Nur-ud-Din Muhammad Salim, known by his imperial name Jahangir, was the fourth Mughal Emperor, who ruled from 1605 till his death in 1627.
Mughal-e-Azam is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.
Mirza Nasir-ud-Din Muḥammad Shah was the thirteenth Mughal emperor from 1719 to 1748. He was son of Khujista Akhtar, the fourth son of Bahadur Shah I. After being chosen by the Sayyid Brothers of Barha, he ascended the throne at the young age of 16, under their strict supervision.
Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), originating from the territory of the Mughal Empire in the Indian subcontinent. It emerged from Persian miniature painting and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
Rajput painting, painting of the regional Hindu courts during the Mughal era, roughly from the end of the 16th century to the middle of the 19th century. Traditionally, Rajput painting is further divided into Rajasthan and Pahari painting which flourished in two different areas "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Gauḍa is a historic city of Bengal in the eastern part of the Indian subcontinent, and one of the most prominent capitals of classical and medieval India, being the capital city of Bengal under several kingdoms. The Gauḍa region was also a province of several pan-Indian empires. During the seventh century, the Gour Kingdom was founded by King Shashanka, whose reign corresponds with the beginning of the Bengali calendar. Gour gradually became synonymous with Bengal and Bengalis. It was conquered by Bakhtiyar Khalji, a lieutenant of the Ghurid ruler Muhammad of Ghori in 1203.
Sir Jadunath Sarkar, was a prominent Indian historian and a specialist on the Mughal dynasty.
Govardhan was a Mughal era Indian painter of the Mughal school of painting. His father Bhavani Das, had been a minor painter in the imperial workshop. Like many other Mughal painters, they were Hindus. He joined the imperial service during the reign of Akbar and he continued his work till the reign of Shah Jahan. The examples of his work survived till date show that he was fond of rich, sensuous colour and softly modeled forms.
Abdur Rahman Chughtai was a painter, artist, and intellectual from Pakistan, who created his own unique, distinctive painting style influenced by Mughal art, miniature painting, Art Nouveau and Islamic art traditions. He is considered to be 'the first significant modern Muslim artist from Pakistan', and the national artist of Pakistan.
'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles. 'Abd's career under the Mughals, from about 1550 to 1595, is relatively well documented, and a number of paintings are authorised to him from this period. From about 1572 he headed the imperial workshop of the Emperor Akbar and "it was under his guidance that Mughal style came to maturity". It has recently been contended by a leading specialist, Barbara Brend, that Samad is the same person as Mirza Ali, a Persian artist whose documented career seems to end at the same time as Abd al-Samad appears working for the Mughals.
Company style, also known as Company painting is a term for a hybrid Indo-European style of paintings made in British India by Indian artists, many of whom worked for European patrons in the East India Company or other foreign Companies in the 18th and 19th centuries. The style blended traditional elements from Rajput and Mughal painting with a more Western treatment of perspective, volume and recession. Most paintings were small, reflecting the Indian miniature tradition, but the natural history paintings of plants and birds were usually life size.
Sahibdin was an Indian miniature painter of the Mewar school of Rajasthan painting. He was one of the dominant painters of the era, and one of the few whose name is still known today. Sahibdin was a Muslim, but that kept neither his Hindu patrons from employing him, nor him from composing Hindu-themed works of great value. Sahibdin's paintings deftly combine elements of the "popular Mughal" style then in vogue across northern India with the traditional Rajput style.
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used.
Basāwan, or Basāvan, was an Indian miniature painter in the Mughal style. He was known by his contemporaries as a skilled colorist and keen observer of human nature, and for his use of portraiture in the illustrations of Akbarnama, Mughal Emperor, Akbar's official Biography, which is seen as an innovation in Indian art.
The Khan Mughal are a clan of the Chaghatai Mughal tribe found in and around Kashmir and Punjab, particularly near the mountains of the Pir Panjal Range and the city of Nabeel. They traditionally assert descent from the Barlas tribe of the Chaghatai Mughal Turks who conquered the Indian subcontinent. Their ancestors initially spoke Persian and Chaghatai Turkic. The renowned Dhaka Nawab dynasty averred descent from the Khan Mughal clans of Iranian Azerbaijan.
Ghulam Ali Khan was a nineteenth century Indian painter in Delhi. His painting career took place over the course of more than four decades, from 1817 to 1852. He was the last royal Mughal painter, and also painted in the Company style for British patrons.
Guler was a small precolonial Indian hill state in the Lower Himalayas. Its capital was the town of Haripur Guler, in modern-day Himachal Pradesh. The kingdom was founded in 1415 by Raja Hari Chand, a scion of the ancient royal family of Kangra. The etymology of the word Guler can be traced to the word Gwalior, meaning the abode of cowherds. One of the foremost schools of Pahari miniatures is named after this small principality.
Daswanth or Dasavant was a Mughal-era painter in the service of Akbar.
Mughal carpets were the handwoven floor coverings used in the Mughal Empire in their courts. Mughal carpets and rugs have their roots in India since the 16th and 17th centuries. Mughal carpets were a blend of Persian and Indian artistry uniquely designed with scenic landscapes, floral, and animal patterns. Kashmir was producing the finest wool and silk carpets and rugs, including prayer rugs. Sometimes the knot density in these rugs was so fine and tight as 300 knots per square centimeter.
