Bill Botten

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Bill Botten
Bill Botten, 2014.jpg
Born19 May 1935
London, England
NationalityBritish
Occupation(s)Artist, illustrator, graphic designer

William "Bill" Botten (born 19 May 1935) is a British illustrator, designer and artist known for the design of over 250 book covers. [1]

Contents

Early life

Botten was born in London, England, and was evacuated to the Buckinghamshire countryside for the duration of the Second World War.  He left school aged 16 for his first job as a studio boy at advertising agency George Street & Company in the City of London.  He returned to Streets after National Service in the Royal Air Force in Iraq.

Career

After working as a designer at magazine publishers Fleetway Publications, London, he became Art Director at Sphere Books, [2] a new paperback book publishers set up by Thomson Corporation in 1965. After a brief partnership with fellow designer Wilson Buchanan, he freelanced full time producing magazine adverts, exhibition stand designs and in the 1980s illustrations for the Avon Products cosmetics company. His most distinctive artistic legacy lies in the book jackets he designed for UK publishers, David Bruce and Watson, Hutchinson and Jonathan Cape. Many of these books are collectable and some command high prices.

Jonathan Cape

Botten produced 120 hardback book covers from the mid 60s to the mid-1980s commissioned by Tony Coldwell at Jonathan Cape.  Cape had a reputation for publishing first editions of important authors. Botten designed and illustrated the cover for Salman Rushdie’s breakthrough novel Midnight’s Children . [3] He took the photograph for Kingsley Amis’s novel Girl, 20 in his suburban home’s garage which he transformed into a photographic studio with a neighbour as model. The writer Ian McEwan’s first collection of short stories First Love, Last Rites is described as having “Beardsleyesque elegance”. [4] Cape commissioned six covers for titles by science fiction author J G Ballard between 1973 and 1982. The covers of first editions of Ballard’s Crash and Hello America show Botten’s skill in airbrush technique. They also show his attention to how the book’s spine appears on the shelf with his jacket art often extending on to the back cover. The author Brian Aldiss liked Botten’s cover for the first edition of New Arrivals, Old Encounters. [5] He always read the book before designing the cover. [6]

James Bond

Jonathan Cape published Ian Fleming’s James Bond novels and subsequently Bond books written by other authors.  Bill was asked to follow the style of Richard Chopping, designer of the original Fleming novels such as From Russia with Love (1957) and The Man with the Golden Gun (1965). Botten produced artwork for two novels by John Gardner: For Special Services (1982) and Icebreaker (1983) in Chopping’s style. When Christopher Wood’s novelisation of the screenplay for James Bond,The Spy Who Love Me (1977) was published by Jonathan Cape, Botten broke free of that earlier genre and produced a large oil painting which referenced the Pre-Raphaelite style. [7] The subsequent novel of the film James Bond andMoonraker (1979) was in a different style again, using artists gouache.

Bill Botten - Artist

The commercial work earned him a living.  His own work covers figures, abstracts and often surreal humour. [8]

Related Research Articles

<i>Crash</i> (Ballard novel) 1973 novel by J. G. Ballard

Crash is a novel by English author J. G. Ballard, first published in 1973 with cover designed by Bill Botten. It follows a group of car-crash fetishists who become sexually aroused by staging and participating in car accidents, inspired by the famous crashes of celebrities.

<span class="mw-page-title-main">J. G. Ballard</span> English writer (1930–2009)

James Graham Ballard was an English novelist and short story writer, satirist and essayist known for psychologically provocative works of fiction that explore the relations among human psychology, technology, sex, and the mass media. Ballard became associated with New Wave science fiction for post-apocalyptic novels, such as The Drowned World (1962), but also courted political controversy with the short-story collection The Atrocity Exhibition (1970), which includes the story "Why I Want to Fuck Ronald Reagan" (1968), and the novel Crash (1973), a story about car-crash fetishists.

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<i>The Man with the Golden Gun</i> (novel) Novel by Ian Fleming

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<i>On Her Majestys Secret Service</i> (novel) Espionage novel by Ian Fleming

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Literary fiction, mainstream fiction, non-genre fiction, serious fiction, high literature, artistic literature, and sometimes just literature are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre ; or, otherwise, refer to novels that are character-driven rather than plot-driven, examine the human condition, use language in an experimental or poetic fashion, or are simply considered serious art.

<i>For Special Services</i> Novel by John Gardner (British writer)

For Special Services, first published in 1982, was the second novel by John Gardner featuring Ian Fleming's secret agent, James Bond. Carrying the Glidrose Publications copyright, it was first published in the United Kingdom by Jonathan Cape and in the United States by Coward, McCann & Geoghegan. Cover designed by Bill Botten.

<i>Icebreaker</i> (novel) Novel by John Gardner

Icebreaker, first published in 1983, was the third novel by John Gardner featuring Ian Fleming's secret agent, James Bond. Carrying the Glidrose Publications copyright, it was first published in the United Kingdom by Jonathan Cape and is the first Bond novel to be published in the United States by Putnam, beginning a long-standing association. Part of the book takes place in Northern Europe, including Finland; to make his book as authentic as possible, Gardner even visited Finland.

<i>The James Bond Dossier</i> Book by Kingsley Amis

The James Bond Dossier (1965), by Kingsley Amis, is a critical analysis of the James Bond novels. Amis dedicated the book to friend and background collaborator, the poet and historian Robert Conquest. Later, after Ian Fleming's death, Amis was commissioned as the first continuation novelist for the James Bond novel series, writing Colonel Sun (1968) under the pseudonym Robert Markham. The James Bond Dossier was the first, formal, literary study of the James Bond character. More recent studies of Fleming's secret agent and his world include The Politics of James Bond: From Fleming's Novels to the Big Screen (2001), by the historian Jeremy Black.

<span class="mw-page-title-main">Cover art</span> Artwork on the outside of a published product

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Richard Wasey Chopping was a British illustrator and author best known for painting the dust jackets of Ian Fleming's James Bond novels starting with From Russia, with Love (1957).

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References

  1. "The Encyclopedia of Science Fiction". sf-encyclopedia.com. Retrieved 13 February 2022.
  2. "The Encyclopedia of Science Fiction". sf-encyclopedia.com. Retrieved 13 February 2022.
  3. Porter, Catherine (2003). Collecting Modern Books. Miller's. p. 25. ISBN   1 84000 723 0.
  4. Powers, Alan (2001). Front Cover. Mitchell Beazley. p. 101. ISBN   1 84000421 5.
  5. "A Selection of Books from the Library of Tom Maschler". issuu.com. Heywood Hill Rare Books, 2018. 2018. p. Catalogue entry 2. Retrieved 13 February 2022.
  6. "Exclusive Interview with James Bond Book Cover Artist Bill Botten". Artistic Licence Renewed. 3 September 2014. Retrieved 13 February 2022.
  7. "Exclusive Interview with James Bond Book Cover Artist Bill Botten". Artistic Licence Renewed. 3 September 2014. Retrieved 13 February 2022.
  8. "Original paintings and artworks by artist Bill Botten. Diverse, provocative and for sale". www.billbottenart.co.uk. Retrieved 13 February 2022.