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Bill Clinton Kalonji | |
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Birth name | Didier Kalonji |
Born | July 4, 1979 |
Origin | Ngiri-Ngiri, Kinshasa, Democratic Republic of the Congo |
Genres | Soukous- Congolese rumba-Afrobeats |
Occupation | Singer-songwriter |
Instrument | Vocals |
Past members | Wenge Musica Maison Mère, Les Marquis De Maison Mere |
Didier Kalonji Mukeba (born July 4, 1979), Known professionally by his stage name as Bill Clinton and Monseigneur or Macintosh [1] [2] is a Congolese singer-songwriter dancer and animator. he was a member of Wenge Musica Maison Mere [3] orchestra by Werrason from 1997 to 2004. The name "Kalonji", as in Albert Kalonji, is a name traditionally associated with leaders of the Luba people. [4]
Bill Clinton decided to leave his first the group, Wenge Music Maison Mere, in 2004 [5] and start his own career. In 2004 he, Ferré Gola and J.D.T Mulopwe created a new group called Les Marquis or Les Marquis de Maison Mere and later left to create Marquis de Samourais. The group released several albums [6] but later broke up.
In 2006-2007 "Clinton" was among a number of African musicians threatened with legal action for breach of contract by a music producer based in Paris; no action was taken against him. [7] Having begun his career as an atalaku , he was one of few to successfully make the transition to bandleader. [8]
2011: Palpitation totale
2013: Tshikimbwa 2 (Opération Obama)
2015: Kulumbimbi
2015: Pression
2015: Fuku Shima (Le roi pharaon)
2012: Excès D'Amour
2012: Mukusa Mukongo
2012: Mukuwa Makoso
2012: Love Moi
2012: Kulumbimbi
2012: Condition
2012: Congo Vas Changer
2012: Kasonda
2013: Koli Villa
2013: Hi Brenda
2013: Kaylie
2013: Amède Ngassaki
2013: Sagess
2013: Vanité Des Vanités
Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Antoine Christophe Agbepa Mumba, known professionally as Koffi Olomidé, is a Congolese singer-songwriter, dancer, producer, and founder of Quartier Latin International. Often referred to as the "King of Ndombolo", he is noted for his explosive high notes, deep baritone, and offbeat voice. Agbepa is considered one of the most significant figures in 20th-century Congolese and African popular music. His lyrics often explore themes of love, politics, technology, success, infidelity, religion, chicanery, and disillusionment. Through his music and stage performances, he introduced the slower style of soukous known as tcha tcho and popularized a flamboyant fashion subculture called La Sape, alongside Papa Wemba.
The Stade des Martyrs de la Pentecôte, or commonly referred to as the Stade des Martyrs, is the national stadium of the Democratic Republic of the Congo, located in the Kinshasa commune of the capital Kinshasa. With a seating capacity of 80,000, it is the largest stadium in the Democratic Republic of the Congo and the fourth-largest stadium in Africa. It serves as the home stadium for the Congolese football national team, Association Sportive Vita Club, and Daring Club Motema Pembe, making it the largest multifunctional venue in the country.
Marie-Claire Mboyo Moseka, known professionally as M'bilia Bel, is a Congolese singer and songwriter. Dubbed the "Queen of African Rumba" and "Queen Cleopatra", she is regarded as one of the most influential figures in 20th-century Congolese and African popular music. Her music is a blend of traditional Congolese rumba, soukous, rap, and zouk, with lyrics that often delve into themes of love, politics, hedonism, militancy, jealousy, sentimentality, and education.
Ndombolo, also known as dombolo, is a genre of dance music originating in the Democratic Republic of the Congo. Derived from soukous in the 1990s, with fast-paced hip-swaying dance rhythms, often accompanied by upbeat, percussion-driven music, the style became widespread in the mid-1990s and the subsequent decade, dominating dancefloors in central, eastern, and western Africa. It inspired West African popular music, coupé-décalé, Kuduro, and East African dance music.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo and Democratic Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
Louis Albert William Longomba, known professionally as Awilo Longomba, is a Congolese soukous singer, composer, drummer, songwriter, dancer, and producer. William is known for pioneering the techno-soukous genre, a variant of soukous that blends techno music with ndombolo, often incorporating elements of electro, dance music, and zouk.
