Bijapur Collection

Last updated

The Bijapur Collection is a collection of manuscripts held primarily in the India Office collections at the British Library.

Contents

History

The manuscripts, largely in Arabic with some in Persian, were originally part of the Adil Shahi royal library with many carrying seals of the Adil Shahi rulers. [1] At some point in their history, the manuscripts were removed to the Ashur Mahal (اشرمحل). [2] The building was home to a college and theological school founded by Mohammed Adil Shah, Sultan of Bijapur, to house a relic of the Prophet.

Page from the commentary on `Abd Allah ibn Hisham al-Ansari's work Mughni al-labib by Muhammad b. Abi Bakr ad-Damamini (d. circa 1424) with seals of Mahmud Gawan. British Library, India Office, IO Bijapur 7, Otto Loth's Catalogue, no. 967. Loth 967.jpg
Page from the commentary on ʻAbd Allāh ibn Hishām al-Anṣārī's work Mughnī al-labīb by Muḥammad b. Abī Bakr ad-Damāmīnī (d. circa 1424) with seals of Mahmud Gawan. British Library, India Office, IO Bijapur 7, Otto Loth's Catalogue, no. 967.

In 1848, Bijapur was annexed by the British and the library and institution were found to have no funds for their support. The scholar Charles d'Ochoa visited between 1841 and 1843, and arranged the manuscripts, separating "those preserved from the those utterly destroyed." [3] Subsequently Henry Bartle Frere, the commissioner of the area, had a catalogue of the Bijapur collection prepared in Urdu by Hamīd al-din Ḥakīm, and that was translated into English by Erskine. Following an examination of the catalogue by one John Wilson, assisted by local scholars, it was decided that the whole collection should be sent to the Court of Directors of the East India Company in London. The manuscripts were dispatched in 1853. [4]

Other parts of the Bijapur library went separate ways and are in the Raza Library, Rampur, the Salar Jung Museum, Hyderabad, the Bibliothèque nationale de France, St. Petersburg, the Museum of Islamic Art, Doha, and the University of St Andrews Library. [5] Items in the Marathi language collected by Ch. d'Ochoa in the Deccan are held in the Bibliothèque Nationale de France. [6]

The India office parts were catalogued, with other Arabic manuscripts from India, by Otto Loth (1844–1881) and published in 1877. [7] After a considerable hiatus, Qureshi provided a summary of the collection in 1980, [8] but no in-depth analysis undertaken until 2016 when Overton examined some of the notations, seals and bindings. [9]

Related Research Articles

<span class="mw-page-title-main">Bibliothèque nationale de France</span> National library of France in Paris

The Bibliothèque nationale de France is the national library of France, located in Paris on two main sites known respectively as Richelieu and François-Mitterrand. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum on the Richelieu site.

<span class="mw-page-title-main">Deccan sultanates</span> Former states in India

The Deccan Sultanates were five late-medieval Indian kingdoms—on the Deccan Plateau between the Krishna River and the Vindhya Range—that were ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The sultanates had become independent during the break-up of the Bahmani Sultanate. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, followed by Bijapur and Berar in the same year. Golconda became independent in 1518, and Bidar in 1528.

<span class="mw-page-title-main">Qutb Shahi dynasty</span> Rulers of Golconda Fort

The Qutb Shahi dynasty was a Persianate Shia Islamic dynasty of Turkoman origin that ruled the Sultanate of Golkonda in southern India. After the collapse of the Bahmani Sultanate, the Qutb Shahi dynasty was established in 1512 AD by Sultan-Quli Qutb-ul-Mulk, better known though less correctly referred to in English as "Quli Qutb Shah".

<span class="mw-page-title-main">Adil Shahi dynasty</span> Muslim dynasty that ruled southwest India as the Sultanate of Bijapur from 1490 to 1686

The Adil Shahi or Adilshahi, was a Shia, and later Sunni Muslim, dynasty founded by Yusuf Adil Shah, that ruled the Sultanate of Bijapur, centred on present-day Bijapur district, Karnataka in India, in the Western area of the Deccan region of Southern India from 1489 to 1686. Bijapur had been a province of the Bahmani Sultanate (1347–1518), and member of the Deccan Sultanates, before its political decline in the last quarter of the 15th century and eventual break-up in 1518. The Bijapur Sultanate was fully absorbed into the Mughal Empire on 12 September 1686, after its conquest by the Emperor Aurangzeb.

