Kirtan. He is a researcher and revivalist for conventional string instruments like Dhrupadi Rabab, Saranda, Tambura (Tanpura), Dilruba used for Sikh music since Guru's Times. He is an accomplished Pakhawaj Mridang Jori player. He is the founder and chairman of Anad Foundation organisation dedicated to Sikh music. [7] He was an unsuccessful candidate of Aam Aadmi Party in 2014 general elections for Punjab state of India.
Bhai Baldeep was born to his parents Amarjeet Singh and Sukhjit Kaur in a respectable family of Sikh musicians at Chandigarh on 13 September 1969.He passed Fifth Standard from Airforce school Vadodara Gujrat and Matriculation from Goveronment Model High School, sector 32 Chandigarh in 1984.He was a leading cadet in NCC aero wing of school who took part in Republic Day Parade of 1987 at Delhi as one of three parade commanders and was even selected in SSB interview after matriculation. He was also adjudged as best aero modeller at Punjab (combined Punjab, Haryana, Himachal and Chandigarh) directorate of NCC, Patiala
Being a child of a family of well versed in Sikh musical traditions, he was initiated to learning kirtan since age 5 by his mother Sukhjit Kaur. Then learning of Tabla playing came from Air Force station gurdwara Granthi in 1976.All this was happening to him as he was great-grandchild of Bhai Narain Singh who was himself a kirataniya and elder brother of reputed Bhai Jawala Singh Ragi In turn Bhai Jawala Singh and Narain Singh were tenth generation of their ancestors Bhai Sadharan jee (who was architect at Baoli sahib Goindwal at times of Guru Amardas), after them came in lineage Bhai Sahib Singh (a Sikh of Guru Gobind Singh), Bhai Mehtab Singh his son Bhai Tehal Singh (a kirtaniya of panch shabdee Aasa ki Var bani since sunset to early morning sunrise), further his son Bhai Deva Singh (d 1894) father of Baba Jawala Singh (1872–1952) who had two sons as accomplished ragis Bhai Avtar Singh and Gurcharan Singh, grand uncles of Bhai Baldeep Singh, and other son of Deva Singh Bhai Narain singh (1856–1906) whose son Giani Bhagat Singh (1897–1906) grand father of Bhai Baldeep singh 13th generation exponent [8] of great family was. [9]
Instead of choosing his bright career in aero modelling after initial studies, he preferred to dedicate his life for study of difficult and well developed heritage of Gurbani Kirtan and Sikh music. [2]
During 1987–2005, [9] Bhai Baldeep conducted a comprehensive research mission [9] across Punjab and Pakistan with the aim of gaining access to the Gurbani kirtan tradition by reaching out to the old ragis of the time and retrieving its links. He retrieved musical compositions of Gurbani Shabads left out and remaining at that time in oral tradition, revived intricacies in playing percussion instrument Pakhawaj Jori. He also succeeded in exposing the peacock based stringed instrument Taus which was in vogue for Gurbani singing initiated by Guru Hargobind. He was successful to approach Giani Harbhajan Singh an elderly luthier (1920–2005), who possessed profound knowledge of playing and making traditional string instruments like Taus, Saranda, Rabab, Dilruba etc. used for Gurbani Kirtan and Indian classical music and reviving his Luthiery techniques for learning and making these instruments himself. Giani Harbhajan Singh Mistry even handed over the reins of his young grandson Parminder Singh Bumrah to Baldeep Singh, who later became a major string instrument luthier and Mridangam Pakhavaj player. [10]
Bhai Baldeep Singh learned playing Mirdang (jori, tabla), Pakhawaj, according to the Guru Chela tradition from Ustad Arjan Singh Tarangar, [3] an expert musician of Jodi and Mirdang. He perfected this art so much that he received the turban /achieved headship of Amritsari Baj tradition being continued from Bhai Maiya Singh in this art. He revived this gharana of Pakhawaj also known as Nayian da gharana or more recently Punjab Gharana. [11] He also perfected his learning of Gurbani and Gurmat Sangeet from his grand uncle Bhai Gurcharan Singh Ragi. [12] Additionally he mastered technique of making traditional string instruments like rabab, saranda, tambura, dilruba etc. Bhai Baldeep is not only engaged in the research of traditional string instruments of the Guru period, but has succeeded in reviving these instruments in service of Gurbani Sangeet,.
He is founder and chairman of Anad conservatory of classical style of kirtan. He has trained several Indian and western musicians in this art. [13] To name a few Nirinjan Kaur Khalsa and Francesca Cassio are his well acclaimed students. [6]
Besides he has organized many music concerts in India as well as abroad in North America, Europe, Southeast Asia and Australia and gave performances for his singing and playing. [3] [9] [14]
He has been an expert and visiting professor of Gurbani Sangeet, at Hofstra University, USA. [5] [8]
The following outline is provides an overview of Sikhism, or Sikhi.
The Shiromani Gurdwara Parbandhak Committee is an organization in India responsible for the management of gurdwaras, Sikh places of worship, in the states of Punjab and Himachal Pradesh and the union territory of Chandigarh. SGPC also administers Darbar Sahib in Amritsar.