Noël Ngiama Makanda, known professionally as Werrason, is a Congolese singer-songwriter, composer, producer, philanthropist, and the bandleader of Wenge Musica Maison Mère. He was a co-founding member of Wenge Musica, a musical group that played a pivotal role in the development of the ndombolo dance music genre during the 1990s.
Fally Ipupa N'simba, known professionally as Fally Ipupa, is a Congolese singer-songwriter, dancer, philanthropist, guitarist, and producer. Often referred to as the "Prince of Rumba", he is noted for his tenor vocals as well as his blend of contemporary and traditional Congolese music genres, including Congolese rumba, soukous, and ndombolo. His lyrics often cover themes of romance, suffering, and joy.
Hervé Gola Bataringe, known professionally as Ferré Gola, is a Congolese singer-songwriter, dancer, and record producer. Revered as "Jésus de Nuances", he is regarded as one of the most significant figures of the fifth-generation Congolese rumba. His lyrics predominantly revolve around themes of love, social support, and interpersonal relationships.
Bopol Mansiamina, also known as Bopol or Don Paolo, was a prolific and renowned Congolese musician. He recorded and performed extensively over four decades as a solo artist, as a member of leading African bands, and in support of many African musicians. Bopol was best known for his work in the 1980s and early 1990s as one of the four members of the Paris-based supergroup Les Quatre Etoiles and as a solo artist.
Héritier Bondongo Kabeya, known by his stage name as Héritier Watanabe is a Congolese singer-songwriter, dancer from Kinshasa Democratic Republic of the Congo. He started singing at age of 10. he was a member of Wenge Musica Maison Mère from 2001 to 2015 he decided to quit the group and signed with Obouo Music Label of David Monsoh and release his first single title "B.M" in July 2016 and his first album "Carrière d'honneur - Retirada" in November 2016.
Fabrice Mbuyulu, better known by his stage name Fabregas Le Métis Noir is a Congolese singer-songwriter dancer and record producer from his own label Wanted Record founded in 2015. He started his musical career by singing in a Catholic church. He is also known as a member of Wenge Musica Maison Mère from 2008 to 2011
Wenge Musica Maison Mère, also spelled as WMMM, is a musical band founded in December 1997, by musicians Werrason, Didier Masela and Adolphe Dominguez, after the split of their original band, Wenge Musica, created in 1981. Since its foundation, the band has had a rivalry with former bandmate JB Mpiana's Wenge BCBG. Under the leadership of Werrason, the group developed stars such as vocalists Ferré Gola, Héritier Watanabe, Fabregas le Métis Noir and Bill Clinton Kalonji. The band faced its first split after Ferré, Bill Clinton and JDT Mulopwe left the band to found Les Marquis de Maison Mère in 2004.
Wenge Musica were a Congolese soukous band formed by Didier Masela in 1981 and led by JB Mpiana from 1986 until their breakup, in 1997.
Mongala Akelembi, professionally known as Robinio Mundibu, is a Congolese singer, songwriter and dancer. Akelembi began his career as a protégé of Do Akongo and later worked with Tutu Caludji, an ex-singer of Wenge Musica BCBG. In 2009, he joined Wenge Musica Maison Mère before going solo in 2014 with his debut singles "Vantard" and "Mbonzimbonzi". The following year, Akelembi debuted four singles "Ye Yo Ok", "Etirette", "Zuwa", and "Compliqué".
Félix Nlandu Wazekwa, known professionally as Félix Wazekwa, is a Congolese singer-songwriter, author, filmmaker, dancer, and bandleader. Known for his Lingala deep lyrics and baritone voice, he is regarded as an influential figure in soukous and Congolese rumba music and one of the most prominent lyricists of his generation.
Jean-Marie Belobi Ng’ekerme, known professionally as Meridjo Belobi, was a Congolese drummer and songwriter. Known for being a long-time drummer for Zaïko Langa Langa, he is credited as the creator of the Cavacha drum pattern, which gained international recognition and is considered as a major contribution to African music.
Extra Musica is a Congolese rumba band formed in Ouenzé, Brazzaville, in August 1993. The band was established by Roga-Roga, Espé Bass, Kila Mbongo, Durell Loemba, Guy-Guy Fall, Ramatoulaye Ngolali, and Quentin Moyascko, who initially met at the Sainte Thérèse church in Ouenzé, being neighbors and classmates. Prior to forming Extra Musica, several members had been associated with the Cogiex Stars ensemble but seceded subsequent to facing punitive repercussions for attempting to infuse new ideas.