The Hazrat Pir Muhammad Shah Library is a library on Pir Muhammad Shah Road, Pankore Naka, Ahmedabad, in the state of Gujarat, India. One of the oldest libraries in India, it has a collection of rare original manuscripts in Arabic, Persian, Urdu, Sindhi and Turkish languages.

<span class="mw-page-title-main">Farrukh Beg</span> Persian miniature painter (ca. 1547)

Farrukh Beg, also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."

<span class="mw-page-title-main">Ahmadnagar Sultanate</span> Southern Indian kingdom (1490–1636)

The Ahmadnagar Sultanate or the Nizam Shahi Sultanate was a late medieval Indian Muslim kingdom located in the northwestern Deccan, between the sultanates of Gujarat and Bijapur, ruled by the Nizam Shahi or Bahri dynasty. Malik Ahmed, the Bahmani governor of Junnar after defeating the Bahmani army led by general Jahangir Khan on 28 May 1490 declared independence and established the Nizam Shahi dynasty rule over the sultanate of Ahmednagar. Initially his capital was in the town of Junnar with its fort, later renamed Shivneri. In 1494, the foundation was laid for the new capital Ahmadnagar. In 1636 Aurangzeb, then Mugal viceroy of Deccan, finally annexed the sultanate to the Mughal Empire.

<span class="mw-page-title-main">Falnama</span> Book of omens in 16th-, 17th-century Islamic culture

The Persian word Falnama covers two forms of bibliomancy used historically in Iran, Turkey, and India. Quranic Falnamas were sections at the end of Quran manuscripts used for fortune-telling based on a grid. In the 16th century, Falnama manuscripts were introduced that used a different system; individuals performed purification rituals, opened a random page in the book and interpreted their fortune in light of the painting and its accompanying text. Only a few illustrated Falnamas now survive; these were commissioned by rich patrons and are unusually large books for the time, with bold, finely executed paintings. These paintings illustrate historical and mythological figures as well as events and figures associated with the Abrahamic religions.

Michael Willis is an Indologist and historian based in London, England.

Tajrīd al-iʿtiqād or Tajrid al-Kalam is a work by Nasir al-Din al-Tusi about Shia beliefs in Islamic theology. Tajrīd is the most famous scholastic text in Shiite theology and most effective work in history of apologetic written by Nasir al-Dīn Ṭūsī.

<span class="mw-page-title-main">Ethiopian manuscript collections</span>

Ethiopian manuscript collections are found in many parts of the world, the monasteries and modern institutions in Ethiopia maintaining extensive collections with some monasteries still centres of manuscript production.

<span class="mw-page-title-main">Deccan painting</span> Form of miniature painting

Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.

The Ni'matnāmah Naṣir al-Dīn Shāhī, is a medieval Indian cookbook, written in Persian language in Naskh script, of delicacies and recipes, some accompanied by paintings illustrating the preparation of the dishes. It was started for Ghiyath Shah, the ruler of the Malwa Sultanate in central India. After he was forced to abdicate, it was completed for his son 'Abd al-Muzaffar Naṣir Shāh..

Nūr al-Dīn Muḥammad Ẓuhūrī was a Persian poet born around 1537. Ẓuhūrī states that he was born in Qāʾin, but tradition identifies his birthplace as a village in the district of Turshiz, thus his often used nisbat Turshīzī. He began his career in Yazd at the court of Ghiyās al-Dīn Mīr-i Mīrān, where he was acquainted with the poet Waḥshī. After spending several years in Shiraz he travelled to the Deccan in 1580 where he entered the service of Ibrahim Adil Shah II. There he married the daughter of Mawlānā Malik Qumī. Among his know works is the Sāqīʻnāma. An anthology of his poems is titled Kulliyyāt-i Ẓuhūrī, the oldest copy of which appears to be that in the India Office collection at the British Library. The seals in this manuscript show that it was in the library of Shah Jahan.