The Seni rebab, also known as the Seniya rabab is a plucked string instrument used in northern India that is said to have been developed by, and to have taken its name from, the notable musician Tansen in the time of the emperor Akbar the Great. It has "a large hook at the back of its head, making it easier for a musician to sling it over the shoulder and play it even while walking." It has been used in Hindustani classical music and religiously, in Sikh music. The rebab influenced the development of the sarod, another Indian musical instrument.
The Akhand Kirtani Jatha, alternatively romanized as the Akhand Keertanee Jathaa and abbreviated as AKJ, is a jatha and sect of Sikhism dedicated to the Sikh lifestyle. The Jatha follows a strict discipline in keeping the Rehat of Guru Gobind Singh. They also enjoy an active style of Keertan recited by Sikhs in a collective manner in front of Guru Granth Sahib. This style of Keertan is relatively simple, and the entire congregation devotionally participates in singing along.
Sikh music, also known as Gurbani Sangeet , and as Gurmat Sangeet, or even as Shabad Kirtan, is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts.
Glen Cove's Gurdwara Mata Sahib Kaur is a Sikh Gurdwara or temple in Glen Cove, New York in Nassau County on Long Island. It has an area of 15 acres near Long Island Sound.
Rubab, robab, or rabab is a lute-like musical instrument. The rubab is the national musical instrument of Afghanistan, is also commonly played in Pakistan and mostly by Pashtuns and Balochis, Sindhis, Kashmiris and Punjabis. Variants of the rubab include the Kabuli rebab of Afghanistan, the Rawap of Xinjiang, the Pamiri rubab of Tajikistan and the seni rebab of northern India. The instrument and its variants spread throughout West, Central, South and Southeast Asia. The Kabuli rebab from Afghanistan derives its name from the Arabic rebab and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction.
The dilruba is a bowed musical instrument originating in India. It is a type of Bowed Sitar that's slightly larger than an esraj and has a larger, square resonance box like a sarangi. The dilruba holds particular importance in Sikh history.
The taus, originally known as the mayuri veena, is a bowed string instrument from North India. It is a form of veena used in North India with a peacock-shaped resonator called a mayuri, and is played with the neck of the instrument on bow. Some versions have Sympathetic Strings that go to the Headstock like a Dilruba so they're known as the Mayuri Dilruba.
A Ragi is a Sikh musician who plays hymns (shabads) in different ragas as prescribed in the Sri Guru Granth Sahib.
Saidpur is a village in Sultanpur Lodhi Tehsil, Kapurthala district, Punjab, India, situated in the footsteps of Margalla Hills hardly at five minutes drive from the upscale neighbourhoods of the capital.
Dhadi, also spelled as Dhadhi, is one who sings ballads using Dhadd and Sarangi, the folk instruments of Punjab. According to Kahn Singh Nabha's Mahan Kosh the definition of dhadhi is "One who sings ballads of warriors playing Dhadd". Dhadis are a distinct group performers emerged in the time of Sikh gurus.
Bhai Nirmal Singh Khalsa was a Sikh Hazoori Ragi of Darbar Sahib in Amritsar, Punjab, India.
Rababi is a term used to refer to a player of the rabab instrument.
Professor Surinder Singh Matharu is a British scholar of Indian music, philosophy, and naad yoga.
Jori, Jodi, Dhamma, or Jorhi is a South Asian percussion instrument made up of two individual drums. The Jori originates from the Punjab region of South Asia. Historically, the Jori has accompanied Gurbani Kirtan. Prominent exponents of the Jori include Ustad Sukhvinder Singh "Pinky",, Bhai Baldeep Singh, 'Shezad e Jori' Sardar Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Namdhari.
Kavi Santokh Singh was a Sikh historian, poet and writer. He was such a prolific writer that the Sikh Reference Library at Darbar Sahib Amritsar was named after him, located within the Mahakavi Santokh Singh Hall. In addition to "Great Poet" (Mahākavī) Santokh Singh was also referred to as the Ferdowsi of Punjabi literature, Ferdowsi wrote ~50,000 verses while Santokh Singh's Suraj Prakash totals ~52,000. Other scholars have thought of Santokh Singh as akin to Vyasa. Gottlieb Wilhelm Leitner in 1883 wrote that, "Santokh Singh of Kantal in the Karnal District, has rendered his name immortal" through the production of his works.
Satta Doom, also spelt as Satta Dum, was a drummer and author of eight verses found within the Guru Granth Sahib.
Balbir Singh was a Sikh Hazuri Ragi who sang and performed at the Golden Temple in Amritsar for 36 years. He was one of the last masters of traditional Sikh gurbani kirtan of the Golden Temple.
Bhai Baldeep Singh (b. 1969) & 'Francesca Cassio......senior disciple of Bhai Baldeep Singh'
Along with the main ones, there are other Gharanas, such as the Punjab Gharana which has been recently revived by Bhai Baldeep Singh.
The classical style of kirtan is being devoutly performed and enthusiastically heard and rigorously studied all over.To name a few distinguished experts, Bhai Baldeep Singh of New Delhi heads the Anad Conservatory in Sultanpur Lodhi and has trained several Indian and western musicians.