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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.
"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, radio play, and online streaming in the United States.
"Only You " is a pop song composed by Buck Ram. It was originally recorded by The Platters with lead vocals by Tony Williams in 1955.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Maybellene" is a rock and roll song by American artist Chuck Berry, adapted in part from the Western swing fiddle tune "Ida Red". Released in 1955, Berry’s song tells the story of a hot rod race and a broken romance, the lyrics describing a man driving a V8 Ford and chasing his unfaithful girlfriend in her Cadillac Coupe DeVille. It was released in July 1955 as a single by Chess Records, of Chicago, Illinois. Berry's first hit, "Maybellene" is considered a pioneering rock and roll song. Rolling Stone magazine wrote of it, "Rock & roll guitar starts here." The record was an early instance of the complete rock and roll package: youthful subject matter; a small, guitar-driven combo; clear diction; and an atmosphere of unrelenting excitement.
"Cry" is a 1951 popular song written by Churchill Kohlman. The song was first recorded by Ruth Casey on the Cadillac label. The biggest hit version was recorded in New York City by Johnnie Ray and The Four Lads on October 16, 1951. Singer Ronnie Dove also had a big hit with the song in 1966.
"Be Without You" is a song by American recording artist Mary J. Blige. It was written by Johnta Austin, Bryan Michael Cox, Jason Perry, and Blige for her seventh studio album, The Breakthrough (2005). Production was helmed by Cox and Young Smoke, while vocal production was overseen by Ron Fair and Blige. It was released as the album's first official single on November 14, 2005.
Billboard Year-End charts are cumulative rankings of entries in Billboard magazine charts in the United States in any given chart year. Several hundred Year-End charts are now published by Billboard, the most important of which are the single or album charts based on Hot 100 and Billboard 200 respectively.
"If You Really Love Me" is a song written by Stevie Wonder and Syreeta Wright. Wonder recorded the song and released his version as a single from his 1971 album Where I'm Coming From. The single peaked in the top 10 of the Billboard Hot 100, Billboard′s R&B chart, and Billboard′s Easy Listening chart.
"That Girl" is a song by American R&B singer and songwriter Stevie Wonder. It was the leading single from Wonder's album-era 1982 greatest-hits compilation, Stevie Wonder's Original Musiquarium I, as one of four newer songs from the collection. The song spent nine weeks at number one on the Billboard R&B singles chart – the longest time a Stevie Wonder single spent at the top spot – and reached number four on the Billboard Hot 100.
"I'll Take You There" is a song written by Al Bell, and originally performed by soul/gospel family band the Staple Singers. The Staple Singers version, produced by Bell, was released on Stax Records in February 1972, and spent a total of 15 weeks on the charts and reached #1 on the Billboard Hot 100. It is ranked as the 19th biggest American hit of 1972.
"(You've Got Me) Dangling on a String" is a 1970 soul music song by the Chairmen of the Board. The single reached No. 38 on the US Billboard Hot 100, No. 19 on the US Billboard R&B chart, and No. 5 on the UK Singles Chart. The song was written by Ronald Dunbar and Edythe Wayne.
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.
"Love on a Two-Way Street" is a soul ballad written by Sylvia Robinson, Lezli Valentine and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. Billboard ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies.
"Everybody Plays the Fool" is a 1972 song first recorded by American R&B group The Main Ingredient, and written by J. R. Bailey, Rudy Clark and Ken Williams. It was the first single released from the group's album Bitter Sweet, released with the B-side "Who Can I Turn To ". "Everybody Plays the Fool" was the group's highest charting hit single, reaching No. 3 on the Billboard Hot 100 chart in the fall of 1972. It also peaked at No. 2 on the Billboard R&B chart and at No. 25 on the Billboard adult contemporary chart. It was certified gold by the RIAA.
"A Lover's Question" is a 1958 Pop, R&B hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter's most successful Pop and R&B release. The bass singer is Noah Hopkins. "A Lover's Question" made it to #6 on the Billboard Hot 100 and was #1 for one week on the R&B chart.
References
- ↑ "1955's Top R&B Records". The Billboard. January 7, 1956. p. 20.