John Bardoe Elliott, was a civil servant in Colonial India. He is best known for his collection of oriental manuscripts that he donated to the Bodleian Library at the University of Oxford in 1859.

Charles Boddam (1762–1811) was born in India, the son of Rawson Hart Boddam. He joined the East India Company as a writer in 1780. In 1793, Boddam was appointed to Saran district as Judge of Diwani Adawlut and Magistrate. He died at Fort William, India on 13 August 1811.

<i>Gulshan-i Ishq</i> Romantic allegorical poem by the Urdu poet Nusrati

The Gulshan-i 'Ishq is a romantic poem written in 1657 by the Indian Sufi poet Nusrati. Written in the Deccani language, it combines literary and cultural traditions from India and Iran. Manuscripts of the poem, illustrated with lavish paintings, have survived from the 18th century to the present day.

<span class="mw-page-title-main">Mubad</span> Indian poet

Mūbad (موبد) was an Indian poet, originally from Kashmir, who wrote in Persian and settled in Lucknow in the first half of the eighteenth century. Originally called Zindah Rām Pandit, he had two sons, both of whom took service in the court of Shah Alam II. One son, named Sītā-Rām 'Umdah, died in AH 1173. Mūbad himself was a pupil of Mīrzā Girāmī, son of 'Abd al-Ghanī Beg Qabūl. His most famous work is the Diwān-i Mūbad, an extensive collection of poems. The copy in the British Library, registered under the number Or. 324, contains chronograms relating to contemporty events in the reigns of Shah Alam II and Alamgir II. This copy was purchased from the widow of Col. George William Hamilton (1807-1868).

ʻAbd al-Raḥmān ibn Muḥammad al-Bisṭāmī was a leading intellectural figure in the Ottoman world of the early fifteenth century. He was born in Antakya in about 1380 and died in about 1455. Educated in Cairo, he moved to Bursa, where he enjoyed the patronage of Sultan Murad II. He owed his name to the Iranian Sufi to Abu Yazid al-Bistami.

<span class="mw-page-title-main">Nusrati</span> Urdu poet

Muḥammad Nuṣrat, called Nuṣratī ('victorious'), was a Deccani Urdu poet.

References

  1. India Office Records, Selections from the Records of the Bombay Government, N.S., No. 41 (Bombay, 1957): 213-42; for an example, see Muḥammad ibn Ismā'īl al-Bukhārī. Islamic Traditions [120] [Data set]. Zenodo. http://doi.org/10.5281/zenodo.4488407.
  2. For photograph taken in the 19th century see: https://www.bl.uk/onlinegallery/onlineex/apac/photocoll/t/019pho0000125s3u00065000.html
  3. Rajeshwari Datta, "The India Office Library: Its History, Resources, and Functions," The Library Quarterly: Information, Community, Policy 36, no. 2 (1966): 99-148.
  4. Rajeshwari Datta, "The India Office Library: Its History, Resources, and Functions," The Library Quarterly: Information, Community, Policy 36, no. 2 (1966): 143.
  5. Examples illustrated in Keelan Overton, "Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580-1630," Muqarnas 33 (2016): 91-154. https://www.jstor.org/stable/26551683.
  6. S. G. Tulpule, "Un catalogue descriptif des manuscrits marathi dans la collection de Charles d'Ochoa de la Bibliothèque nationale Paris," Bulletin de l'École Française d'Extrême-Orient 75 (1986): 105-123. DOI : https://doi.org/10.3406/befeo.1986.1702.
  7. Otto Loth, A Catalogue of the Arabic Manuscripts in the Library of the India Office (London, 1877), vol. I, Preface, accessible online in https://www.archive.org and in Zenodo at http://doi.org/10.5281/zenodo.3923636.
  8. Saleemuddin Qureshi, "The Royal Library of Bijapur," Pakistan Library Bulletin 11, nos. 3–4 (September–December 1980): 1–16. https://doi.org/10.5281/zenodo.5044853.
  9. Keelan Overton, "Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580-1630," Muqarnas 33 (2016): 91-154. https://www.jstor.org/stable/26551683